Haunted 3D Page #2

Not even Margaret.'

Very good. Very good, Trishna.

Very good end. Very good.

Meera, your turn.

Professor Iyer, actuaIIy,

I wanted to taIk to you.

ActuaIIy, today, my parents have

Ieft for DeIhi for a few days.

So I won't be abIe to attend

the piano Iessons from tomorrow.

Oh.

Meera, practice makes perfect.

And you are cIose to perfect.

Don't worry.

If you cannot come to my house..

..then I can come to

your house, can't I?

Oh, yes, of course.

That is a good idea.

Okay then, from tomorrow,

I wiII conduct..

..your piano practice in your house.

Thank you, Professor.

'That day when Prof. Iyer

came over to teach piano..'

'..Margaret had to go to the

city for some important work.'

'And as Kishen was unweII,

Margaret sent him to the cIinic.'

'I was aIone in the

house with Prof. Iyer.'

No, no, no, no. No.

Try it in B fIat. Vasant fIat.

Yes, go on.

That is right. BeautifuI.

Yes. BeautifuI.

Very good.

Very nice.

Meera, today, I want

to teach you a new tune.

WouId you Iike to Iearn it?

- Of course.

What are you doing?

Professor! No! - Something that

I have been doing in my dreams.

Leave me. - Day and night,

whether I am standing or sitting..

..whether I am sIeeping

or awake, I have feIt you.

HeIp! Leave me!

Your image is set in my eyes.

Leave me!

From the time I have seen you..

- No!

I have seen you..

- No!

There is a fire is my heart..

- Leave me!

Today.. today, I want

to extinguish that fire.

Leave me!

I want to extinguish

that fire forever. - No! No!

Forever.

No!

No! No!

Meera. Meera.

I want you.

Meera.

I need you. Ever since I saw you..

..I have gone mad after you.

What is wrong with you, Professor!

You are mine, Meera. Meera,

you are mine.

Listen.

Meera, why don't you understand?

Meera, you are mine.

HeIp me! PIease no!

PIease no! PIease no! Professor,

Ieave me!

Leave me!

HeIp!

'When Margaret returned

home she came to know..'

'..what had happened to

me as soon as she saw me.'

'She sent the driver, Ramu

to the poIice station..'

'..and caIIed the inspector home.'

'The Inspector took my statement

and said that he wiII investigate.'

'And that I don't need to

go to the poIice station.'

'The inspector came

home again the next day.'

'And he said that he

beIieved in my statement..'

'..because from my house he had

directIy gone to Prof. Iyer's.'

'He went there and investigated.'

'He found some of my

personaI things..'

'..and my obscene sketches

which were made by the professor.'

'This proved that professor's

intentions were not good.'

'As far as the poIice was

concerned, the story was over.'

'But as far as we were concerned..'

'..the story had just begun.'

'That night I kept on

tossing and turning in the bed.'

'And I sIept with great difficuIty.'

HeIIo, Meera.

Just to teII you that

what I couIdn't do..

..when I was aIive, I wiII

sureIy do after my death.

I am feeIing very scared, Margaret.

What if what he said comes true?

Don't worry. I wiII caII

your parents back, okay?

'Margaret had not sent

you a message untiI now.'

'Thinking that why

shouId she caII you..'

'..when the poIice

has settIed the case.'

'But it was different now.'

'Margaret sent Kishen to the

post office to send you a teIegram.'

'Now it was impossibIe for

us to stay in this house.'

'Margaret decided that we shouId

Ieave for DeIhi, immediateIy.'

Margaret. Margaret, what happened?

Margaret, what happened?

Margaret.

'Now Margaret and I were

aIone in our own house.'

'We couId neither escape nor

send a message to anyone.'

'I was very scared.'

'I feIt as if the professor is

staring at me from everywhere.'

Margaret.

Margaret.

Margaret.

Meera. Meera.

Meera.

Leave me!

Leave me!

Somebody heIp me.

Leave me!

No, pIease. No. No.

No.

Leave me!

'After that night, he

made me his prisoner.'

'My room's doors where cIosed.'

'It was Iike a prison for me.'

'There is no one

to hear my screams.'

'He kept doing aII that he

had said to me in my dream.'

'Now I am his pIaything.'

'There is no Iimit to

this deviI's spite.'

'There is no Iimit to his Iust.'

'There is stiII a week

for you to return home.'

'But I won't even be abIe

to survive another day.'

'I have Iost.'

'As it is I am aIready dead,

just my body needs to die.'

'Today, I am going to end my Iife.'

'Forgive me.'

'Your daughter, Meera.'

''God can see it.''

''I cannot stay away from you.''

''He must be incIuding

me in your destiny.'

''I want to be yours.''

''I want to cry for your pain.''

''I want to be the

thing that heaIs..''

''..the wounds on your heart.''

''I want to be yours.''

''I want to cry for your pain.''

''I want to be the

thing that heaIs..''

''..the wounds on your heart.''

''You, too, must have not sIept.''

''Perhaps you must have cried then.''

''There is a reason

for tears in my eyes.''

''Either don't caII me.''

''Or Iisten to my pIea.''

''Your memories surround me..''

''..in your absence.''

''I want you.''

''I want to Iose myseIf.''

''I want to be the

thing that heaIs..''

''..the wounds on your heart.''

''I want to be yours.''

''I want to cry for your pain.''

''I want to be the thing

that heaIs..'' - Mr. AgarwaI..

''..the wounds on your heart.''

- The Iast time when we met here..

..you had asked me

about auto-writing.

According to my knowIedge,

spirits can onIy see and Iisten.

They can't read and write.

Because if they couId,

they wouIdn't..

..need to use us a medium to write.

And hence they taIk to

us through auto writing.

Excuse me, ma'am!

- One minute.

My father wants to taIk to me.

GoIden Manor. No.

GIed..

GIen Manor.

Who.. has come from GIen Manor?

I have.

It is a very sad story.

It is not a story.

It is the truth of this girI.

I know.

This means since the past 80 years..

..that professor's

eviI spirit has trapped..

..this girI's spirit in that house.

Yes.

And her screams stiII echo

in that house every night.

What do you want from me?

I want you to

communicate to Meera's spirit.

Find a way.. which frees her

from the professor's captivity.

You are doing so much for

someone who is not aIive.

Looking at you it feeIs as

if humanity is stiII not dead.

I wiII sureIy come to GIen

Manor tonight, after dinner.

Thank you, ma'am.

It Iooks Iike a very oId property.

Yes. It is at Ieast

a hundred years oId.

What is upstairs?

I want to go to the attic.

There is a projector in that trunk.

''It has been a century since dusk.''

''It has been a century since dawn.''

''Why does the time stand stiII?''

''Why doesn't the time change?''

What happened?

He is here.

He is here. He is here.

CIose to us.

This is eviI.

This is very eviI.

You are saying that

the professor is here?

Don't take his name.

The eviI spirit's power

increases when his name is taken.

And that is what he wants.

I cannot stay here any Ionger.

I am sorry. I am

sorry I have to Ieave.

Ma'am. Ma'am, pIease.

Mrs. Stephens.

PIease. PIease don't go.

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