Hannah Page #2

Synopsis: Intimate portrait of a woman drifting between reality and denial when she is left alone to grapple with the consequences of her husband's imprisonment.
Genre: Drama
Director(s): Andrea Pallaoro
  3 wins & 3 nominations.
 
IMDB:
6.0
Metacritic:
60
TV-MA
Year:
2017
95 min
139 Views


It's up there.

Behind the wardrobe.

Can I move the wardrobe?

Yes, of course.

It's going to be very heavy!

I'll move it just a little bit.

Do you think it's serious?

We'll see now.

I have to go to see the apartment upstairs.

Yes, they're waiting for you.

Donna made that same delicious

sauce that she always makes.

Charlie asked me where Grampa was.

I told him that you had the flu.

He made me promise...

to check your temperature.

And then he gave me a hug

and asked me to pass it on to you.

Michel will come to visit soon.

You'll see.

I will never forgive him.

And you shouldn't either.

How could a son do something

like this to his own father?

When are you coming again?

I don't know.

I found them.

I found the envelope.

With the photos inside.

"The team is preparing to tow

the carcass,"

"the sixth in the last two months,"

"about 20 miles offshore"

"so that the remains

do not reappear on the coast."

"At first officials were unsure

if this could be carried out"

"before the weekend."

"They had considered

burying the whale,"

"or cutting it up to burn it."

"Residents soon began complaining

of the smell"

"along the coast between Nieuport

and Ostende."

"According to official sources,

last Thursday"

"authorities had decided towing

the carcass out to sea"

"was unfeasible

because it could have broken up."

What are they going to do?

How big is it?

It's enormous.

How are you, Hannah?

How's your son?

He's well. Thank you.

Hlne?

Yes?

I was wondering

if I could leave early today.

I'm not feeling very well.

I have a terrible headache.

Hannah, I'm sorry.

Of course you can.

Can I do anything for you?

Can I give you a lift home?

At least to the bus stop.

No, thank you.

I just need to go home and rest.

I think some fresh air

will do me good.

Sure.

Thank you.

Be good, Nicholas.

Are you leaving?

Yes.

See you tomorrow.

Charlie! Charlie, get the ball!

Hello?

4th floor.

Apartment 42.

Yes.

Hello.

Hello.

Please come in.

This is Fynn.

Thank you.

Here you are!

Hello to you!

He's your dog now.

He eats this brand twice a day.

At 8am

and at 7pm.

And this has all of his vaccinations

and the information you need.

OK. Sounds good.

Do you like him?

Pet him.

He's afraid

of the sound of ambulances.

OK, we'll watch out for that.

Are you going to treat him well?

Of course!

Thank you very much.

Have a good day.

Let's go.

Let's go.

"It's perfectly true."

"It's perfectly true."

"When I lived..."

"When I lived at home

with my father..."

"he shared his opinions with me

about everything..."

I'm sorry...

can I start over?

I'm sorry.

Don't worry.

When you're ready.

I need to get some air.

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Andrea Pallaoro

Andrea Pallaoro (born 6 February 1982) is a film director and screenwriter. His film Medeas premiered at the 70th annual Venice Film Festival. The film investigates alienation and its relationship to intimacy. Pallaoro won Best Director at The Marrakech Film Festival for Medeas. Medeas won the New Voices/New Visions Award at the 2013 Palm Springs International Film Festival. Chayse Irvin received the award for best cinematographer's debut for Medeas at Camerimage, the 2013 international film festival of the art of cinematography.His short film Wunderkammer won six international awards and has been selected in the official competition of over fifty film festivals around the world. Medeas marks Pallaoro's feature film directorial debut. Pallaoro holds an MFA in Film Directing from the California Institute of the Arts and a BA from Hampshire College. He was born in Trento, Italy and currently lives and works in Los Angeles. In 2013, he was awarded a Yaddo Residency. more…

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Submitted on August 05, 2018

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