Ground Floor Page #4
- TV-14
- Year:
- 2013
- 30 min
- 494 Views
(MORE)
GROUND FLOOR:
"Pilot" Rev. Network Draft 6/29/12 29.
I/M
MANSFIELD (CONT'D)
(OFF LOOK) That’s a girl who says
things that make you look at your life
in a new but mostly negative way.
BRODY:
Yes, yes! That’s exactly what she
did. She made me feel like my life is
empty. And that all I do is work.
Maybe she’s right: maybe I’m not-MANSFIELD
You’re not having any fun, are you?
Do you think I have fun, Mr. Moyer?
BRODY:
Um... well, you wore a Chewbacca
costume to the Christmas party and you
seemed to enjoy that very much.
MANSFIELD:
I’m crazy rich, I work three days a
week, I haven’t missed my kid’s Little
League game in five years, and I take
my family on vacations whenever I
want. And do you know why I have all
that? Because I worked my ass off
until I was forty. Those ground floor
people - I know they have fun, now,
but you know where they’re going to be
in ten years? Nowhere.
(MORE)
GROUND FLOOR "Pilot" Rev. Network Draft 6/29/12 30.
I/M
MANSFIELD (CONT'D)
Struggling to make rent and no future,
and I’m telling you right now - that’s
not as much fun as a beach house. You
do what you have to, now, to live the
life that you want to later, Brody. I
first-named you so it would have more
impact.
THIS REALLY SINKS IN FOR BRODY.
BRODY:
It worked, sir. I can’t believe I let
that girl twist me up, but no more.
You know what you are: you’re a life
raveler.
MANSFIELD:
(LAUGHS, THEN) You remind me of a
young me - only less handsome and
impressive.
BRODY SMILES. THREEPEAT DUCKS HIS HEAD IN.
THREEPEAT:
Sir, in regards to finding a
replacement word for beast: how do you
feel about “fandango”?
MANSFIELD:
(BEAT, SINCERE) I like that very
much.
TRANSITION DOWN:
TO:
GROUND FLOOR "Pilot" Rev. Network Draft 6/29/12 31.
I/P
ACT ONE:
SCENE P:
INT. GROUND FLOOR BULLPEN - DAY (DAY THREE)
(BRODY, JENNIFER, DERRICK, HARVARD, TORI)
EVERYBODY (EXCEPT TORI) IS WORKING.
DERRICK:
I’m telling you, if I put on my going-
out suit, I could go upstairs and
they’d just think I was another money
manager.
HARVARD:
No, they would not. And why would you
want to do that?
DERRICK:
Have you seen their snack room? It’s
got like six different types of
crackers.
BRODY (O.S.)
(PISSED OFF) Mother--!
BRODY ENTERS, FIXING VENT-MUSSED HAIR.
BRODY (CONT’D)
I just wanted to let you all know that
I will not be coming down here again.
JENNIFER:
Well, thanks for coming down here to
tell us.
GROUND FLOOR "Pilot" Rev. Network Draft 6/29/12 32.
I/P
BRODY:
Everything I’ve ever wanted in my life
is just around the corner.
DERRICK:
Tell them about all the crackers.
TORI ENTERS.
HARVARD:
Hey, Tori:
the sad upstairs guy’sback.
BRODY:
I’m not sad! You know whose lives are
sad? Yours. (RE:
TORI) SleepingGirl. (RE:
HARVARD) Wrong Nickname.(RE:
DERRICK) Liar, Liar, Pants onFire. (RE:
JENNIFER) And the life unraveler.You guys go back to doing...
What do you all do anyway?
JENNIFER:
I’m Building Maintenance. (RE:
HARVARD AND TORI) They’re in charge
of Archives.
HARVARD AND TORI WAVE.
DERRICK:
I’m actually the company’s O.S.U.
BRODY:
What is that? Is that real or are you
lying again?
GROUND FLOOR:
"Pilot" Rev. Network Draft 6/29/12 33.
I/P
DERRICK:
No, it’s real. I’m the Office Setter-
Upper. New guy comes in. He needs a
desk, chair, whatever. I hook him up.
BRODY:
You do computers?
DERRICK:
Of course, that’s part of it.
BRODY:
Where’s the laptop I asked for three
weeks ago?
DERRICK:
I don’t know; I don’t do computers.
BRODY:
(EXASPERATED) Why? (THEN) I mean,
do any of you even want to do anything
with your lives?
TORI:
I want to dance.
BRODY:
Well at least someone has some
ambition. Are you studying somewhere?
TORI:
Oh no, I don't want to do it as a job.
That would take the fun out of it.
Why do you have to ruin everything?
GROUND FLOOR "Pilot" Rev. Network Draft 6/29/12
34.
I/P
BRODY:
On that final crazy note, I will now
say a final goodbye and good riddance -
(RE:
JENNIFER’S SYMPATHY LOOK) Oh myGod, why are you giving me that look?
What is that look?
JENNIFER:
It’s just that I’m worried that you’re
going to feel bad later about all the
stuff you said down here.
HE LOOKS AT HER, FRUSTRATED, THEN AS HE TURNS TO WALK OUT:
BRODY:
(QUIETLY, TO HIMSELF) Stop asking her
questions, Brody.
HE LEAVES.
JENNIFER:
He talks to himself a lot.
CUT TO:
GROUND FLOOR "Pilot" Rev. Network Draft 6/29/12 35.
I/R
ACT ONE:
SCENE R:
INT. BRODY’S APARTMENT - EVENING (NIGHT THREE)
(BRODY, JENNIFER)
BRODY (STILL IN SHIRT AND TIE) SITS, BUMMED OUT, ON THE COUCH
IN HIS VERY ANTISEPTIC APARTMENT. SINCE HE WORKS SO MUCH, IT
DOESN’T LOOK VERY LIVED IN: UNPACKED BOXES, SPARSE WALLS.
THERE’S A KNOCK ON THE DOOR. HE GETS UP, OPENS IT TO REVEAL
JENNIFER.
JENNIFER:
Hey... I know this is weird - me
coming here--
BRODY:
Jenny, it’s not weird; I can’t stop
thinking about you either.
HE KISSES HER. IT’S A GOOD LONG ONE. THEN:
JENNIFER:
I just came because I left my scarf
here the other night.
SHE CROSSES AND PICKS A SCARF UP FROM BEHIND THE COUCH.
BRODY:
Oh, okay. Super.
JENNIFER:
See ya.
AS JENNIFER LEAVES, BRODY GIVES HER THE COOL PEACE SIGN AND
WALKS BACK INTO HIS APARTMENT. THE SECOND THE DOOR CLOSES,
HE COLLAPSES, FACE-DOWN ON THE COUCH.
FADE OUT.
END OF ACT ONE:
GROUND FLOOR "Pilot" Rev. Network Draft 6/29/12 36.
II/T
ACT TWO:
SCENE T:
INT. UPSTAIRS CONFERENCE ROOM - MORNING (DAY FOUR)
(BRODY, THREEPEAT, DERRICK, KYLE)
BRODY AND THREEPEAT ENTER FOR THE MORNING MEETING. A BUNCH
OF OTHER MANAGERS ARE MAKING SMALL TALK. IT HASN’T STARTED.
THREEPEAT:
Hey, who’s the new guy?
BRODY LOOKS AND SEES DERRICK IN A NOT-GREAT SUIT, MAKING
SMALL TALK WITH KYLE. HE HAS CRACKERS IN FRONT OF HIM.
KYLE:
He just started here. He came over
from Goldman.
DERRICK:
Glad to join the team. Let’s manage
some money today.
BRODY:
Hey, New Guy, can I talk to you in the
hallway for a second?
DERRICK:
(MOUTH FULL) I’m actually kinda busy
being a money manager right now, so...
no.
THREEPEAT:
I was over at Goldman for two years.
Why don’t I remember you?
GROUND FLOOR "Pilot" Rev. Network Draft 6/29/12
37.
II/T
DERRICK:
I guess because you’re lying. (TO
OTHERS) Guys, what’s the deal with
this liar over here?
BRODY USHERS DERRICK OUT.
BRODY:
Sorry, it’s really important.
THEY’RE GONE.
THREEPEAT:
That dude was really close to getting
what I like to call an atomic ball
tap.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Ground Floor" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/ground_floor_17>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In