High Society

Synopsis: C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, who tries to win Tracy's heart again. Mike Connor, an undercover tabloid reporter, also falls for Tracy while covering the nuptials for Spy magazine. Tracy must choose between the three men as she discovers that "safe" can mean "deadly dull" when it comes to husbands and life.
Genre: Comedy, Drama, Musical
Director(s): Charles Walters
Production: MGM Home Entertainment
  Nominated for 2 Oscars. Another 1 nomination.
 
IMDB:
7.0
Rotten Tomatoes:
81%
NOT RATED
Year:
1956
111 min
1,924 Views


ARMSTRONG:

End of song, beginning of story.

Man, dig that crazy rehearsal hall.

BANDMEMBER:

What a powerful pile of rock.

I can't go in there.

ARMSTRONG:

Why can't you go in there?

BANDMEMBER:

I ain't got my library card.

ARMSTRONG:

Dig you.

BUTLER:

Are you the musicians?

ARMSTRONG:

That's what the man said.

BUTLER:

What name shall I say?

ARMSTRONG:

Tell Dex old Satchelmouth.

BUTLER:

Will you please follow me,

Mr. Satchelmouth?

ARMSTRONG:

Wipe your feet, boys. Something

tells me we've got a long walk ahead.

BING:

Hey, pops! How's the chops?

ARMSTRONG:

Good to see you, boy!

BING:

Hey, fellas!

How's everything?

You've been all over

Europe since I saw you.

Go to Sweden?

ARMSTRONG:

Yes.

BING:

Skol.

ARMSTRONG:

I was the skol-est cat ever.

BING:

I bet you were. Here it is, fellas.

Just lay it out here.

ARMSTRONG:

I never thought you lived

in a big house.

BING:

Shows what happens when your

grandfather's a robber baron.

ARMSTRONG:

You can play football in here.

BING:

But can you rehearse?

ARMSTRONG:

Is the chandelier tied tight?

BING:

If it swings, put a mute in your horn.

BUTLER:

Pardon me.

The ladies are waiting in the library.

BING:

Vamp a little, will you?

ARMSTRONG:

Okay, Dex.

BING:

All right.

-

Ladies?

RUTH:

Dexter.

BING:

Hello, Ruth.

RUTH:

Thanks for letting the

musicians rehearse here.

BING:

Tickled to death.

RUTH:

You saved the festival.

BING:

As long as I can save you.

Hello, Helen.

HELEN:

Save us?

BING:

You know you might lose

your billing in the blue book?

Jazz is considered very unchic.

RUTH:

Oh, I'm sure we'll love it.

HELEN:

Let us know if we can help.

BING:

I will. Thanks a lot for coming by.

RUTH:

Thank you.

HELEN:

We'll keep in touch.

BING:

You bet. Bye.

RUTH:

Bye.

-

BING:

Hello?

CAROLINE:

Hello, Dexter?

This is Caroline.

BING:

Hello, beautiful.

CAROLINE:

Any time now.

-

CAROLINE:

Where's Tracy?

I've been yelling for her.

MOTHER:

You don't yell, Caroline.

You call a person.

You yell if you're in pain.

CAROLINE:

Well, this wedding gives me a pain.

I think Tracy was awful

mean to divorce Dexter.

Can I have this?

MOTHER:

Oh, and take those presents

over to the other table.

CAROLINE:

Mother, Tracy's sort of hard, isn't she?

Not hard. None of my children are

that, I hope. The goblets too.

Tracy's just exceptionally

strong-minded.

And very wonderful always.

CAROLINE:

I wish something would

happen around here.

Nothing definitely ever happens here.

TRACY:

Out of the way, angel.

You'll get stepped on.

So far, I've received 24 nut dishes

and 16 silver ice picks.

CAROLINE:

That should give you an idea of what

people think of your next husband.

TRACY:

Mother, don't you think Caroline's old

enough to go to a good military school?

CAROLINE:

What's this?

MOTHER:

I haven't the faintest idea.

CAROLINE:

It stinks.

MOTHER:

Don't say stinks, darling.

If absolutely necessary, "smells,"

but only if absolutely necessary.

TRACY:

If you put this picture in my

wedding presents once more

I'm going to personally

chain you to your bed.

MOTHER:

Why, what is it, dear?

He was handsome.

CAROLINE:

Don't talk of him as if he were dead.

TRACY:

Well, he is dead to me.

And if that picture turns up once more,

It's going right in the ashcan.

Well, look at this.

CAROLINE:

Wow. Jewels.

TRACY:

From Father.

MOTHER:

Isn't it pretty?

TRACY:

His girlfriend probably turned it down.

MOTHER:

That's not fair to your father.

TRACY:

How can you defend him?

A common chorus girl.

MOTHER:

She's not a chorus girl.

She's quite a talented ballet dancer.

CAROLINE:

Isn't it stinking of Tracy

not to invite Father to the wedding?

MOTHER:

Yes, Caroline. Just between us,

it's good and stinking.

CAROLINE:

Me too.

TRACY:

Oh, darling, why don't you

face facts squarely as I did?

MOTHER:

We might face the fact that neither

of us has been a great success as a wife.

TRACY:

We both took the only stand a woman

could take and keep her self-respect.

MOTHER:

Yes, dear.

TRACY:

The Hammonds.

MOTHER:

And now I have my self-respect

and no husband.

TRACY:

Oh, we're both better off. Believe me.

MOTHER:

Yes, dear.

TRACY:

And we're both happier.

MOTHER:

Yes, dear.

TRACY:

Oh, isn't George an angel?

MOTHER:

Yes, George is an angel.

TRACY:

Now, is he handsome, or is he not?

MOTHER:

George is handsome.

TRACY:

Golly Moses, I'm a lucky girl.

CAROLINE:

Tracy, that's your song.

Dexter must be home.

TRACY:

Mother, has Dexter come back?

MITHER:

Well, we knew Dexter was giving

his house over to this festival.

I suppose he might have come back.

TRACY:

He's back. No one but Dexter

would play that song.

That wretched, cheap, vulgar song.

CAROLINE:

That beautiful, wonderful song

he wrote especially for her.

That's gratitude.

-

ARMSTRONG:

He's gonna get nowhere

with that kind of music.

Good for the feet,

nothing for the heart.

BING:

Hello, Sam.

TRACY:

I'd like to talk to you privately.

BING:

Well, now, I consider that

right neighborly.

You lost a little weight,

haven't you, Sam?

Oh, no, you're slipping.

That used to scare me.

The withering glance of the goddess.

TRACY:

I just want to know what you are

doing here the day before my wedding.

BING:

Business. I've become a

distinguished composer --

TRACY:

Oh, distinguished.

BING:

They needed help here,

so I heeded the call of duty.

TRACY:

Don't pretend with me, Dexter.

You deliberately planned this

Festival to conflict with my wedding.

It's a shabby, vindictive gesture.

BING:

Harsh words. Well, let's be honest.

I'll admit it. I'm still in love with you.

I don't want you to get married.

You can still be a wonderful woman.

TRACY:

I haven't the same high hopes for you.

BING:

I don't wanna be a wonderful woman.

TRACY:

Isn't it enough you almost spoiled my life

without spoiling my wedding?

BING:

I didn't try to spoil your life, Sam.

TRACY:

And stop calling me Sam.

BING:

I know you didn't try to spoil mine,

but you called the shots.

You were dictating the fellow

you wanted me to be.

TRACY:

With your background

and taste and intelligence

you could have become a

serious composer, or a diplomat

or anything you wanted to be.

And what have you become?

A jukebox hero?

BING:

Well, is that bad?

TRACY:

Dexter, be satisfied and let me alone.

Go away. Go away and stay away.

BING:

I tried to. I even wanted to.

But I guess I'm just a weak character.

I'm still in love with you.

CAROLINE:

Dexter?

BING:

Oh, hello, honey.

I don't think your sister likes me.

CAROLINE:

I do.

BING:

Thanks, sweetie.

CAROLINE:

What do you suppose

she sees in George anyway?

BING:

I don't know. Tracy just

likes character, I guess.

CAROLINE:

I don't think George

has so much character.

BING:

Now, I hate to admit it, but I think

she's made a pretty good choice.

I expect some day to see George Kittredge

president of Redfern Coal.

CAROLINE:

That's not hard.

Father's president of Redfern Coal.

BING:

Let's be fair now, honey.

Takes a lot of character to start at

the bottom and work your way up.

CAROLINE:

If you start at the bottom

of a coal mine

and worked your way to the top

you'd still only be on the ground.

BING:

Little one, you've brought

up an interesting point.

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John Patrick

John Patrick was an American playwright and screenwriter. more…

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Submitted on August 05, 2018

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