He Rides Tall Page #2

Synopsis: It's the last day on the job for Marshal Morg Rocklin who plans to get married. The new Marshal is due in town the next day. Unfortunately, a bunch of troublemakers are in town. Among them is rancher Joshua McCloud's no-good son who's bringing in a herd of cattle for sale. Immature, spoiled and quick tempered, the McCloud boy gets into an argument with his cowhands in the saloon and shoots one dead. The Marshal tries to arrest McCloud's son who draws on the lawman and gets killed. Postponing his wedding, the Marshal rides out to break the sad news to old rancher McCloud who has recently taken a young gold-digger wife. The old man drinks too much lately. The Marshal fears the worst for his meeting with the old rancher who doesn't yet know that his son was killed. To make matters worse, Bart Thorne, the McClouds' head ranch boss hates the Marshal and wants him dead.
 
IMDB:
6.0
TV-PG
Year:
1964
84 min
38 Views


man's face when he finds out about guilt

all I want to do is get married find a

home for Ellie and me.

[Music]

Or again.

[Music]

All alone in the dark is the prospect of

marrying me that dismal you know better

than that.

Gil MacLeod Gill MacLeod darling why

didn't you come to me love means that

you share things together the bad as

well as the good Ellie you know Joshua.

MacLeod took in a small orphan boy

raised him with all the affection of his

own son you know that boy was me I know

and I know how miserable you feel

and you'll understand why we have to

postpone our marriage because I won't be

here tomorrow I'm riding out to see Josh

no I don't understand you're going to

tell the man who raised you that you

killed his son it's better if he hears

it for me

better for you or for me and if his

answer is to kill you

well will it be better if he comes and

tells me about it I don't tell him it's

like running away what kind of a man

does that make me kind of a husband for

you

gave up being Marshall to Mary but you

really haven't changed you still want to

be a target and if Josh MacLeod doesn't

kill you where you'll find another time

and another place and Sunday someday

someone's going to find that target

didn't want to stop

[Music]

As soon as I see Josh I promise I'll

come back to you for good

you'll come back if you survive well

that's not good enough.

I'm not going to begin my life by

waiting for the man I love and wondering

how I'll look in black to buy more

[Music]

[Applause]

[Music]

Well towns all yours now Loomis anything

else you need to know one thing

where's the best place to eat the golden

hotel and saloon Oh bye and good luck if

you're needed

goodbye Rockland don't give away all

your lucky my need Sun may be a lot

bargain I'm sorry about last night

forget everything I said exemple I love

you.

[Music]

I said it was awful to wait for someone

you love it would be worse to have no

one to wait for well no one to come back

to take me with you right now

don't worry when I get back

we'll have the honeymoon we planned

all right hurry back

[Applause]

[Music]

Oh.

[Applause]

[Music]

You.

[Music]

[Music]

Born your gun

close it down oh thank god is you morgue

here I thought that their gun oh how was

I to know was you last I heard you will

listen to be on your honeymoon today

listen to me there was an Indian

stalking me there's been a pair of them

prowling around morgue

tell me one good reason why I'd want to

do you in

I've got 15,000 reasons on me cash I

guess there's just one thing to do

more one of us is gonna be bad hurt

[Music]

Anytime you're ready

[Music]

See it was anybody but you I might try

and they just your sudden hand with a

gun is that I'm downright fond of you

you're the kind of a man I can trust I

trust you too as long as you're a couple

of hours behind me what worries me more

if you stay mean a suspicious like it's

gonna show on your face when you get old

I was just trying to get my gun back my

own gun

it's all in your belly and stator morg

you can't shoot a man when he's down you

ain't that kind on your belly

[Music]

Oh where's your sense of humor wow

that's too tight

[Music]

Not my legs famous for walking but I

always like to know it's possible I'll

hold you for a while a man can't leave a

man in this position

well fellow human beings that'll give

you something to think about

wrong boy listen to me you're a decent

respectable man you got a stupid sense

of fair play don't lose it no Rosa now

go get it

you.

I don't want you this close behind Lord

oh my god

I wasn't lying about them Indians not

all together I saw some yesterday so I'm

with my eyes

[Music]

Like you need some help I'd be grateful

oh one minute dad I don't know how long.

I'd have been stuck if you hadn't come

along why you're heading the Argonaut

ranch I want to see Josh Roma klar then

we're going to the same place mr.

Brooklyn glad to meet you mr. Rocklin.

Joshua's told me many nice things about

you

they call me dr. Sam Oh follow you with

thank you.

[Music]

You.

[Music]

You

[Music]

More broccoli

the marshal what's he doing here he

didn't say I didn't ask

sanyo I'd like to see Joshua MacLeod boy

morg Rockland going in caught in spent

years for seems like an eternity you

look fine

great been hearing about you your

reputation as a marshal reckon you never

expected to see me down I heard about it

yeah all my life in the saddle gets

thrown by spook Brock dr. Sands is I'll

be up and about in no time look here I

want to show you something

how's that

last week I couldn't even stand the

don't tell Katie I want a surprise.

Katie's my new wife after Emma died

never dreamed I'd get married again but

I did I heard that too

Katie not alone another drink no thanks

maybe you saw a map or Gil in town

uh-huh

what brings you here morgue

looks like rain in a minute where's Gil

where's Gil he's dead

ha he shot one of your own writers he

resisted arrest and I had to kill him.

Joshua 20 murder nothing less than

murder get out get out of here before I

kill you.

I remember the day I brought in here to

live what do you think of the way he

repays me.

Norland ranked Samantha cat got your

tongue damn it Sam he killed my boy you

act like I did something wrong mr.

Rockland came and told you what he had

to say to your face that took courage he

seems to me to be the kind of man that

you always bragged about the man that

you were so proud of

[Music]

Who are you

he's more Brocklin mr. McCloud the

lawman oniy my horse needs a rubdown yes

ma'am

I'll correct you Wrangler mrs. McCloud

excellent I must say there hasn't been a

man around as an option will you be

staying on when the storm goes so do I

the storm may last a long time.

Katie where you been you've been riding

that storm do you object to my daily

ride no I don't check it I just don't

wanna say you get soaked in rain that's

all Oh

can't you put this in a safe on a plate

man named Rockland came today about that

money.

Oh bad news girls dead Rockland killing.

Josh a dare

I'm sorry careful sorry

thought you might like some coffee mr.

run Thank You mrs. McLeod but mostly I

thought you might be lonesome don't you

understand

I'm a young girl married to a worn-out

old man no law said you had to Miriam

the law of survival said so

ja well don't be

I had my fill of shock prone gossips

back in st. Louis over perfume drummers

passing through if Betty would marry me

only I learned that he already had a

wife then I met Joshua found out that he

wasn't only an old man but a rich one

you made a good body that's good enough

young woman needs more than what an old

man give her I don't get you Rockland I

never met a man who wouldn't let's just

say brother

let it go are you afraid of what Josh in

the night said I killed Joshua's son and

he's trying to make up his mind now

Rate this script:0.0 / 0 votes

Charles Irwin

Charles Irwin VC (1824 – 8 April 1873) was born in Manorhamilton, County Leitrim and was an Irish recipient of the Victoria Cross, the highest and most prestigious award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces. more…

All Charles Irwin scripts | Charles Irwin Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "He Rides Tall" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/he_rides_tall_9728>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    He Rides Tall

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "parenthetical" refer to in screenwriting?
    A A scene transition
    B A description of the setting
    C A character's inner thoughts
    D An instruction for how dialogue should be delivered