Hardcore Page #11
- R
- Year:
- 1979
- 108 min
- 1,686 Views
Mast closes the door behind him. Van Dorn looks around the
apartment. It's calm now.
On the desk are Mast's briefcase and papers.
Looking through Mast's files, Jake finds pages and pages of
notes and information about his daughter's disappearance.
Names, places, dates. Lists of massage parlors, sex shops,
porn bookshops. The names of owners, managers, filmmakers,
Interviews with street girls, cops, landlords.
Plus snapshots of Kristen as she once was and 8x10 frame
enlargements from "Slave of Love," her hardcore film.
CUT TO:
Jake has spread Mast's papers and photographs across the
floor of his Holiday Inn motel room.
His collar open, his tie loosened, Van Dorn squats over the
notes and interviews. He studies his find. It includes:
-- sex ads from various local papers. Some are crossed out,
others circled, others checked.
-- a list of massage parlors and sex shops under the heading
"possible K was here."
-- An L.A. Times newspaper clipping about "Bill Ramada, L.A.
Porn Movie Mogul." It features a photo of Ramada on his way
out of court.
-- a sleazy porn mag article about "Parlor Girls: Hustling
and Loving."
CUT TO:
Van Dorn drives through the crowded streets of Los Angeles'
tenderloin. He cruises down Santa Monica, up Western, along
Hollywood and back down to Santa Monica.
He passes row upon row of garish adult bookstores, massage
parlors and porn theatres. He passes model shops, topless
bars, "erotic motels," and peep shows.
Teenage girls stand in the red neon shadows, calling out to
passing strangers. Drag queens and leather boys cruise the
sidewalks. Jet black pimps, sporting high heels and make
coats, stroll from one massage parlor to another. The sound
of Latin jazz comes from one doorway; soul disco from another.
L.A.P.D. black and whites patrol the streets. Occasionally,
a uniformed officer leans out to hassle a passing pimp or
hooker.
He drives on. The sex shops have names like "The Sexual
Catharthis Center," "Pandora's Box," "The Institute of Oral
Love," "69 Club," "The Church of Spiritual Sexuality," "The
Participating Center of Sexual Experience," "Mother's Fun
Palace," "The Hot Box."
A zoo of lusts.
Jake looks at the seat beside him, checking Mast's list of
massage parlors and sex stores with the notation, "possible
K was here."
CUT TO:
EXT. ADONIS BOOKSHOP - NIGHT
Van Dorn pulls to the curb and parks his car. Ahead is the
plexiglass lettered sign of the Adonis bookstore.
Jake locks his car, buttons his suit coat and walks toward
the bookstore. He hesitates a moment, then enters.
CUT TO:
Jake steps into the bookstore and looks cautiously from side
to side.
His expression is stern, withdrawn, as if suppressing some
physical pain. He finds nothing titillating about this world;
for him it is simply evil. Neither is he shocked. Has he not
been taught:
"For every imagination of man's heart is onlyevil continually"?
An improbable assortment of men peruse the long racks of
pornographic books and magazines. A young MALE TELLER sits
next to a cash register atop a high counter. Below him, a
display case features sexual paraphernalia and films. A small
radio softly plays Muzak.
TELLER:
Fifty cents admission.
JAKE:
What?
TELLER:
It's fifty cents admission. It's
applicable to a purchase.
Jake fishes in his pocket, comes up with a couple quarters
and places them on the counter. The Teller gives him a token
in return.
Van Dorn walks down one row and up another. The explicit
titles and magazine covers leap out at him: "Cropped
Crotches," "Teenage Obedience Lesson," "Mouthful of Cock,"
"Hogtie." Many of the magazine covers feature obviously
underage girls. He eases his way past a butch young man
looking at magazines in the gay section.
Screwing up his courage, Jake steps back to the counter.
He tries but cannot avert his eyes from the grotesque sexual
novelties in the case. D*ldos, some small, some huge and
gross, looking more like instruments of torture than pleasure.
Stimulators, vibrators, spiked ticklers. Penis enlargers.
Leather paddles, whips, masks, rubber vaginas, f*** faces,
masturbators.
JAKE:
Do you have a, ah, film called 'Slave
of Love?'
TELLER:
What we got is just these here.
(gestures)
What you see.
JAKE:
It's a short film.
TELLER:
They're all about the same. You want
something?
Jake looks momentarily at the boxes of 16mm film. A couple
titles read "Office Party," and "Butt Banger."
JAKE:
Well...
Van Dorn pulls a folded 8x10 out of his vest pocket. It's a
glossy frame enlargement from "Slave of Love" folded to reveal
only Kristen.
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