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Happy Valley Page #9
Season #1 Episode #5- TV-MA
- Year:
- 2014
- 58 min
- 367 Views
UNIFORM 1
(oov)
How many people live in the
property besides yourself?
BRETT:
(oov)
None.
UNIFORM 1
(oov)
How long have you lived here?
BRETT:
(oov)
Probably... like... eighteen munfs?
UNIFORM 1
(oov)
And the tenancy’s registered in
your name.
HAPPY VALLEY. EPISODE FIVE. BY SALLY WAINWRIGHT. 43.
BRETT:
(oov)
Yep.
UNIFORM 1
(oov)
Do you know your neighbours? On
either side.
UNIFORM 2 takes it all in, but essentially a). there’s
nothing here he hasn’t seen before in terms of its squalor,
and b). there’s nothing actually suspicious here. He leaves
the room. We linger - at floor level - on the bath panel for
a few moments longer than necessary. A bath panel that’s
screwed on (hence the screw driver).
BRETT:
(oov)
Yeah.
UNIFORM 1
(oov)
Who lives on this side?
Continuous
CUT TO:
47 INT. BRETT’S FLAT, SITTING ROOM. DAY 13. CONTINUOUS. 47
15.22
UNIFORM 2 comes into the sitting room, and we come in with
him. BRETT’s sitting on the settee. UNIFORM 1’s standing up
to ask his questions; this isn’t the kind of flat a copper
likes to sit down in because it’s basically disgusting.
BRETT:
Oh, they’re weird. Mucky as well,
and it stinks. I mean I know I
could do with a bit of a tidy up,
but at least I can flush my toilet.
Have you not been in there then?
UNIFORM 1
They’re not answering their door at
the minute.
BRETT:
What’s point of an ‘ouse to ‘ouse
if half of ‘em don’t answer their
doors?
UNIFORM 1
Oh, we just have to keep coming
back ‘til they do.
HAPPY VALLEY. EPISODE FIVE. BY SALLY WAINWRIGHT. 44.
And just as we lingered on the bath panel at floor level, our
focus is now guided to the base of the settee that BRETT’s
sitting on. (The conversation’s incidental, really, it’s the
images of the hiding places we’re focussed on).
BRETT:
You’d fink they didn’t want to help
yer, wouldn’t yer?
UNIFORM 1
No, they’re just not all in when we
call, but like I say, we’ll be
back. So who lives there, next
door. How many of ‘em?
CUT TO:
48 EXT. STREET, HEBDEN BRIDGE. DAY 13. 15.30 48
CATHERINE and RYAN walk home. CATHERINE walks ahead of him,
and slightly too fast (even though it’s painful for her to do
so). He’s having to jog to keep up. She’s angry.
RYAN:
It wouldn’t of happened if she
hadn’t called me a loser.
(CATHERINE doesn’t appear
to be listening)
Granny?
(still not listening)
She goes
(silly girly voice)
“You’re a loser, Ryan”, and I told
Mrs.Mukherjee, and she never takes
any notice, so
CATHERINE:
So?
(CATHERINE turns around
suddenly and gets right
in his face)
So you’re admitting now that it was
you that ripped up this kid’s
painting?
He considers the question.
RYAN:
It wasn’t reight good.
CATHERINE:
Did you. Rip up the painting.
RYAN:
I might of.
HAPPY VALLEY. EPISODE FIVE. BY SALLY WAINWRIGHT. 45.
So CATHERINE takes that as a yes. Her manner is frightening;
it’s measured, but she’s seething with anger
CATHERINE:
I might have. Not of. You couldn’t
of done anything, of isn’t a verb.
And don’t blame. Other people. For
decisions that you make. You made
the decision to rip up the
painting, whatever the hell else’d
happened, whatever she called you,
you made that decision. When. When.
When can I ever pick you up from
constant threat of being hauled in
and made to feel this big. And like
a rubbish parent? Because I am not
a rubbish parent! You are lucky to
have me! And you better start
showing me some respect. By
behaving properly. Or
(she stops herself saying
something even nastier)
- or there’ll be consequences. And
you won’t like them.
She lets that sink in then walks off. We look at RYAN; he’s
angry.
RYAN:
What consequences?
(no reply)
What consequences?
(CATHERINE just keeps
walking)
Granny!!
CUT TO:
49 INT. CATHERINE’S HOUSE, KITCHEN. DAY 13. 15.31 49
CATHERINE comes steaming in with bad energy and puts the
kettle on.
CLARE:
Where is he?
CATHERINE:
I’ve no idea.
CLARE:
What’s up?
CATHERINE:
Oh, the usual. Behaving like an
idiot and then lying.
HAPPY VALLEY. EPISODE FIVE. BY SALLY WAINWRIGHT. 46.
RYAN follows CATHERINE in, breathless and angry.
RYAN:
I hate you.
CATHERINE:
Yes, I know, I’m under no
illusions, you keep telling me.
RYAN:
You’re a (
he lobs his lunch bag at
her)
B*tch. You’re an old b*tch! You’re
an ugly old b*tch!
CATHERINE:
(calmly to CLARE)
You better do something with him,
‘cos I’ll just kill him.
CLARE:
I think you both need to calm down.
RYAN:
I don’t even wanna live here!
CLARE:
CATHERINE:
What’s happened?
Good. Move out. See if anyone
else is daft enough to have
you. Please, feel free. ‘Cos
you’ve ruined me and your
Auntie Clare’s life long
enough.
CLARE can’t believe what CATHERINE’s saying.
RYAN (CONT’D)
I’m ringing Childline.
CATHERINE:
Yeah, they’ll be interested.
RYAN:
I’m reporting you!
CATHERINE:
D’you want the number?
RYAN heads out of the room, and upstairs. With purpose. He’s
angry and he’s tearful.
RYAN:
(oov as he goes up the
stairs)
COW! B*TCH! WANKER!
HAPPY VALLEY. EPISODE FIVE. BY SALLY WAINWRIGHT. 47.
CATHERINE:
Wanker. That’s new.
CLARE’s not happy with CATHERINE.
CLARE:
Perhaps it was a bit soon for you
to go picking him up.
CATHERINE keeps busy making tea.
CATHERINE:
Looks like it.
CLARE:
You can’t - you can’t talk to him
like that.
CATHERINE:
I’ve had enough. I had enough years
ago. I mean it’s not normal. Is it?
CLARE:
I don’t know! I don’t know what’s
happened!
CATHERINE:
What have I done wrong? Eh? I’ve
done everything, we both have, and
look at him.
CLARE:
Shhh!
CATHERINE:
Why did I do it?
CLARE:
Shut up, Catherine.
CATHERINE:
Why? Eh? Why? Richard. My marriage.
Everything. And for what? A
(big whisper)
fff psychopath.
CLARE gives CATHERINE a shove. One that means business.
CLARE:
Stop it!
CATHERINE looks like she’s thinking about smacking CLARE one
back. And CATHERINE’s trained not to respond when people are
trying to wind her up, but we see the flicker where it could
happen. But then the banging and clattering starts from
upstairs.
HAPPY VALLEY. EPISODE FIVE. BY SALLY WAINWRIGHT. 48.
CATHERINE:
Right, well there you go. He’s
trashing his bedroom, he’s wrecking
our house.
(a murmur)
My house.
CLARE hesitates, then heads off upstairs. We linger on
CATHERINE, who manically carries on making tea, like you do
when you’re desperately trying to look calm and in control
and basically you’ve lost it. Eventually, from upstairs
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