Harley Davidson and the Marlboro Man Page #4

Synopsis: The tough biker Harley and his no less tough cowboy friend Marlboro learn that an old friend of theirs will lose his bar, because a bank wants to build a new complex there and demands 2.5 million dollars for a new contract in advance. Harley and Marlboro decide to help him by robbing the corrupt bank. They rob the Bank transport and get hold of an amount of a new synthetic drug. Now they are targeted by criminal bankers.
Genre: Action, Crime, Drama
Director(s): Simon Wincer
Production: MGM
  1 nomination.
 
IMDB:
6.0
Rotten Tomatoes:
22%
R
Year:
1991
98 min
569 Views


We had a bet.

Okay.

Well, wasn't a walk in the park,

but the job's done.

You did it. You did it, man.

Check this out, old man.

Besides Jimmy and Lulu

and the rest of you,

this place is what keeps me

coming back day after day.

Thank you for giving that back to me.

I've got things to do.

Tomorrow we open for good.

All right. All right, Pops.

Oh, man, I am thankful for this.

But you boys are whacked out,

you know that?

I'm talking about you, Harley.

Hey, man,

that's what friendship's about.

It's done, and it's done good.

So let's take the edge off.

Come here, Marlboro, get in this.

To Lulu, who'd kill me

if she knew what I helped do.

But because I did it,

she still has a job.

To Lulu.

What's wrong, man? We done good tonight.

Sh*t, Harley,

we're way out of our league, man.

It was too easy.

I think we oughta get

the f*** out of Dodge,

let things cool off for a while.

Aw, look at this sh*t.

How the f*** did they find us?

I don't know.

I damn sure don't wanna find out.

Not this again.

I can't deal with this again, Harley.

The old man has got it under control.

Yeah, tell them we were in, but we left.

That's right. That's right, boy.

Take your p*ssy friends,

get the hell out of here.

Oops.

I don't think he liked that.

I don't give a flying f***

what he likes.

We gotta get the hell outta here!

No kidding.

I'm gonna f***ing die today, Harley,

and I blame you.

No, we're gonna live, man, and we're

gonna go through that window to do it.

Jack, cover me.

Jack, come on!

I'm right behind you!

Jack?!

Jack!

Uh-oh. Uh-oh.

Lady? Lady, hey, hey, hey.

Take it easy. We don't wanna hurt you.

Take her.

"Take her" he says.

Jesus, lady!

Hey, hey, hey!

This is a restricted area, man.

Shh, shh, shh, shh, shh.

You're gonna have to scoot. I mean fast.

Hey, chump, in case

you don't hear so good,

I said get the f*** outta here!

I hate this f***ing town.

Hey, man, you don't know

anything about this city.

I grew up here, you dumb bastard.

I didn't know that.

Yeah, well,

what you don't know is a lot.

You mean to tell me that real cowboys,

I mean, sh*t-kickin rodeo cowboys,

come from Vegas?

Some of the best.

Maybe even one of the best.

Hey, man,

I know you don't wanna be here.

We're just gonna stay long enough

to clean up and get some sleep.

Yeah, okay.

Did I ever tell you the time

I lost my cherry

to a fat girl in a room just like this?

It was in Mesquite, Texas.

Her name was Annie.

Wasn't too good putting us

up on this top floor like this.

There was a convention in town.

It was all we could get.

Makes for a tough getaway.

Look, partner,

they're not gonna find us here.

- They can't.

- I wouldn't bet on that.

Why don't you stop whining, you know?

You're starting to sound like Jimmy.

Jimmy's dead,

you heartless piece of sh*t.

Four of our friends got killed tonight.

They're gone.

F***ing tagged-on-the-toe dead.

Does that matter to you?

I mean, do you f***ing care?

Hey, Marlboro,

I didn't force anyone to do it.

They took the chance,

and they knew the risk.

All right, hey, look, it's my fault.

And I gotta live with it.

But right now me and you gotta

pull it together if we're gonna survive.

Hello?

Hello.

Hey.

Where are you? Are you all right?

Las Vegas.

I called because I'm drunk,

and I'm tired.

I just wanted to hear your voice.

Tell me exactly where you are

and what you've done.

- No.

- And I can help.

No. Can't do that.

I've already dug too many graves.

None of them my own.

Robert...

you keep running, and sooner or later,

you're gonna end up like your dad.

Drunk, dead and alone,

and all you can do is hold on and wait.

Robert?

Hello? Are you there?

Harley, let's go. We got company.

- Hey, I know how they found us.

- Yeah? Well, Tell me later.

Please, God, let us get out of this one.

I promise I'll change.

That's bullshit, Harley.

I'll f***ing try.

Sh*t.

Up! They're going up!

Holy sh*t.

Come on!

We're at death's door, Harley,

and the devil's a-knocking.

So you better think up of something fast

or start your ass praying for real.

Put your gun away. We're gonna jump.

Are you out of your f***ing mind?

You got a better idea?

Well, whatever the hell they're

wearing's made outta die-hard bluesteel.

All right, come on, take my hand, man.

No!

- It's the only way, man.

- I don't care.

Well, I'm gonna do it.

Do it!

You're gonna get shot up here.

You're gonna get smashed down there.

Hey, man, I'd rather

be smashed than shot.

Not me.

All right. F*** you!

You stay up here,

and you get shot and die!

I owe you that.

I hate you for this, Harley.

I f***ing hate you for this.

I hate you, Harley!

Oh, sh*t!

Was that f***ing intense or what?

We gotta go back, Harley.

What the f*** you talking about?

We survived. It's over.

It ain't over.

Hey, man, it's definitely over.

See this?

It's out of commission.

That means that them f***ers can't

keep coming out of nowhere anymore.

We still got a bunch of money

we didn't get for ourselves,

and a bar full of dead friends in L.A.

It ain't over.

This ain't right.

And we owe it to our friends

to make it right.

Hey, man, I ain't making any plans

for you and me for a long time.

We came out alive. We came out ahead,

I ain't doing it.

God damn it, Harley. We ain't ahead.

And if being alive means

living on the run, then I don't want it.

Marlboro, you do

what you think is right, right?

I'm gonna stay alive.

Better to be dead and cool...

than alive and uncool.

Midnight

Streetlight

Shadows

At your feet...

What do you want?

Virginia.

She's asleep.

Wake her up.

Why the f*** is here here?!

Though I want you so...

- Just calm down.

- I am calm!

To stay

I'm standing on the hard line

Taking my sweet time...

You've got until we reach the sidewalk

to say what you've got to say.

Mr. Trigger-happy a cop too?

He just made lieutenant.

He the guy?

What do you want, Robert?

You want my help? My sympathy?

My hand in marriage? What?

I don't know what I want.

But I know what I don't want.

I don't want whatever

there was between us...

to end without telling you...

you've been the better part of my life.

The best part of my life.

I'm standing on the hard line...

Goodbye, Virginia.

Robert?

I'm slow to change...

Been fighting on the front line

Victim of a heart crime

Can't just let you steal my heart

Away.

Sorry I'm late.

I had a layover in Denver.

Are you and me friends?

Sure, we're friends.

Then how come,

with all the sh*t that me

and you have been through,

I've asked you the same question

a thousand times

and you ain't never answered me?

What question?

What's with you and those f***ing boots?

My old man gave me these boots

first time I rode

in a professional rodeo.

It was the first and last thing

he ever gave me.

Hey, Marlboro,

you could've told me that.

Just kind of figured

it was between him and me.

I got throwed and busted

my arm in four places.

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Don Michael Paul

Don Michael Paul (born April 17, 1963) is an actor, director, writer and producer.He starred in the films Heart of Dixie and Rich Girl with Jill Schoelen and appeared in Aloha Summer. He wrote the screenplay for Harley Davidson and the Marlboro Man. He acted in the short-lived 1992 CBS detective series The Hat Squad. He played a prominent role in Models Inc. and Robot Wars. He has directed several films including Half Past Dead in 2002, Lake Placid: The Final Chapter (2012) and Tremors 5: Bloodlines. more…

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