
Green River KIiller Page #19
- Year:
- 2005
- 436 Views
She reaches for his hand. They sit together, quietly.
INT. JENSEN HOUSE, BEDROOM (2003) - NIGHT
TOM sits on the edge of the bed, while CHARLAINE sleeps. In
the pale moonlight, he stares out the window, alone in this
other world. He sees a small figure out on the street below,
looking up at his window. It’s GARY. After a beat, GARY turns
and walks off up the street.
106.
EXT. STREET - NIGHT
TOM walking along the dark street, following GARY ahead in
the distance.
EXT. ‘OLD FOREST’ - DAY
TOM is walking towards us in a grey landscape. He stops, and
sees GARY up ahead, standing at the edge of the ‘Old Forest’.
GARY disappears into it. TOM follows. He walks through dense,
dark forest, trying to keep GARY in his sights. He sees a
clearing up ahead and moves toward it.
EXT. ‘OLD FOREST’ CLEARING - DAY
As TOM reaches the clearing, he sees an empty, ABANDONED
HOUSE, (like the ones at the airport sites from earlier). He
stands looking at it across the clearing. Hidden in the
darkness of the doorway, a PAIR OF EYES, watching TOM. TOM
heads toward the HOUSE.
TOM walks down a dark CORRIDOR. A FOX runs down the corridor
ahead of him. It disappears through an OPEN DOOR at the end.
TOM keeps moving, slowly, towards it. Again, we see EYES
hidden in the dark beyond the door, watching TOM. As he
approaches, the DOOR bangs shut. We hear it being locked from
the inside. TOM tries the handle.
TOM:
Gary? Gary!
We notice a MIRROR on the wall beside him. Unseen by TOM,
instead of his own reflection in the glass, we see GARY
there. GARY turns to face TOM, throws a TRIANGULAR ROCK from
out of the mirror, which lands at TOM’s feet. TOM turns to
the mirror, it’s his own reflection looking back at him. He
looks down for the ROCK. Not there. Turns round, JUDITH is
there, the ROCK in her outstretched hand, offered to him. As
he takes it, the DOOR clicks open in front of him. JUDITH is
gone. He enters.
INT. JENSEN HOUSE, BATHROOM - - NIGHT
TOM stands in his now cleaned up bathroom. He looks down at
the newly tiled floor. Notices a WET PATCH in one area. He
looks closer, sees water leaking out around the edges of the
tiles. He gets down on the floor, pulls at some of them, and
as they come away, he sees that beneath them is more water.
107.
Beneath the water, a FACE looking up at him, eyes open. A
YOUNG WOMAN under there, standing naked, totally submerged.
As he takes away more tiles, he sees another YOUNG WOMAN, and
another, and another. All of them naked, standing there,
silently looking up at him from beneath the surface. Waiting.
INT. THE BUNKER, GARY’S ROOM (2003) - MORNING
Eyes open. GARY lays in his make-shift BED in his small room.
TITLE over black - “JUNE 17TH, 2003 - DAY FIVE”
INT. THE BUNKER, INTERROGATION ROOM (2003) - MORNING
GARY and TOM. Facing each other. An unspoken connection.
TOM:
How’d you sleep?
GARY:
Pretty good. You?
TOM:
(nods)
Breakfast okay?
GARY:
Decent. Didn’t eat much of it.
INT. THE BUNKER, PROSECUTION VIEWING ROOM (2003) - CONTINUOUS
The rest of the TEAM watching, settling in for the session.
GARY (O.S.)
Had a stomach-ache. Didn’t want to
make it worse.
DOYON:
Great. There goes our Zagat rating.
INT. THE BUNKER, INTERROGATION ROOM (2003) - CONTINUOUS
TOM puts a photograph, of GARY from the ‘80s, on the table.
TOM:
A man can change a lot in twenty
years. I know that’s not you
anymore. The person who did all
those terrible things.
(MORE)
108.
TOM (CONT'D)
I think the man I’m looking at now,
wants to be a good man. He wants to
help us. Help the families.
GARY:
(with difficulty)
It’s just... that’s the way...
that’s the way I... when I put that
in there, it’s a place where I
locked it in there. My mind doesn’t
want to give it up.
TOM:
I understand, Gary. And I think
it’s important for you to remember,
that individual there, is very
different to this individual I’m
talking to now, okay? I know that’s
not who you want to be.
GARY nods.
TOM (CONT’D)
That’s the ‘Old Gary’. He did those
things, not you. And I want you to
know, it’s alright for you to tell
us anything. We’re not going to be
shocked, by any of it. Okay?
GARY:
Okay.
MATTSEN:
Alright. Gary, we want to go back
over what you told us yesterday
about Connie Naon.
GARY looks blank.
MATTSEN (CONT’D)
The one you bit afterwards?
TOM:
And the rock.
A moment between GARY and TOM.
GARY:
Uh huh.
MATTSEN:
Tell us what you remember about
her.
109.
GARY looks at the photograph of his ‘old’ self, thinks.
GARY:
I remember picking her up near the
Red Lion, I think...
INT. THE BUNKER, PROSECUTION VIEWING ROOM (2003) - CONTINUOUS
PETERS is spreading out papers from a file on the table.
SHERIFF REICHERT
This is everything we’ve got on her
that he could have seen, right?
Discovery materials, anything
that’s gone public, everything,
right?
PETERS:
Yes, sir. This is everything.
INT. THE BUNKER, INTERROGATION ROOM (2003) - CONTINUOUS
GARY:
We drove out south of the airport,
into the woods. We walked out to
the area where we had sex. I
couldn’t climax on top of her...
Got behind her, and climaxed, and
then after I climaxed I killed her.
TOM:
Okay.
GARY:
And like I said, she didn’t let me
touch her chest, so... I was kinda
mad I guess, and I bit her.
TOM nods, encouraging.
GARY (CONT’D)
Then I dug the hole. Close to where
she was. And I put her in there
face up...
TOM:
So, she was another one you buried?
GARY:
She was another one I buried.
110.
INT. THE BUNKER, PROSECUTION VIEWING ROOM (2003) - CONTINUOUS
SHERIFF REICHERT looking in the file.
SHERIFF REICHERT
Yup, all in here. He’s seen all
this.
INT. THE BUNKER, INTERROGATION ROOM (2003) - CONTINUOUS
GARY:
I covered her up with the rocks and
stuff from the hole, and the dirt..
TOM:
Is that where you got the rock
from?
GARY:
Uh...
TOM:
The rock you put inside her?
GARY:
The rock I put inside her. Yes, I
think so...
TOM:
Were you still mad at her? Is that
why you did that with the rock?
GARY:
I, uh... I was, uh... I’d started
getting... I had to bury her
because... and the rock... I was
trying to, uh...
GARY unsure how to go on. TOM has a FLASH IMAGE of TERRY
MILLIGAN’S DECOMPOSED REMAINS, striped blouse over her head
and legs spread.
TOM:
(gently)
You started wanting to go back?
GARY stares at TOM, clearly struggling with something.
GARY:
I, uh... I had a tendency... not a
tendency... of wanting... ever
since the first ones, at the river,
I had these...
111.
TOM slowly nodding, willing him on.
GARY (CONT’D)
... these urges... to go back to
the bodies. They were just urges. I
never acted on them.
TOM:
What you’re saying is, you had an
urge to go back and have sex with
the bodies, right?
PROTHERO clearly unaware of this.
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"Green River KIiller" Scripts.com. STANDS4 LLC, 2025. Web. 16 Mar. 2025. <https://www.scripts.com/script/green_river_kiiller_1320>.
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