Hills Have Eyes Page #4

Synopsis: While celebrating their 50th wedding anniversary, a couple are caravanning through the desert with their 3 children, son in law and their baby granddaughter. While the rest of the family agrees there are plenty of better and more appropriate things to do to celebrate an anniversary, they make do with what they have, but things take a turn after a sketchy gas station attendant informs them about a "short cut" that will take them in between a series of hills in the desert. It doesn't take too long before they realise they're not alone and the hills indeed do have eyes.
Genre: Horror, Thriller
Director(s): Alexandre Aja
Production: Fox Searchlight Pictures
  2 wins & 7 nominations.
 
IMDB:
6.4
Metacritic:
52
Rotten Tomatoes:
50%
R
Year:
2006
107 min
$41,685,824
Website
464 Views


Over Earphones]

##[Mobile Continues]

[Flashlight Flickers]

[Flashlight Flickers]

[Sighs]

[Barking]

- Beast.

- [Trailer Door Opens]

Beast?

[Barking]

Beast?

Beast?

Beast?

- Beast?

- ## [Alternative Continues]

[Panting]

Beast?

Beast?

Beasty? Come here, boy.

[Shuddering]

Beast?

[Branch Snaps]

[Man Grunting]

[Laughing]

[Gasps, Muffled Screams]

Hey. Guys! Guys!

- [Doug] Oh, good God. What-

- [Lynn]Jesus!

- Bobby.

- What is it, Bobby?

- Guys, something- something

is going on around here, okay?

- What is it?

There-There are, like, people

or something living in those hills.

- People? Bobby.

- No, no, no, no. Doug.

- Doug. Doug. Please.

- Bobby. Bobby, listen to me!

We're in the middle of nowhere, okay?

Nobody lives in those hills.

- Beauty's dead.

- [Both] What?

I found her,

and, uh, she was, like-

- It looked like somebody cut her open, you know?

- Cut her open?

Yeah, and I-I didn't want

to say anything...

because I didn't want to scare everyone

and I didn't want to get Mom upset.

But I'm telling you, there is something

going on, okay? And Dad's not even back yet.

Okay. All right. Stay right there.

I'll come check this out.

- We're not alone.

- All right, Lynn.

You stay here,

you lock the car, okay?

Calm down, man. We're gonna check this out.

Now where did you see this?

- Now!

- [Fire Igniting]

[Screaming]

It's Bob.

- Wait. We don't know what that is.

- It's Bob!

- We don't know what that is!

- Bob!

- Dad? Dad!

- [Screaming Continues]

Brenda. Watch the baby!

[Muffled Screams]

[Chuckling]

[Screaming Continues]

- [Crying]

- [Sniffing]

[Grunts]

- [Chuckling]

- [Crying Continues]

[Screaming Continues]

[Mom]

No!

[Bird Twittering]

[Bob Screaming]

[Mom Sobbing]

Hey, little birdie.

Hey, little birdie.

- [Twittering Stops]

- [Bird #2 Twittering]

[Screaming]

Get off! Get your mother out of here!

Get your mother out of here!

[Lynn]

Doug! Do something!

[Muffled Screams Continue]

Move! You gotta be

a man to do that!

[Panting, Groans]

I told you to move!

So, move!

[Whimpering]

- Now, get! Get!

- [Screaming]

- [Laughing]

- [Grunting]

- Whoo!

- [Screaming]

What you got under there?

That's it. Give it to me. Whoo! Whoo!

F*** off!

Come on. Yeah!

[Grunting]

[Screaming Stops]

[Crying]

[Sniffing]

[Screaming]

[Catherine Crying]

[Screaming]

Whoo!

Whoo.

It's not my Bob!

It's not my Bob!

Come on, Mom. No! Let's go.

No, just come on.

- It's not my Bob.

- [Brenda Screaming]

- [Catherine Crying]

- What was that?

- Mom, just stay here, okay?

- [Crying]

- Help! Help! Help!

- [Gasps]

Oh, you fat.

Oh. Big, fat...

and juicy.

[Groaning]

[Shouting]

[C*cks Gun]

[Lynn Gasps]

No. No, please!

[Catherine Crying]

Bobby!

Bobby, where you going?

F***ing kill those motherfuckers!

- Get back here! Don't do something stupid!

- [Brenda Screaming]

[Panting]

No. No.

[Screams]

- [Grunting]

- [Screaming]

[Catherine Crying]

[Yelling]

[Screaming, Sobbing]

Get back to the trailer!

Come on!

Get out the door!

Help! Shoot him! Shoot him!

- Brenda!

- Bobby!

Come on, now.

Look at me. Look at me.

- That's it. Look at me.

- [Chamber Clicks]

Sh*t! I'll come back for ya.

- Brenda!

- [Sobbing]

B*tch stuck me like a pig!

[Whooping, Yelling]

Are you okay?

Are you okay?

[Grunts]

[Gasps]

No.

- [Gasping]

- Oh, God!

- Don't move! Don't move, honey. Don't move.

- [Gagging]

Okay. Okay. All right.

You're gonna be okay.

- You're gonna be okay. S-Sweetheart?

- [Gasps]

Okay.

Honey? Sweetheart?

Lynn, come on!

Lynn!

Come on!

[Sobbing]

Oh!

[Growling]

[Twig Snapping]

[Grunts]

Hmm.

- [Barking]

- [Screaming]

[Barking Continues]

[Bobby]

Okay.

What are we gonna do? Huh?

What are we-

What are we gonna do? Huh?

What are we-

What are we gonna do

if they come back, Doug?

This trailer is so small.

I clean and clean.

- It's still a mess.

- Shh.

It's a mess.

- Is Big Bob home?

- Not yet.

Every- Everybody went to bed?

- Yes?

- Yeah.

Brenda's right here,

and Bobby's in the back.

Is Lynny sleeping? Hmm?

You need anything?

- A blanket.

- Okay.

- [Shivering] It's cold.

- Okay.

- It's cold.

- Shh. Shh. Nice and warm, huh? Nice and warm.

You're so sweet, Doug.

I understand why Lynny

loves you so much.

So-

[Sobbing]

- I'm not gonna take this sh*t.

- [Cocking Weapon]

- Hey, we're not going anywhere!

You wanna die too?

- I don't f***ing care!

You wanna die, huh?

Look what they did to your mother!

Look what they did to your sister!

Huh? You stop and think!

You're not a f***ing child anymore!

You won't make it three feet out there.

We need a plan.

We need to think.

- We need-We need to think.

- Think about what?

Think about what, Doug?

They have Catherine!

They have your daughter.

And you're just gonna sit here and do nothing?

That's 'cause you're a f***ing p*ssy

just like my dad said!

- Shut the f*** up! You shut up! Shut your mouth!

- F*** you.

[Static On Walkie-Talkie]

[Brenda Sobbing]

No! Turn the lights on.

Turn the lights on.

Turn the lights on.

- He said he's coming back!

- Shh! Quiet!

He said he's coming back

for me. Please.

- [Static On Walkie-Talkie]

- [Gasping]

It's them! It's them!

It's them!

[Man On Walkie-Talkie]

Goggle? Goggle?

Goggle? You copy, Goggle?

Where's Goggle?

[Lizard] He stayed back there.

He's keeping an eye on them.

- [Jupiter] I told you.

- What?

I told you,

you've gotta kill them all!

[Barking]

Beast! Beast! You're alive!

Oh, good boy.

Good boy. Good boy.

- Good boy.

- Oh, my God.

[Man]

Jupiter's going to finish them off.

Why are you doing this to us?

Why are you doing this?

You hear me?

Give me back my baby!

What the f***

do you want from us?

What do you want?

You give me back my little girl.

You hear me?

[Catherine Crying]

[Crying Continues]

- Bobby?

- Hmm?

How many bullets

do you have left?

A clip and a half.

What are we doing?

Which way, Beast? Which way?

Come on. Follow the trail.

[Screeching]

Come on, big guy.

I hope you're not afraid of the dark.

Come on, big guy.

I hope you're not afraid of the dark.

Where are they, boy?

[Gasps]

[Whimpering]

Which way, Beast?

Good boy.

Bobby?

Bobby, I followed the blood trail.

It leads to a town or something

out here. Bobby?

Who knows?

Maybe someone heard our calls.

Nobody's gonna hear

the f***ing calls, Brenda!

Nobody's gonna see the goddamn smoke

in this goddamn desert!

We're in the middle of freakin'-

Ah, sh*t!

- [Yelling] God!

- [Sobbing]

I'm sorry.

I'm so scared.

Who are these people?

[Creaking]

[Motor Chugging]

[Crying]

[Crying]

[Whimpers]

Good dog. Stay.

[Catherine Crying]

- [Chattering, Indistinct]

- [Crying Continues]

- [Woman] Did you push her?

- [Man] Yes.

- Did you destroy the furniture?

- No.

Did you call her

trailer park trash?

- [Chattering Continues]

- [Crying Continues]

[Gasps]

- So, now, you're saying you still-

- I'm still in love with her.

Rate this script:0.0 / 0 votes

Alexandre Aja

Alexandre Aja (born 7 August 1978) is a French film director best known for his work in various horror films. Aja rose to international stardom for his 2003 horror film Haute Tension (known as High Tension in the US and Switchblade Romance in the UK). He has also directed the horror films The Hills Have Eyes (2006), Mirrors (2008), Piranha 3D (2010) and Horns (2013). more…

All Alexandre Aja scripts | Alexandre Aja Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Hills Have Eyes" Scripts.com. STANDS4 LLC, 2024. Web. 5 Jul 2024. <https://www.scripts.com/script/hills_have_eyes_9988>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Hills Have Eyes

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is one key element that makes dialogue in a screenplay effective?
    A Overly complex vocabulary
    B Long monologues
    C Excessive use of slang
    D Natural-sounding speech that reveals character and advances the plot