Hancock Page #14

Synopsis: A scruffy superhero named Hancock (Will Smith) protects the citizens of Los Angeles but leaves horrendous collateral damage in the wake of every well-intentioned feat. That's OK with Hancock; he doesn't care what people think and is just as likely to be found dozing on a park bench as saving a damsel in distress. However, after saving the life of a PR executive (Jason Bateman) and meeting the man's beautiful wife (Charlize Theron), he realizes that he may have a sensitive side after all.
Genre: Action, Crime, Drama
Production: Columbia Pictures
  4 wins & 11 nominations.
 
IMDB:
6.4
Metacritic:
49
Rotten Tomatoes:
41%
PG-13
Year:
2008
92 min
$227,946,274
Website
2,555 Views


EXT. LIQUOR STORE - DAY

Horus waits outside - hands in his pockets. He paces

uncomfortably.

Roheim exits the liquor store, already imbibing from a brown

paper BAG.

Not a word from Horus.

ROHEIM:

(POST-GULP)

This stuff's going to kill me.

He gives Horus a glance. Takes another swig.

ROHEIM (CONT' D)

(CONTINUING)

You disapprove, I know.

HORUS:

No.

J:

62.

ROHEIM:

Sure you do. You disapprove and yet you

allow me to drink... to poison myself.

Your friend. Without a word of caution.

Not a word. Just take it... you take

everything.

HORUS:

No.

ROHEIM:

You're afraid to offend. You don't want

to be abrasive. Provocative.

(beat; as'Horus squirms)

So you suppress. Do nothing. Take it.

Roheim takes another gulp.

HORUS:

(pulling teeth)

You shouldn't drink.

ROHEIM:

My wife. She left a bad taste in my

mouth. I drink to kill-the taste.

Horus has no response to this.

ROHEIM (CONT'D)

(SMILES)

You're a good man, Horus...

(BEAT)

And you're right. This stuff's no good.

It's a coward's way out and I know it.

He gives the bottle a guilty stare. Tosses the bottle into a

nearby garbage can.

ROHEIM (CONY' D)

(sick of himself)

What the hell. I can learn to love

beverage.

EXT. STREET - DAY

Mary. Walking.

Hancock. Following. From across the street. Mesmerized and in a

world to himself.

He crosses. the street, failing to look both ways... BAH! A UPS

truck STRIKES the clueless superhero, sending him across air -

towards Mary.

63.

200 lbs. of superflesh EXPLODES into a JEWELRY display window -

just ahead of Mary's path. Glass showers the scene. People

SCREAM.

Hancock warbles out from the debris - his trenchcoat reduced to

mere tatters. He pulls a severed SLEEVE from the rubble. Looks

at Mary, reposed before him.

HANCOCK:

(nothing happened)

How are you?

In unison, they turn to the UPS vehicle - a .mangled heap of

steel, STEAM billowing from its ruptured radiator.

Hancock shrugs a smiles.

EXT. STREET - DAY

Mr. Longfellow rounds the corner and ambles home. He is tired

and his face shows it.

There to make it worse - Clyde. He's back, getting at the sports

page on the front steps.

A sudden burst of outrage consumes Horus. He approaches the

steps with fire and...

HORUS:

(burning...)

Clyde. Can I talk to you for just a brief

moment?

CLYDE:

(YAWNING)

Not now, Longfella. I'm all blocked up.

Clyde heads inside - with the sports page.. He FARTS as he goes

in.

HORUS:

(EXTINGUISHED)

Sure.

EXT. STREET - DAY

Along a street somewhere who cares - Hancock and Mary - in a

cool stroll. Mary holds his trenchcoat, surveying the damage.

MARY:

What were you doing in the street?

(the trenchcoat)

You ripped it pretty good.

64.

Hancock - he's lost.

MARY (CONT'D)

(CONTINUING)

What're you:
.. how old's this thing?

HANCOCK:

didn't see it coming... left myself

open.

MARY:

It'll be all right.

HANCOCK:

All right?

MARY:

It's just the seams. I can sew it back.

HANCOCK:

What?

MARY:

(the trenchcoat)

This. It's just the seams.'I'll take good

care of it.

HANCOCK:

You'll sew -it?

MARY:

Yes. Me. I can. And I'll re-button it for

you, all right?

Hancock acknowledges with a smile - a slight one.

MARY (CONT' D)

(CONTINUING}

Are you okay?

No reply. He stares at her - simply.

CUT TO:

EXT. STREET - DAY.

Mary stands alone on the sidewalk, looking up at heaven. Her

eyes search the gray sky for signs of life.-

There, overhead - a DOT. It grows in size, getting closer and

arriving fast... and gradually, it shapes into Hancock.

65.

He swoops into view, straight downward. Pulls on the air brakes

and eases into a soft landing - by Mary's side.

He is wet from his flight and his hands, 'we notice, are cupped

together tightly.

MARY:

(like a little girl)

Let's see.

HANCOCK:

You have to be quick.

MARY:

Come on, I want to see.

HANCOCK:

If you blink, you'll miss it.

Hancock uncups his hands, releasing a billowy MASS of white

something - it hangs in the air, and then dissipates into

moisture. It showers into his open hands.

Mary reaches for it. Too late.

MARY:

I saw it, right? A little cloud.

She peers into his hands - where only a pool of wetness remains.

And with her fingers, Mary reaches inside to feel the rain.

Hancock watches this - the innocence in her face, as her hand

touches his.

He stares down at her hand... at the wedding ring. Mary-pulls

her hand away.

MARY (CONY' D)

The water is dirty.

HANCOCK:

MARY:

HANCOCK:

I'm sorry.

MARY:

(into his eyes)

It's not your fault.

66.

Hancock looks away.

MARY (CONT'D)

(CONTINUING)

You're tense.

HANCOCK:

I've been tired, lately.

MARY:

You should slow down. Rest.

HANCOCK:

-So people tell me.

MARY:

(heat; upon some thought)

It must be hard.

HANCOCK:

Hard?

MARY:

To always do right... do good when all

you want to do is rest.

Rate this script:4.3 / 4 votes

Vince Gilligan

George Vincent "Vince" Gilligan, Jr. (born February 10, 1967) is an American writer, producer, and director. He is known for his television work, specifically as creator, head writer, executive producer, and a director of Breaking Bad and its spin-off Better Call Saul. He was a writer and producer for The X-Files and was the co-creator of its spin-off The Lone Gunmen. more…

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