Happy Valley Page #3
Season #1 Episode #4- TV-MA
- Year:
- 2014
- 58 min
- 502 Views
CUT TO:
14 INT. CARAVAN. DAY 9. 11.38 14
ANN’s curled up in a corner, on the floor, still tied up but
not gagged. We see evidence that she’s been injected with
heroin to make her docile; a grungy brown spoon, a lighter,
citric acid, a needle. She looks catatonic, and her skin is
grey, pale, moist (and she’s dribbling saliva and she’s
probably vomited). She also looks increasingly dishevelled,
smelly and wretched. There’s some annoying (aggressive) music
on (not too loud). We discover TOMMY, who’s just having a wee
in the little bathroom, whilst checking his hair in the
mirror. He’s wearing nothing but his boxers and a T-shirt (no
balaclava). He’s got into the habit of treating ANN like
she’s not really there, except when he wants her, so he’ll
burp and fart and scratch himself whenever. Suddenly the door
opens, light floods in (the curtains are permanently drawn).
LEWIS appears - not that ANN can see him from the angle she’s
at - and he silently beckons TOMMY outside. We linger on ANN
for a few moments as TOMMY follows LEWIS outside. Despite the
state she’s in, we get a dim flicker of her terror and
frustration at not being able to discern what they’re saying
out there...
CUT TO:
15 EXT. CARAVAN. DAY 9. CONTINUOUS. 11.39 15
All whispered
LEWIS:
There’s a police woman coming to
t’farm, so we’ve to keep quiet ‘til
she’s gone.
TOMMY:
What police woman? Not that one I
saw?
LEWIS:
How the hell do I know? Where’s yer
balaclava?
HAPPY VALLEY. EPISODE FOUR. BY SALLY WAINWRIGHT. 12A.
TOMMY hesitates and says very quietly right in LEWIS’s face
(still so ANN can’t hear)
HAPPY VALLEY. EPISODE FOUR. BY SALLY WAINWRIGHT. 13.
TOMMY:
We don’t really need ‘em any more.
Do we? Little numpty-brain.
LEWIS takes in his meaning: because we’re going to kill her.
LEWIS follows TOMMY back inside the caravan
CUT TO:
16 INT. CARAVAN. DAY 9. CONTINUOUS. 11.40 16
-but gingerly tries to keep his face away from ANN, still
not even half way reconciled to that idea that they’re going
to kill her. He pulls the door shut. Locks it. TOMMY turns
the music off. Then LEWIS sees the state ANN’s in.
LEWIS:
What you done to her?
TOMMY:
I’ve give her a bit of smack. Keep
her docile.
LEWIS:
She needs a gag on.
TOMMY:
(shakes his head)
She keeps being sick. Unless yer
want her to choke? She won’t
scream. She can’t.
ANN dimly senses something’s going on. But what? And we know
just looking at her that she can’t scream.
CUT TO:
17 INT/EXT. CATHERINE’S PATROL CAR/ROAD. DAY 9. 11.41 17
CATHERINE’s listening to RICHARD on the hands-free as she
drives towards ASHLEY’s farm.
RICHARD:
(oov)
Right, so I’ve got some information
for you. About drugs. In the
valley, and you’re right -
Cutting as and when with:
CUT TO:
HAPPY VALLEY. EPISODE FOUR. BY SALLY WAINWRIGHT. 14.
18 INT. CAFE. DAY 9. 11.42 18
RICHARD:
-it would make a fantastic
article, and it does need writing
about.
RICHARD’s on his phone, his laptop open.
CATHERINE:
(oov)
Good.
RICHARD:
You wouldn’t believe the chain
there is before it gets onto the
streets.
CATHERINE:
Oh, I would.
RICHARD:
Heroin. Is imported pure, one
hundred percent. Then they all cut
it, everyone who handles it, all
the way down the chain. To maximise
their profits as they go. By the
time it reaches the streets, street
heroin, it’s probably no more than
two percent pure.
CATHERINE:
(she knows all this)
No, really?
RICHARD:
And they’ll cut it with anything.
Brick dust. Brick dust! Face
powder, talcum powder, bicarbonate
of soda, so when they’ve been
injecting for long enough, if the
veins haven’t collapsed, they get
blocked. Then they start having to
have their legs amputated.
CATHERINE:
Yup.
RICHARD:
Oh and up and down this chain,
they’re all frightened of the
person above. However high up they
are
HAPPY VALLEY. EPISODE FOUR. BY SALLY WAINWRIGHT. 15.
CATHERINE’s just pulling up in front of ASHLEY’s house.
CATHERINE can see ASHLEY unloading sandbags by himself down
near the scaffolded end of the house. He’s seen her.
CUT TO:
19 EXT. UPPER LIGHTHAZELS FARM. DAY 9. 11.43 19
RICHARD:
(oov)
pushing them to take more and more
and more. So they have to push
those under them to take more and
more and more. And you know, your
big regional dealers - and the
people further down the chain -
they’ll be people who appear to be
perfectly respectable, with
perfectly respectable businesses.
It’s all very slick, it’s all very
well organised.
CATHERINE:
I’ve gotta go, can I ring you
later? I’m glad you’re doing this.
RICHARD:
Sure.
CATHERINE:
Seeya.
RICHARD:
Bye.
CATHERINE hangs up and steps out of her car and approaches
ASHLEY. She’s aware that as the owner of the property he may
well have been up to no good in it; however, she doesn’t want
to necessarily give him that impression.
ASHLEY:
Morning.
CATHERINE:
Ashley Cowgill?
ASHLEY:
Yep.
CATHERINE:
I’ve just spoken to your wife
regarding your property on Milton
Avenue.
HAPPY VALLEY. EPISODE FOUR. BY SALLY WAINWRIGHT. 16.
ASHLEY:
(he nods, he knows)
She’s just rung me.
CATHERINE:
I need to inform you that we’ve had
reason to enter the property
ASHLEY:
(a bit of a challenge)
Why?
CATHERINE:
-and I need to ask you a couple of
questions. Is that all right?
ASHLEY:
Yeah but why why why did you have
to - ?
He’s nervous. Understandably.
CATHERINE:
Someone’s broken in.
ASHLEY:
When?
CATHERINE:
Were you aware the property was
insecure?
ASHLEY:
No.
His tone of voice implies that it wasn’t insecure.
CATHERINE:
When did you last visit the
property yourself?
ASHLEY:
Well... it’ll be two or three
months since now.
So in fact he can’t argue that it wasn’t insecure.
CATHERINE:
And your wife says you’ve no
tenants? At the minute.
ASHLEY:
We’ve never had any, I’ve not got
round to sorting it out.
HAPPY VALLEY. EPISODE FOUR. BY SALLY WAINWRIGHT. 17.
CATHERINE:
Who has keys to the property
besides yourself?
ASHLEY:
No-one. Should have. Have they
damaged it? Have they nicked the
boiler? Has it been flooded? Have
they left sh*t everywhere?
CATHERINE:
So - no, not that I know of - so no-
one - that you know of, no-one
officially - was in there? Yeah?
ASHLEY:
Yeah. No. They weren’t.
CATHERINE:
Okay. Well. I have to be frank with
you, Mr.Cowgill. We’ve got reason
sinister’s gone on in there. In
your house, in this house that you -
your wife - own.
ASHLEY:
What d’you mean? What sort o’
sinister?
CATHERINE:
I don’t know. I’ve got a scene of
crime officer in there right now
taking a few swabs and a few
photographs.
(she’s interested in his
reaction. Of course he
looks suitably shocked
and worried)
What it looks like to me. Is that
someone’s been held in there.
Against their will. And treated
rather unpleasantly.
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