Hamari Adhuri Kahaani Page #3

Year:
2015
558 Views


...he's a member of a terrorist oroup.

But l in't know about it.

But now that l know. it scares me.

This news might

ruin my son's life.

So l thought of taking

up the iob in your Dubai hotel.

Aarav. we'll oet stuck in traffic.

Apooa. when l reach Dubai...

...l want to see a beautiful

bouauet made by her in my room.

Mr. Ruparel?

l don't have any time

for your thank you.

l have to catch a flioht.

l'll see you in Dubai soon.

Come on.

- Yup.

Aarav. what was that all about?

What happened?

What's wrono with you?

She remin. me of .omeone clo.e to me.

- And now. Iadies and oentlemen.

- Imperial hotel presents on staoe...

- ...the sizzling, the ravishing,

the one and only...Rohini!

Sir.

- That was our sizzling

peormer Rohini.

- l hope you're enjoying this evening,

because l ceainly am.

- Eveybody,

please a huoe round of applause.

Get lo.t!

Get lo.t from here!

- Why, Aarav?

Why do you enter the hotel?

l've explained to you so many times...

...that l am a cabaret ai.t.

They don't know that l have a son.

People will call

me old because of you.

Mom, l've got fever.

l was feelino cold.

That's why l came inside.

Where else could l oo?

You know...

...l fled with you from

the hospital when you were born.

Because l didn't have

the money to pay the bills.

Your father didn't oive me a penny.

He left nothino before leavino us.

lt was really hard to find this iob.

And l almost lost

it all today because of you.

lf that happened,

what would we have done?

Where would we stay?

How woul we .uive?

Who o we have in thi. worl?

- Me.

l've .ai it...

...Me.

Hioher!

Va.uha!

Hi.

Va.uha.

You?

Naila

Naila Saar

l work in the hotel's

house-keepino depament.

Nice meestino you.

Shehzad, we need to

oo to Miracle Garden first.

- Okay. ma'am.

Why? Why not the hotel?

Well. our boss has already arrived ...

... and he's waitino there for you.

- Good mornino. sir.

Good mornino. Mr. Ruparel.

Welcome to Dubai.

Thank you.

l know l'm a cruel man.

When it comes to work,

l spare no one.

Not even myself.

But the iob at hand is special.

Come over here,

l want to show you somethino.

My Japanese desioners want me...

...to plan the garden

of my new hotel like this one.

But l'm a bit confu.e.

Should l make an

exact replica. or not.

l mean, there are 40,OOO flowers here.

It's stunnino. It's beautiful.

But l still feel like

Somethino is missino here.

lt lacks somethino.

Can you tell me what's missino?

There are no rie leave. here.

According to me, Mr. Ruparel,

a oarden that doesn't have...

... a few dried leaves, some

withered flowers. doesn't seem real.

This place is too beautiful.

And maybe that's why

it doe.n't touch the hea.

Evey beautiful thing

ha. .ome flaw in it.

Even the moon ha. crater..

But...why is this oarden so flawless?

Amazino.

You answered my auestion so easily.

You surpassed my expes.

You okay?

Something went into my eye.

- May l?

Thank you.

Naila. l need a sim card.

l want to talk to my son.

Please help me oet one.

Mama, l'm here.

- Saani!

- l told you.

Now we can talk evey day for free.

- Maddy Aunty took the

principal's permission.

Happy Diwali.

- Happy Diwali. sir.

- Happy Diwali. sir.

lt feels like this place was

covere in arkne.. until now.

And this is the first time

this place has seen lioht.

But...how did you manage

all thi. in .o little time?

We did it tooether. sir.

Otheise it would've

not been possible.

But the idea was yours.

lf the light hadn't been in you,

it wouldn't have reflected out here.

No matter how many times l thank

you for that. it won't be enouoh.

This is dim in comparison to

the lioht you've brouoht to my life.

You chanoed my life.

My son's too.

l am a vey selfish man.

l only do what makes me happy.

But l would never want

you to consider this a favor.

Or feel burene.

l really mean it.

Goodbye.

We'll miss our flioht. Aarav.

Yeah.

Take care.

Va.uha.

Can l click a picture of you?

Just one snap.

Guys...eveyone oather around.

For a photo.

- Yes. sir.

For the hotel magazine.

Hury up.

Smile.

Come on. eveyone back to work.

Naila, how often does

Mr. Ruparel come here?

Well...l've never counte.

You see. he leads an interestino life.

He comes if he wants to. or doesn't.

Sometimes once in three months,

or sometimes once in three years.

By the way, madam...

where do l keep these flowers?

There.

Pinto.

- Yes. ma'am.

Please help me.

- Sure.

And the rest of the flowers,

where do l keep them?

Naila, will you take that

trolley to the other room.

l'll be rioht with you.

- Come fa.t.

Hello.

- Va.uha.

Hi. Aarav.

- Listen, the photo l took of

you is a little out of focus.

Can you do me a favor?

Can you click one more...

...and send it to me rioht now?

Yeah...you mean. my photo?

Ye.

For our hotel maoazine.

l want to do a profile on you.

Okay.

l'll click one and give

it to the manaoement.

No. send it to me!

l'm waitino.

- Send it fast please.

Yeah. Ok.

Thanks. Bye.

lt's all messed up.

Follow my instructions.

Look at thi....

- l don't understand why...

... a wealthy man like you...

...who owns big hotels

all over the worl...

...is interested

in my 3-star hotel?

- And l've told you before...

... this was the first propey...

...built by my father

from his hard-earned money.

l've an emotional

attachment to this place.

So l can't sell this hotel to you.

- Sory.

Emotions and you.

l don't see a speck of

emotion on your uoly face?

What do you mean. Mr. Ruparel?

What's ooino on. Apooa?

ls this a business meetino or...

...an insultino session?

You're humiliating me in my hotel,

in front of my people.

- Think about my aoe.

- l am a hea patient.

Leave. Please leave.

Go away.

l on't want to .ell.

l won't .ell thi. hotel.

Aarav. Iet's oet to the point.

Fine. Iet's oet to the point.

l don't know how you will do it.

But l want your hotel

in a month'. time.

You will sign this

eal for 600 million...

...not a penny more or less.

And if you don't do that...

...then l'll use all

my influence to ruin you.

You and your family will be

beooino on the streets of Kolkata.

This shock mioht...

...even cause a hea-attack

and you'll die on the streets.

Believe me...

...that'll make me really happy.

- l just can't get Bose's

reaction out of my head.

''What's ooino on. Apooa?''

''ls this a business meeting,

or...an insultino session?''

- You .houl've .een hi. face.

l don't know why seeino the man...

...who humiliated me so much

durino my childhood and hu me.. .

...suffer today,

isn't makino me happy.

That...that's your problem.

This is your problem.

You feel evemhino so deeply...

...there's so much sorrow inside you.

You are always full of pain.

Why?

Because you don't know

what your hea wants.

Mr. Ruparel,

the flioht is ready for depaure.

All the passengers have boarded

and we're waitino for you.

Right.

Okay. Iet's oo.

- Attention please,

thi. i. the final call...

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Mahesh Bhatt

Mahesh Bhatt (born 20 September 1948) is an Indian film director, producer and screenwriter known for his works exclusively in Hindi cinema. A stand-out film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt. Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as Daddy (1989) and Swayam (1991), as well as commercial romantic hits like Awaargi (1990), Aashiqui (1990) and Dil Hai Ki Manta Nahin (1991), in which he cast Pooja with actor Aamir Khan. He next directed Sadak (1991) which remains his highest grossing either directed or produced under the banner, "Vishesh Films". During the 1990s Bhatt won critical acclaim for Sir (1993), along with other hits such as Gumraah (1993) and Criminal (1994). In 1994 he won the National Film Award – Special Jury Award for directing Hum Hain Rahi Pyar Ke (1993). In 1999, he directed the autobiographical Zakhm, which has garnered the Nargis Dutt Award for Best Feature Film on National Integration. Bhatt has produced contemporary films such as Jism, Murder and Woh Lamhe. He co-owns film producing company Vishesh Films with his brother Mukesh Bhatt. more…

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