Hellraiser: Revelations Page #3

Synopsis: Two friends discover a puzzle box in Mexico, which unleashes cenobite Pinhead.
Genre: Horror
Director(s): Víctor García
Production: Cinedigm Entertainment
 
IMDB:
2.8
R
Year:
2011
75 min
236 Views


as you both know.

All right, listen,

I don't know where this is going...

How many people

have you known who've...

...come close to death and survived?

Every day for them is the best day ever.

Every sensation a symphony.

That's what this does.

That's what they offer.

Who?

The Cenobites.

The what?

Angels... prayers...

...conductors...

...surgeons, and more.

The box...

...how does it work?

Open it... and you'll find out.

How much do you want for it?

Oh, it's not for sale.

It's yours already, Nico.

It always was.

You see, they've been

watching you, Nico.

Would you put that away?

Put it away!

That homeless f***

really creeped me out.

It's just a puzzle.

The prize is probably

two free passes to the donkey show.

OK, haven't you done

enough sh*t for one trip?

In a word? No.

All right, well I have.

I'm calling my parents in the morning

and they're gonna wire me

enough money so I can get home.

- You would.

- What is that supposed to mean?

Exactly what you think it means.

You're weak.

You always were.

You let your parents cut your balls off

at every single turn.

And you just sit there

and you take it.

- Screw you.

- Truth hurts, Steve-o.

- Hey!

- What? You suck at puzzles anyways.

It's not a skill thing.

- Yeah? How do you know?

- I just do.

Besides, the dude gave it to me.

You wanna be helpful,

go get the camera.

No. I'm not shooting another thing.

- What if something whack happens?

- I don't give a sh*t!

Well I do, so get the f***ing camera!

Hey, Steven...

- I think I got it.

- Show me.

What was that?

It's Mexico, dude,

there's churches everywhere.

No, that's not the churches.

Oh...

What the f*** is going on?

Who the f*** are you

and what do you want?!

The box.

Take it, it's yours.

Just get the f*** outta here.

- No.

- Nico!

You opened it.

Summoned us.

- And we came.

- Came for what?! Who the f*** are you?!

We came for you, Nico.

No, no, no!

I'm not going anywhere. No!

Go on, get outta here.

This is not a matter

for negotiation.

Steven!

Steven!

Where's Nico?

Did he come back?

- I don't know.

- What do you mean "you don't know"?

Everything's gonna be OK, sweetheart.

You just need a little time.

Did he try to escape with you, too?

Did you help him?

Please tell me where my son is.

He... he didn't want to come back.

He wanted to stay.

Where are you going?

You have $100 on you?

- Yeah.

- Do you wanna go home with me?

- Yeah.

- Let's go.

Kill her, Steven.

I need blood.

Help me.

Stop!

Help me, Steven.

It's the only way. Kill her!

Get the f*** off!

Steven! Her blood brought me back.

Bring me more.

They're coming.

"They"?

The Cenobites.

They don't like to lose souls.

What do they want?

They want to experience your flesh.

Peter, help me.

OK.

So, Cenobite, it says here:

"A member of a religious group

living together

in a monastic community."

- What?

- Cenobite, it's the word Steven said.

I'd never heard it before,

so I looked it up.

A monastic community.

Do you think it's an antique?

Maybe they stole it?

No!

Pain and pleasure.

Indivisible.

- Dad?!

- It's all right, Steven.

It's all right.

- Why did you wander outside?

- Outside?

You were outside, honey.

I was?

How are you feeling?

Better.

- Hungry.

- Some soup, maybe?

Please.

Let's get you back into bed.

You OK, son?

These people are bad?

- And the box?

- Where is it?

We have it. What is it?

- A key.

- To what?

I'm not sure.

Well, then why do you want it so badly?

I don't know.

- Dad?

- It's OK.

We're gonna take care of this.

And you'll help me?

Promise you'll help me.

- Swear it.

- I swear.

We're gonna get through this. Whatever

you need we're gonna take care of.

We're just glad to have you home.

- It's good to be home.

- Yeah.

Now you rest, OK?

I'll go get you some food.

- I give up.

- You're trying too hard.

- You're trying too hard.

- Really?

It's like it wants to open,

but you have to want it as well.

If you try to force it...

...then nothing happens.

You have to just let go.

You have to desire it.

Emma.

Take this to your brother.

You don't need that.

- You're stealing my soup?

- Sh*t.

You're awake.

Don't go.

Stay with me.

- Steven?

- Uh-huh?

Why did you go?

I just couldn't stay here anymore.

- Why?

- Lots of reasons.

- Was I one of them?

- Not at all.

There were things happening here

that I couldn't tell you about.

It all got to be too much.

I had to leave.

- And Nico?

- Same.

But he never stopped thinking about you.

- Neither did I.

- I missed you both so much.

I'm sorry, Emma.

Where'd you go?

Everywhere.

I've done nothing.

There's a whole world out there, Emma.

A whole world of experiences.

You just have to...

reach out and touch them.

Well, you went to all those places,

but you never bought me anything.

- But I did.

- Really?

The box. I got that for you.

Seriously?

I love that thing. It's so cool.

When I touch it, I... I feel...

I know.

Is it a puzzle?

It's more like the answer.

I don't understand.

You will.

I can't drink any more of this.

Wanna finish it?

Sure.

What?

- You've got...

- Oh.

Let me get it.

You've grown up so much.

You're so... beautiful.

I missed you so much.

I missed you too.

Oh.

It's just a box.

Maybe. But it seems to be

important to a lot of people.

There's something that's

just not right about it.

Look, are you really sure

someone's out there?

Maybe Steven did all this.

The phone, the car...

- Why would he do that?

- I don't know.

But something's not right here.

None of this adds up.

And we're just sitting here waiting.

I say we get out there and take a look.

Check things out.

Peter...

Ross, what do you think?

It can't do any harm.

Is anybody out here?

- What the hell is going on here?

- Let's just take a look around.

This is f***ed up.

There's no one out here.

I guess you're right.

Must've been Steven.

Sorry, man.

Let's get back inside.

I'll make a run for the highway,

see if I can flag someone down.

What?

Who's there?

Look, this is private property.

What do you want?

All right, I've had enough of this sh*t.

Give me the gun.

Hey, what the hell's

your problem, a**hole? Huh?

You come around f***ing with people,

doing God knows what to their kids?

This is private property, jerk-off,

that means that legally I can blow

the sh*t out of you right now

and ask questions later.

Are you deaf, a**hole?!

Who the f*** are you?

He's here...

...the one who escaped.

Where's my son?

They will have him again.

It is an inevitability.

Yeah?

What was that?

- Ross!

- Get back inside!

- Jesus.

- Well, f*** you!

Anyone else out there? Huh?

- Any other motherfuckers? Come on!

- Peter!

Get back inside, I said!

Close the door!

Peter!

Somebody tell me

what's going on!

Shh...

Jesus.

Come on. Let's get you inside.

You're gonna be OK.

- Oh, my God!

- Sarah, Sarah!

- Oh, my God.

- Get me some towels.

What happened to him?

- Oh, my God!

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Gary J. Tunnicliffe

Gary J. Tunnicliffe (born February 27, 1968) is a British special make-up effects designer, writer, and director. He has performed make-up effects in all the Hellraiser films since Hellraiser III: Hell on Earth, wrote Hellraiser: Revelations, and wrote and directed Hellraiser: Judgment. His other make-up credits include Candyman, Wishmaster, the Dracula 2000 series, the Pulse series, and Feast. more…

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Submitted on August 05, 2018

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