Harry and Walter Go to New York Page #4
- PG
- Year:
- 1976
- 115 min
- 59 Views
Just don't drop that,
Harry.
I'm not dropping it.
- Don't jiggle that, Harry!
- I'm trying.
Watch the coal, Harry.
Don't drop it.
Oh! I'm slipping!
- Come on.
- Don't drop it, Harry.
- Harry!
- Harry, Harry!
Walter, Walter!
Hold it, hold it!
Harry, it'll explode.
What are we gonna do now?
Put those guns down!
Get off that wall!
They got nitro! Nitro!
We'll talk it out.
Get off! Get off!
He's got nitro! Don't shoot!
Harry, don't dare him!
Come on! I dare him.
Harry, don't!
Come on!
- We'll go back
- Come on!
Put me on a nitro detail, will ya?
- Don't threaten him.
- Say, "I'm too smart."
- I'm too smart.
- No! I'm too smart.
- You're too smart!
- Watch this. Ha!
- No, don't!
- Ha!
- Don't!
- Harry!
- Whoa!
- Sweet Jesus!
Well? Come on!
My hat!
What do you mean,
your hat?
- I dropped my hat.
- Your hat?
You stupid!
Watch the quarters!
Got 'em.
Those dogs are gonna find us,
Harry.
If there's one thing I know, it's dogs.
Just follow me.
- What do we do?
- We'll throw 'em off.
Run around the tree.
Rub your body on the tree.
Get 'em dizzy.
Okay, come on.
Trust me, Walter.
Come on.
- Harry, I'm hungry, Harry.
- We'll eat later.
Come on.
They'll give us years,
Harry!
Come on.
Harry,
They've got snakes in the forest,
Harry.
I'm scared.
Come on. Come on.
Okay, this way. Walter?
Harry?
- Harry!
- Walter?
- Harry?
- Walter?
- Harry? Harry, I'm lost!
- Don't panic!
- Harry? Harry?
- Don't panic!
- I got lost.
- Okay.
- I got lost in the corn.
- Okay!
Shh. Let me explain
something to you.
If I'm in the front,
that means you...
Let's get outta here.
You're supposed to
be behind me.
Don't holler at me,
Harry.
If I'm leading,
that means you follow.
If you follow
you know what I mean.
A bicycle.
We can use a bicycle.
Be careful.
Timing is everything.
We're dangerous!
We escaped! We're convicts!
Run for your life.
Run!
Okay, let's go.
Harry,
my legs are getting tired.
Don't worry.
When we get to Connecticut,
it's mostly downhill.
Attaboy.
Attaboy. Attaboy.
Come on.
Here. Come on.
All these years, I told you
I'd get you here, right?
Okay.
Beep, beep.
Hey! Thank you.
Watch out!
Watch out.
Oh, look!
Oh, gosh.
Oh! Get off me!
You all right?
Come on.
We made it.
- Harry, we made it. We're here.
- Where are we?
The Advocate, the People's Newspaper,
Harry. 184 miles. We made it!
This is it?
That's some newspaper.
You got the magnifying glass?
I think it's by the bed.
Lemon or milk?
- Well, both, if you have 'em.
- Both.
because they pinch my muscles.
Um, I'm so surprised.
I'm really stunned to see you here.
How did you...
Well, you can imagine
our surprise when, uh...
An hour after you left,
our parole came through,
bang, like that.
More like "boom."
Boom, bang, what difference
does it make?
We came as soon as we could,
and so how can we best help you?
Oh! Uh, that's very
thoughtful of you both.
It's just that I'm afraid
we can't pay you anything.
Nothing at all.
- Oh, we don't care about money.
- Oh, I mean, money. Money.
We came because, uh,
we just...
wanted to put a new, uh, life
in our direction, like you said.
- A new direction in our life.
- That's what I said, Walter.
- It's wonderful. It's inspiring.
- It's perfect.
It's perfect.
Yes, it is. Here.
I want you to take a look at this,
and I want you to tell me what you think.
Be honest.
Think it'll sell?
"Adam Worth,
penitentiary prince."
"Adam Worth."
Oh, boy, is he
gonna be mad.
You have pictures of us
in here!
Look at that, Harry.
Yeah.
Oh, this is good publicity,
Walter.
- You think so?
- Yeah.
Excuse me.
Lewis?
- You're terrific!
- Oh, thanks.
They're wonderful.
- Sharp and clear.
- Yes.
Where do you develop these?
I got my own darkroom.
- Here?
- Yeah, right here.
- You're kidding.
- No, no, I'll show you. Come on.
Come here.
Aw, it's a boy.
Yeah.
You do wonderful,
wonderful work.
Thank you.
It's a... characteristic.
Well, a character study.
It's wonderful.
Oh, uh...
Lewis,
what's this pile here?
- Oh, those are the rejects.
- Uh-huh.
Your friend Walter
took the worst one of 'em all.
He did? Which one was that?
Which one? The one that
almost burned down the cell.
I don't mean
to be personal,
but you're not related to him,
are you?
- No.
- Oh.
This is the worst picture
I've ever seen in my life.
Look at this.
It's just a bunch of crazy diagrams.
The composition is terrible.
Look, the leg is cut off,
your whole body's cut off.
- Paper! The Advocate!
- Lewis Hopkins' photographs!
Corruption here
in New York!
Walter, take a stack
and spread 'em all over town.
When you've sold these,
come back for more.
Listen. One per customer.
They'll buy anything
that's one to a customer.
One to a customer.
- Paper.
- Oh.
- What?
- Look.
What's the matter, Harry?
What?
- Shang Draper's.
- Shang what?
Shang Draper's.
It's a restaurant.
Yeah. Do you know that right now
the greatest cracksmen in the world
are sitting there, and they're,
uh, lightin' cigars with C-notes.
That's the way they talk.
C-note, that's a hundred.
- Oh, my God.
- Who's that?
- Oh, my God.
- Who do you see?
Oh, my God.
Harry, what's the matter?
Who do you see?
- That's piano Charley Bullard!
- Who?
Charley Bullard.
The diamond job in Paris!
Paris. That's Paris, France.
That's It's near Europe and Asia.
- So?
- The So?
The Charley diamond Bullard job
in Paris, France!
Where are we going?
Mrs. Trumble, Mr. Trumble.
Enjoy your meal.
Excuse me. I'd like, uh, a nice table
by the window for two, please.
I'm afraid it's out of the question, sir.
We are fully booked.
That's all right.
We'll wait.
I'm afraid it would be at least two hours.
Probably three.
Oh, well, I'll, uh...
see your three
and raise you two.
Sir, this is
Shang Draper's.
I'm not lookin' for directions, buddy.
I just want a table.
One moment, sir.
And a nice one too.
Right over there by the window.
Harry, isn't that Jack Chatsworth
sitting over there?
- Jack Where?
- There, in the middle...
Don't point!
Harry, if I don't point,
how am I gonna show you...
You describe it.
You use the English language, like me.
May I help you,
uh... gentlemen?
No. No, thanks.
Um, Jack!
Jack Chatsworth!
- Harry
- How ya...
- How ya doin', buddy?
- Christ, Harry!
You're friends
of Mr. Chatsworth.
Oh, yeah.
Right this way,
gentlemen.
It's not Not a window.
It's all right.
Thank you.
Are you trying to get us
killed, Harry?
Relax. Adam Worth is safely
tucked away in that prison.
Something from the bar, gentlemen?
Would you like to look at the wine list?
Yes, thank you.
Here it is, sir.
Uh, some beer.
Beer.
Um...
Chateau Lafite-Rothschild, '79.
An excellent selection,
monsieur.
Measurably. Oh, and, uh, excuse me.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Harry and Walter Go to New York" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/harry_and_walter_go_to_new_york_9654>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In