Heaven Can Wait Page #5

Synopsis: Joe Pendleton is a football quarterback preparing to lead his team to the Superbowl when he is almost killed in an accident. An overanxious angel plucks him to heaven only to discover that he was not ready to die, and that his body has been cremated. Another body must be found without his death being discovered, and that of a recently murdered millionaire is chosen. His wife and accountant, the murderers, are confused by this development, as he buys the Los Angeles Rams in order to once again quarterback them into the Superbowl. At the same time, he falls in love with an English environmental activist who disapproves of his policies and actions.
Production: Paramount Home Video
  Won 1 Oscar. Another 8 wins & 13 nominations.
 
IMDB:
6.9
Metacritic:
72
Rotten Tomatoes:
89%
PG
Year:
1978
101 min
1,091 Views


Yes.

Hey, how you doing, Everett?

How you doing, Bentley?

Hurry up.

Wait a minute.

Just a minute, please. All right.

Sorry to bother you, but we don't

love each other. Let's get divorced.

I don't know

what you're talking about.

Come on. Yes, you do.

Abbott, there's a trainer

for the Rams named Max Corkle.

Could you call and ask

him to come see me?

Yes, Mr Farnsworth.

Thank you. Good night.

You idiot! You idiot!

Why did you answer him?

I couldn't resist.

His will is too strong.

That's our weekend forecast.

Now here's tonight's sports.

Leach and Char will have to...

He's dead. It's over with.

...left for Philadelphia

this morning...

At last, at last.

- At last, my dearest.

- It's incredible.

Yes! Just a minute. Yes!

Yes, Sisk.

And, Abbott, Corkle's number

is 654-1654. All right?

- Yes, Mr Farnsworth.

- OK.

Oh, my God.

Right this way.

Mr Farnsworth is waiting for you

in the ballroom. Follow me, please.

Mr Corkle, sir.

Max. How you doing?

Fine.

Lost a little weight, huh?

Have we met?

Sort of. Yeah.

Thanks, Sisk. Hey.

I hear you got all Joe Pendleton's

athletic equipment.

Yeah. How d'you know that?

I'd like to buy it.

I'd like to bring it in here.

No, I'm sorry, Mr Farnsworth.

That's not for sale.

- No?

- What do you want it for?

I've got to get in shape.

I'd like you to help me train.

- Oh, train?

- Yeah. As soon as I'm ready...

I want you to get me

a tryout with the Rams.

What are you trying out for?

Quarterback.

Yeah, well, the point is,

Mr Farnsworth,

we already got a quarterback

working with the team.

We got a couple

of pretty good backups.

You call Hodges good, huh?

The point is

we don't need a quarterback.

Why don't you try another team?

The Oakland Raiders are close.

Give them a call.

I want to play quarterback

and get in shape for the Super Bowl.

What would it cost to try out?

Look, Mr Farnsworth,

no team wants a crazy trainer,

and only a crazy trainer

would arrange a tryout for you.

You keep your money,

I'll keep my job,

and we'll keep this little

misunderstanding to ourselves.

Hey, that's all right,

I'll finish that up.

What would you say if I told you

I was a professional football player?

Boy, hey, these... These are nice.

Max... You know how people die?

Yeah. Why?

And after they die,

they go to heaven?

I guess, if... if they're good.

I mean, why not?

You know how it works in heaven?

- Not exactly.

- It's probability and outcome.

I never knew that.

Say there's a probability

that some guy's going to die.

An escort from his way station

gets a signal.

He goes down

and waits for the outcome.

If the guy lives,

the escort wasted a trip.

If he dies, he takes him back

to his way station.

He puts him in line for his

final destination. You follow?

Yeah. Mind if I smoke?

Go ahead. Let's say there's

a new escort. He gets a signal.

He takes off and sees a guy

riding a bicycle into a tunnel.

The car's coming the other way.

The escort's supposed to wait,

but he's new and figures

the guy's a goner.

He figures, why should I

have the car hit him?

Why not take him out

a few seconds early

and take him up to his way station?

Listen, I... need a match.

That clock, that's a lighter.

So the thing is, the guy he takes up

to the way station

isn't just some ordinary guy.

He's an athlete

with fantastic reflexes.

He wouldn't have hit

the car at all.

- How do you light this?

- There.

The guy wasn't really dead.

His number wasn't up for years.

He would have missed the car.

- No kidding?

- Yeah.

Is this lighter right?

Max! They're supposed to put him

back in his body,

but he's been cremated.

- They have to find another body.

- Look, Mr Farnsworth,

I'm just a trainer. What you need

is like a really good doctor.

Don't you understand?

Sure. That's a hell of a story.

Max, you... Mr Jordan.

I'm so glad to see you.

I'm trying to get Farnsworth

into shape for the Super Bowl.

- I want Corkle to help me.

- Somebody with us?

- Who are you talking to?

- Mr Jordan. He runs the way station.

You can't see him.

You're still alive.

You two probably got a lot

to talk about. I'll be on my way.

- Wait a second, Max.

- Tell him who you are, Joe.

He'll never believe me.

Can't you tell him?

He's the only person who can get me

a tryout with the Rams.

You can make him believe you.

- Look at me.

- Mr Farnsworth...

Max! I'm not Farnsworth.

I'm Joe Pendleton.

Farnsworth's wife

and secretary murdered him.

This is a body they found for me.

They drugged him, stuck him

in a bath, then I stepped in.

It's not bad material.

I can get it into shape.

I don't want to hear any more.

- Max, please.

- I... want to get out of here.

- Max.

- I won't tell a word to anybody.

I promise.

It'll be our little secret.

A secret? Like your sister

and the Coca-Cola salesman?

- What about the scar on your tongue?

- How did you...?

What did you do

at your uncle's wedding?

What about the first time

I fixed your neck in Pittsburgh?

Now do you believe me, Max?

Please say you believe me.

They don't have a team in heaven,

so God couldn't make me first-string.

He doesn't believe me.

Try a little music.

That's a great persuader.

Joe, you never could play that thing.

You all right, Max?

Max... you all right?

Bentley! Whip up a liver and whey

shake right away!

I'm gonna play in the Super Bowl.

That's what I've got coming to me,

right, Mr Jordan?

As you say.

- He's still here?

- Right there.

Max, listen to me.

Farnsworth isn't in bad shape.

I still know the moves.

Just help me with the body.

Thanks, Mr Jordan.

Sisk! How about that liver and

whey shake? Hurry up. Hurry up.

- I need it for Mr Corkle.

- Yes, sir. Right away.

I want the whole staff to suit up.

We're going into training.

Listen, Mr... Jordan, is it?

You still there?

Any time you want to chime in...

why, just feel free.

Feel free.

I'm telling you to feel free.

You got to help me

talk Joe out of this.

If I do get him a tryout,

that team will put him

out of commission like that.

Christ, I can't even snap

my fingers any more. Oh, sorry.

He's not there, Max.

Don't get crazy. I'm counting on you.

This isn't going to work.

We're fooling with the Rams.

It... it's just... Well, all right.

I'm still figuring out

what I'll say. I...

You're playing football

with a bunch of butlers.

- This isn't gonna work!

- I fixed all that.

- How?

- I bought the Rams.

Leo Farnsworth has bought this team,

and he wants to play quarterback.

- Sh*t!

- Crazy son of a b*tch.

We won't take this bullshit.

Wait a minute.

Fellas, this is the way it is.

He'll play quarterback

in Wednesday's scrimmage.

At which time,

he and the coach will decide

whether he's qualified

for the job or not.

Mr Farnsworth says,

"Tell no one to hold back".

These were his words, play that

scrimmage like the Super Bowl.

- Take him at his word.

- Let's kill him.

My team.

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Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

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Submitted on August 05, 2018

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