Heavenly Creatures Page #9
- R
- Year:
- 1994
- 99 min
- 533 Views
CRASH CUT TO:
INT. BOARDING HOUSE/JOHN'S BEDROOM - NIGHTPauline is lying on the bed,
with John thrusting away on top of her. John grunts and groans . . .
Pauline remains unmoved and uninvolved.
DISSOLVE TO:
EXT. BOROVNIA - DAYThe noonday sun glows in the sky.
Pauline opens her eyes . . . she is lying in a field of the most
amazingly colourful flowers.
She stands and looks around her with amazement. She smiles happily.
On one side are fantasy cottages with crooked chimneys and thatched
roofs . . . on the other tower the walls of Borovnia Castle.
Music comes wafting out of the castle gates . . . Mario Lanza singing
"Funiculi, Funicula."
Pauline walks through the gates, beneath the portcullis, and into...
EXT. BOROVNIA CASTLE COURTYARD - DAY. . . the courtyard. A féte is in
progress. The courtyard is full of PLASTICINE PEOPLE, laughing and
singing amidst stalls and sideshows.
Pauline pushes her way through the crowd. A Plasticine finger taps her
shoulder . . . she spins around and gasps!
PAULINE:
Charles!
The PLASTICINE KING smiles.
CHARLES (James Mason voice) Hello, Gina . . . great to see you here!
He turns away. Pauline scans the crowd. She gets a fleeting glimpse of
the back of a ROBED WOMAN.
PAULINE:
(Calling) Deborah!
Deborah does not hear, and Pauline desperately pushes between
Plasticine people to try and reach her.
A blur of Plasticine faces slide past . . .
CRASH CUT TO:
INT. BOARDING HOUSE/JOHN'S BEDROOM
CLOSE-U P . . . John's sweaty face, still grunting furiously.
CRASH CUT TO:
EXT. BOROVNIA CASTLE COURTYARD - DAYPauline finds herself pulled into
the arms of a fierce-looking PLASTICINE KNIGHT.
PAULINE:
(Breathless) Diello!
DIELLO (Orson Welles voice) Careful, Gina. . . we almost lost you!
Diello suddenly steps back, draws his sword and expertly runs a passing
PEASANT through.
He sweeps his hat off and bows at Pauline.
DIELLO (Orson Welles voice) For you, my lady!
Pauline beams. Her eye is again caught by Deborah's Plasticine figure
across the crowd . . . her back is still turned.
PAULINE:
Deborah!
Deborah slowly turns around . . . she has a human face-Juliet!
Tears of joy trickle down Pauline's cheeks.
Juliet is laughing and smiling, looking beautiful.
Diello gently wipes Pauline's tears.
DIELLO (Orson Welles voice) You're crying, Gina . . . don't be sad.
Another Plasticine arm tugs at Pauline's shoulder . . . she turns and
looks straight at the figure of . . .
NICHOLAS!
NICHOLAS (John s voice) Yvonne!
QUICK CUTS . . .
Nicholas's Plasticine face . . .
John's face in the bedroom . . .
Nicholas . . .
John . . .
Nicholas . . .
CRASH CUT TO:
INT. BOARDING HOUSE/JOHN'S ROOM - NIGHTCLOSE-UP . . . John's face
looming over Pauline.
JOHN Yvonne!
Pauline is lying on the bed beneath him. She looks at him with glazed
eyes.
She pushes John away and sits up in bed.
JOHN (Worried) I didn't hurt you, did I?
Pauline jumps out of bed and starts to dress.
PAULINE:
I've got to go home.
John jumps out of bed and wraps his arms around her.
JOHN I love you so much.
MOVE IN . . . on Pauline's emotionless face.
CUT TO:
INT. SANATORIUM/CORRIDOR - DAYPauline is hurrying down the sanatorium
corridor . . . she breaks into a run.
INT. SANATORIUM/JULIET'S ROOM - DAYJuliet is sitting by her bed, fully
clothed. Her suitcases are packed and lie on the bed.
Pauline runs into the room. Juliet stands and they embrace hugging each
other tightly.
Henry enters the room and frowns at the sight of the girls hugging.
Juliet reaches out for Henry and pulls him into the embrace. He looks
decidedly ill at ease as Pauline's black hair nuzzles against his neck.
EXT. STREETS - DAYTRACKING BACK . . . as the Hulmes' car drives toward
CAMERA.
Pauline's V.O. starts, reading her poem "The Ones That I Worship":
PAULINE:
(Poem V.O.) There are living among two dutiful daughters.
INT. HULMES' CAR - DAYPauline and Juliet are sitting together in the
back seat.
PAULINE:
(Poem V.O.) Of a man who possesses two beautiful daughters,
Henry adjusts the rearview mirror and catches sight of their clasped
hands.
PAULINE:
(Poem V.O.) You cannot know nor yet try to guess,/The sweet
soothingness of their caress,
Henry's steely gaze in the rearview mirror.
The poem continues over a visual montage:
EXT. ILAM DRIVEWAY - DAYThe Hulmes' car pulls up outside Ilam.
PAULINE:
(Poem V.O.) The outstanding genius of this pair is understood by
few,/They are so rare. . .
Hilda emerges out of the house. Juliet gives her a big hug.
JULIET:
Mummy!
HILDA Darling! Welcome home!
EXT. STREET - DAYPauline and Juliet sitting in a tram as it crawls
along slowly.
John is running alongside, waving and calling, trying to get Pauline's
attention. He is clearly pleading with her, but to no avail.
JOHN Yvonne! Stop! I still love you!
PAULINE:
(Poem V.O.) Compared with these two, every man is a fool,/The world is
most honoured that they should deign to rule,/And I worship the power
of these lovely two,/ With that adoring love known to so few . . .
Pauline looks knowingly at Juliet, then down to John, hurrying along
the street.
MATCH CUT TO:
EXT. BOROVNIA CASTLE GATES - DAYThe Plasticine figure of Nicholas,
hurrying down the passage toward the castle gates.
In an alcove beside the gate, the Plasticine figure of Diello is
lurking in the shadows, dagger in hand. Beside him is the rope winch
that operates the portcullis.
Footsteps approach . . .
Diello presses himself back into the corner . . .
Nicholas walks briskly. As he nears the portcullis, he espies something
twinkling on the ground.
LOW ANGLE . . . Nicholas stops, looks down. Directly above him are the
jagged teeth of the portcullis.
He reaches down . . . for a silver ring, set with a small pink stone.
It is lying on the ground, as if dropped by somebody.
SUDDENLY!
Diello slashes the rope with his dagger. Before Nicholas can react, the
portcullis crashes down on him. His Plasticine body is crushed.
Nicholas's twitching fingers release the brooch. It falls to the ground
and breaks. The pink stone pops out of its setting, rolls down the path
and comes to rest by Pauline's and Juliet's feet.
Juliet picks up the pink stone. She holds it up and it twinkles in the
sunlight.
PAULINE:
(Poem V.O.) 'Tis indeed a miracle, one must feel, That two such
heavenly creatures are real,
DISSOLVE TO:
INT. ILAM/BATH ROOM - N IGHTCLOSE-UP . . . Pauline's face, staring
intently ahead.
PAULINE:
(Poem V.O.) Hatred burning bright in the brown eyes with enemies for
fuel,
CLOSE-UP . . . Juliet's face, staring intently ahead.
PAULINE:
(Poem V.O.) Icy scorn glitters in the gray eyes, contemptuous and
cruel, Why are men such fools they will not realise,
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