Great Expectations Page #6

Synopsis: Pip, a good-natured, gullible young orphan, lives with kind blacksmith Joe Gargery and his bossy, abusive wife 'Mrs. Joe'. When the boy finds two hidden escaped galley convicts, he obeys under -probably unnecessary- threat of a horrible death to bring the criminals food he must steal at peril of more caning from the battle-ax. Just when Pip fears to get it really good while they have guests, a soldier comes for Joe who takes Pip along as assistant to work on the chains of escaped galley-convicts, who are soon caught. The better-natured one takes the blame for the stolen food. Later Pip is invited to became the playmate of Estelle, the equally arrogant adoptive daughter of gloomy, filthy rich Miss Havisham at her estate, who actually has 'permission' to break the kind kid's heart; being the only pretty girl he ever saw, she wins his heart forever, even after a mysterious benefactor pays through a lawyer for his education and a rich allowance, so he can become a snob in London, by now 'a
Director(s): David Lean
Production: Universal Pictures
  Won 2 Oscars. Another 1 win & 4 nominations.
 
IMDB:
7.9
Rotten Tomatoes:
100%
NOT RATED
Year:
1946
118 min
1,620 Views


- I hope you've done well.

- I've done wonderful well.

- I'm famous for it.

- I'm very glad to hear it.

I hoped to hear you say so, dear boy,

but you've done well too, eh?

Yes, I've done quite well.

May I make so bold as to ask

how you've done well

since you and me was out

on those lone, shivering marshes?

- How?

- How?

Yes, I've been chosen

to succeed to some property.

Might a mere varmint ask what property?

I don't know.

Might a mere varmint ask

whose property?

I don't know.

Could I make a guess at your income

since you come of age?

As to the first figure now. Five?

Concerning a guardian.

There ought to have been a guardian

or such like when you were a minor.

Some lawyer, maybe?

As to the first letter

of that lawyer's name now...

would it be J?

As the employer of that lawyer

whose name began with J,

and might be Jaggers...

I wrote from Portsmouth to a person

in London

for particulars of your address.

That person's name?

Why, Wemmick!

Yes, Pip, dear boy, I made a gentleman

of you. It was me what done it.

I swore that time, that as sure as I earned

a guinea, that guinea would go to you.

And that there hunted dog

what you kept life in

got his head so high that he made

a gentleman. And Pip, you're him!

Why, I'm your second father Pip,

and you're my son.

And how good-looking you've growed.

Ah, there's a pair

of bright eyes somewhere, eh?

Isn there a pair of bright eyes

what you love the thoughts of?

They shall be yourn, dear boy,

if money can buy 'em.

But didn't you never think

it might be me?

No, never.

Well, you see, it was me

and single-handed.

Never a soul in it but me own self

and Mr. Jaggers.

- Was there no one else?

- No. Who else should there be?

Well, where are you

going to put me, dear boy?

- Put?

- To sleep.

Who's that?

Don't be alarmed. It's Mr. Pocket

who shares these rooms with me.

Phew! What a night!

Hello.

Herbert... something

very strange has happened.

This is a visitor of mine.

Take it in your right hand.

Say "Strike me dead on the spot

if I split in any way whatever."

Strike me dead on the spot

if I split in any way whatever.

- Kiss it.

- Do as he says, Herbert.

Now, you're on oath.

Come in.

Ah. You can go now, Molly.

- Now, Pip, be careful.

- I will, sir.

Don't commit yourself or anyone.

You understand me?

- Mr. Jaggers...

- Don't tell me. I don't want to know.

I'm not curious.

I merely want to assure myself

that what I've been told is true.

Did you say told or informed?

Told would seem to imply

verbal communication.

You can't have verbal communication

with a man in New South Wales.

- I will say informed.

- Good.

I have been informed

by a person named Abel Magwitch

that he is my unknown benefactor.

That is the man, in New South Wales.

- And only he?

- And only he.

I'm not holding you responsible for

my mistakes and wrong conclusions,

but I always supposed that

it was Miss Havisham.

As you say, Pip,

I am not at all responsible for that.

- Yet it looked so like it, sir.

- Not a particle of evidence.

Take nothing on its looks,

take everything on evidence.

Well, I have nothing more to say.

You should know that I communicated

with Magwitch in New South Wales

and reminded him that if he returned

to this country it would be a felony,

rendering himself liable

to the extreme penalty of the law.

Take a look out of that window, Pip.

That sort of thing happens every day.

Magwitch has enemies here

who would not hesitate to inform on him.

I see.

But he has guided himself

by my caution, no doubt.

No doubt.

If you will excuse me, sir.

There's no other alternative.

He must leave the country

and I have to go with him.

- Why?

- He has risked everything for me.

- I can do no less than stand by him.

- What will you say to Estella?

I am at a loss to know what to say to her.

She'd never understand about him.

But I must see her before I go.

- Ah! Just come down?

- Yes.

Beastly place,

your part of the country, I think.

I'm going out for a ride. I mean to explore

those marshes for amusement.

Out-of-the-way villages there, curious

little public houses, smithies and that.

Mr. Drummle, I don't find this

a very agreeable conversation.

I'm sure you don't, but don't lose

your temper.

- Haven't you lost enough?

- What do you mean?

The lady is joining me later, so take

her horse to her house in an hour.

Very good, sir.

And don't forget to tell the waiter

I'm going to dine with the lady.

Aye, aye.

Come in.

What wind blows you here, Pip?

I went to Richmond yesterday

to speak to Estella,

and finding that some wind

had blown her here I followed.

What I have to say to Estella

I will say before you in a few moments.

It will not surprise you,

it will not displease you.

I am as unhappy as you could ever

have meant me to be.

I have found out whom my patron is.

It isn't a fortunate discovery,

and is not likely ever to enrich me in

reputation, station, fortune, anything.

But there are reasons

why I can say no more of that.

It is not my secret but another's.

It is not your secret

but another's. Well?

When you first caused me

to be brought here, Miss Havisham,

I suppose I really came here

as any other chance boy might,

as a kind of servant to gratify a want

or a whim and to be paid for it.

- Aye, Pip, you did.

- And that Mr. Jaggers was...

Mr. Jaggers had nothing to do with it.

His being my lawyer and the lawyer

of your patron was a coincidence.

He holds the same relation

towards numbers of people.

But when I fell into the mistake,

at least you led me on.

- Yes, I let you go on.

- Was that kind?

Who am I, for heaven's sake,

that I should be kind?

Well, well, well. What else?

Estella, I should have said this sooner

but for my long mistake

which led me to believe that Miss

Havisham meant us for one another.

I couldn't tell you of my real feelings

while you were not free to choose.

But now I have to go away.

And I must say it before I go.

I love you, Estella.

I've loved you ever since

I first saw you here.

Pip, I tried to warn you not to love me,

but you thought I didn't mean it.

Isn it true that Bentley Drummle

is in town pursuing you?

Quite true.

That you encourage him

and ride out with him?

And that he dines with you this very day?

Quite true.

How can you fling yourself

at such a man?

Should I fling myself at you, Pip, who

would sense that I bring nothing to you?

But you cannot love him, Estella?

What have I always told you?

Do you still think

that I don't mean what I say?

Estella, you...

You would never marry him?

Why not tell you the truth?

I am going to be married to him.

Come, Pip. Don't be afraid

of my being a blessing to him.

I shall not be that.

Here is my hand.

Let us part on this. You'll get me

out of your thoughts in a week.

What have I done?

What have I done?

If you mean what have you done to me,

Miss Havisham, let me answer.

Rate this script:2.0 / 1 vote

Charles Dickens

All Charles Dickens scripts | Charles Dickens Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Great Expectations" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/great_expectations_9300>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Great Expectations

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of a "tagline"?
    A A character’s catchphrase
    B The final line of dialogue
    C A catchy phrase used for marketing
    D The opening line of a screenplay