He Was A Quiet Man Page #5
protect me or f*** me, so,
it helped me get
up the ladder,
and I did a hell of a
lot of climbing, Bob.
More than my share.
Right.
Look, the point is,
you don't make any friends
stepping all over them
on the way up.
Look, enough with
this doom and gloom.
Let's see what a $300 bottle
of wine tastes like.
Me first. Here, can
you take this off?
Ohhh...
Okay?
Yeah.
Don't worry.
Ohh..
Whoo...
Ow, that's so
much better.
Now that I'll miss.
Bon appetit.
You have any brothers and
sisters?
Umm...yeah....
What was your most personal--
I do like apple juice a lot...
Really? One time
at the office I was
talking sh*t about Paula
Oh, Paula...
[laughing]
But are goldfish like cats,
where you can't leave food
out for them?
Pretty much.
Everyone's due for
a good hangover.
It's easier to ask
what hasn't been my most...
You go ahead,
I'm stuffed.
How can you tell?
You can't feel anything
below your neck.
I know my limit.
Besides, they're
closing this place
out, I think.
It's only
ten o'clock.
to try and find something else
we've never done before.
What haven't you done before?
[drums]
[rock music]
You're doing the back-up lines.
You hear me?
No...
Yes you are!
No, no, no.
Gladys is nothing
without the Pips.
Take the mic. Bob!
["Midnight Train
to Georgia"]
L.A.
Proved too much
for the man
So he's leavin' the life
He's come to know
Bob. You gotta do this.
He said he's going
back to find
Where are the Pips?
Do the Pips!
Ooh, what's left
of this world
You're killing me, come on.
The world he left behind
Come on!
[audience shouting] Come on
buddy, give her a little help!
Not so long ago
[laughing]
Ho, ho, ho!
You know, forget you!
He's leaving
Leaving
On that midnight train
to Georgia
Leaving on
the midnight train
Said he's going back
Going back to find
Simpler place and time
Oh yes he is!
I'll be with him
I know you will
On that midnight train
to Georgia
You know, on
that midnight train
Oh my God.
I'd rather live
in his world--
It's her colostomy bag.
Bob. Bob. Bob!
Ma--
Bob, get me
out of here!
[audience consternation]
Oh sh*t!
[mic feedback]
Bob! Oh my God!
Get me out of here!
Thank God I'm not
in a wheelchair.
[distant siren]
There it is.
[subway train passing]
[subway train passing]
Keep going, Bob.
[wheelchair squeaking]
Right here. Stop.
I've been here so many times.
You're going to let go,
you promise?
I promise.
I'm glad I got
to know you, Bob.
So am I.
[horn approaching]
Now Bob. Now.
[train approaching]
[increasing roar]
[shouting]
Bob, let me go! Bob!
Bob, you promised me!
You f***ing promised me!
Goddamn it, Bob!
Let me go.
I'm sorry!
You promised me!
You f***ing chickenshit!
You f***ing cocksucker!
Let me go!
Bob! Bob! No!
I'm sorry! I know!
[screaming]
[screaming]
[brakes screeching]
Oh, the--
Bob! Sh*t!
Myelinated actions below
the wound were not as contused
as the original
MRI indicated.
So we rescanned, using
NMR microimaging.
That revealed an overabundance
of progenitor cells,
which apparently caused glia
to be secreted around
the C-7 thoracic synapsis.
What does all
that mean?
It means there's hope.
There's definite hope.
[monitor beeps]
Hi.
Come here.
Closer.
Closer!
Closer.
[Heart beat]
[Man singing acapella]
Thank you for
saving my life.
Again.
This time you
won't regret it.
[Man singing]
Inside, outside
Make up your mind
Put on your face
And close your door
Step out of your mind
...isn't anymore, is it?
No, it certainly is not.
Not another day
This one is here
to stay
Not another sign
You can kiss those blues
of yours goodbye
And I said some days
may fade
I will let this one fade
and sometimes rain falls
I will let it fall
And some things
are bound to change
They will change that way
And sometimes
there will be pain
There won't be any pain
Not today
Not this day
This one's all for you
Not this day
It's your day
This one's all for you
It's all for you
For you
It's all for you
For you
[instrumental]
I told you guys to be here
as soon as possible.
It's an emergency.
[indistinct]
Where'd you learn
how to drive? Huh?
[continues]
[laughing]
The big problem's
a lack of communication
between departments,
but I notice there's one place
people don't have any trouble
expressing themselves,
and that's by the water cooler,
so I thought if you put
a little miniature water cooler
by every phone in every office
and promote communication
between departments.
That's good
thinking, Bob.
[everybody]
Yeah, yeah.
And I said
some days may fade
I will let this one fade
Sometimes rain falls
And I will let it fall
And some things
are bound to change
They will change that way
And sometimes
there will be pain
There won't be any pain
Not today
Not this day
This one's all for you
Not today
Not this day
This one's all for you
This is your day
It's your day
This one's all for you
This is your day
It's your day
This one's all for you
It's all for you
For you
It's all for you
For you
And I said
Some days may fade
I will let this one fade
Not today
I guess we overdid
it today.
It was a great day.
But it could
be perfect.
It's not already?
[kissing]
It just needs
that final touch.
Your finger's definitely
getting stronger.
Take me to the couch.
I want to satisfy
you, Bob.
You have.
You are.
Not intellectually,
I mean intimately.
Sexually.
All you have to do
is reposition me,
put my head over the couch,
and I'll do the rest.
Vanessa!
What? You're my
boyfriend, right?
Come on, you've done
so much for me.
Please, just let me
do this for you.
No, no,
I don't think we should.
I don't see you that way.
Well that's just it.
I want you to. I want
you to find me attractive.
I do.
You're beautiful.
Not enough to
be intimate with?
Vanessa,
from the first moment
I saw you
in every way possible.
I fantasized about you
being naked.
Can I at least fulfill
that fantasy then?
Please?
[Man singing]
Buttons, Bob?
[giggles]
It's okay.
There's a clasp.
Touch them.
But you won't
feel anything.
I will if you do.
So don't you worry at all
And ooh, can't you see
The world's here for you
And ooh, can't you see
Take your glasses off.
[whispered]
Come here.
And ooh, can't you see
The world's here for you
I'm here for you
Here for you
Take me with you.
What?
Take me with you.
Vanessa, it's Monday.
I have to go to work.
I know. I want
to go with you.
Why?
Because, it's time to
see where it happened.
what's happened to you.
The ones that you said
you stepped on,
are you sure you're strong
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"He Was A Quiet Man" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/he_was_a_quiet_man_9731>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In