Holiday Inn Page #3

Synopsis: Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music's the thing.
Genre: Comedy, Drama, Music
Director(s): Mark Sandrich
Production: MCA Universal Home Video
  Won 1 Oscar. Another 2 nominations.
 
IMDB:
7.6
Rotten Tomatoes:
100%
PASSED
Year:
1942
100 min
2,036 Views


- Were you happy?

- Yes.

Then your father was a very

successful man. Hope I can do as well.

I came out here for a job.

Could you use me?

I might find a spot for you.

What can you do?

Oh, I sing a little and dance.

Couldn't guarantee any salary at first.

Right now I've got the ledger

in an iron lung.

- I don't care if you pay off in eggs. Just give me a chance.

- Let's see what you can do.

- Thanks a lot.

- I've written special music for each holiday.

This gives me a chance to keep

a little promise I made to myself.

I said I was going to sing

this song at the Inn tonight.

I said I was going to sing

this song at the Inn tonight.

# I'm dreaming #

# Of a white Christmas #

# Just like the ones #

# I used to know #

# Where the treetops glisten #

# And children listen #

# To hear #

# Sleigh bells in the snow #

# I'm dreaming #

# Of a white Christmas #

# With every Christmas card #

# I write #

# May your days #

# Be merry and bright #

# And may all your #

# Christmases #

# Be white #

# I'm dreaming #

# Of a white Christmas #

# Just like the ones

I used to know #

Where the treetops glisten.

# Where the treetops glisten #

- And children listen.

- # And children listen #

- # To hear #

- # To hear #

# Sleigh bells in the snow #

# I'm dreaming #

# Of a white Christmas #

# With every Christmas card #

# I write #

# May your days be merry #

# And bright #

# And may all #

# Your Christmases #

# Be white #

# Happy holidays #

# Happy holidays #

# While the merry bells

keep ringing #

# May your every wish come true #

# Happy holidays #

# Happy holidays #

# May the calendar

keep bringing #

# Happy holidays to you #

# If you're burdened down

with trouble #

# If your nerves

are wearing thin #

# Park your load down the road #

# And come to Holiday Inn #

# If the traffic noise

affects you #

# Like a squeaky violin #

# Kick your cares down the stairs #

# And come to Holiday Inn #

# If you can't find

somebody who #

# Will set your heart awhirl #

# Get in your car and motor to #

# The home of Boy Meets Girl #

# If you're laid up

with a breakdown #

# Throw away your vitamin #

- # Don't get worse #

- # Grab your nurse #

# And come to Holiday Inn #

# Happy holidays #

# Happy holidays #

# May the calendar

keep bringing #

# Happy holidays to you #

Happy New Year, Ted.

No!

- Francois, have you seen Mr. Hanover?

- Twice, sir.

- What happened?

- The first time, sir,

he came from his room

with a telegram in his hand.

- He ordered Scotch and soda, a bottle of each.

- I know. What then?

The second time, he asked

which way is Connect-i-cut.

- Connecticut.

- Connect-i-cut.

He said he has a friend there

who knows about women too.

Why didn't you stop him?

How could I stop him, sir, when I don't

know which way is Connect-i-cut?

Who said Holiday Inn

wouldn't work?

- We're gonna divvy up a stack of money tonight, huh?

- Man, man!

I've got a landlady who's gonna ask

for your autographed picture.

Everybody get somethin'?

- Go to bed now. It's gettin' late.

- Good night.

- Good night.

- Good night.

Look, it's almost time.

It's practically

straight up, isn't it?

It's practically

straight up, isn't it?

# One minute to midnight #

# One minute to go #

# One minute to say good-bye #

# Before we say hello #

# Let's start the New Year right #

# Twelve o'clock tonight #

# When they dim the light #

# Let's begin #

# Kissing the old year out #

# Kissing the New Year in #

# Let's watch the old year die #

# With a fond good-bye #

# And our hopes as high #

# As a kite #

# How can our love go wrong #

# If we start the New Year right #

- That's it, that's midnight. I'll see you out on the floor.

- All right.

Come on, everybody! Happy New Year!

Get your partner and dance.

Happy holiday.

Happy New Year.

- I forgot my check.

- You won't need that, but you'll need your coat.

- Happy New Year.

- Happy New Year.

- Same to you. Many of them. I gotta...

- Come on, Jim, you gotta dance.

- Oh, you gotta dance with me. Come on, you gotta dance.

- No, I can't. Oh!

- Why, Mr. Hanover!

- That's Ted Hanover.

- Wait a minute. I gotta go.

- I don't want Ted Hanover.

- I want you. This is New Year's, kid.

- I know.

Ted!

- He wasn't drunk. It's a gag.

- What happened?

Ted Hanover with his new partner.

They were great!

New partner?

- You'd better get back.

- I'm sorry. If I'd known how he was...

Oh, he'll be all right in a week

or ten days. You'd better hurry.

Ted! Ted!

Ted! Oh. How is he?

He's out cold.

Hot or cold, he can keep

his dancing shoes in my office.

- Did you hear that applause?

- Yeah, it went pretty good.

- And I was worried about his losing Lila.

- Losing Lila?

Yeah, she eloped tonight

with some Texan from Texas...

with Ted's engagement ring

on her finger.

But who cares? You lose one girl,

you find another. That's life.

- That's good, huh?

- Here we go again.

Come in! Oh.

- Good morning, Ted.

- Good mor... Ooh.

- Got a little head?

- Say, where am I?

- You're in Holiday Inn.

- How'd I get here? Who brought me?

You were clinging to

the undercarriage of a jeep, I think.

Here, have a slug out of the mug.

- You mean, you don't remember anything?

- Uh...

let's see, I had a wire from Lila...

telling me she was gonna marry

some millionaire or something.

- Yeah.

- I remember that all right. Uh, then I had a drink.

A drink?

Boy, you were fractured.

And then, uh, I decided

I had to talk to my old pal Jim.

- You don't remember anything else?

- No, that's all.

Except that I must have been killed

on the way out here or something.

You really come up empty, huh?

Too bad about Lila.

I think you're better off doing

a single. You're a born soloist.

Oh, no, no, Jim. I've got to have

a partner. And when I find her...

Yeah, I know,

you'll fall in love with her.

- Happy New Year!

- Oh, don't do that.

Why didn't you tell me?

Letting me worry

about his losing Lila,

and all the time he's got

this girl on the leash.

- What girl?

- Boy, you must've been high.

Doing a complete dance routine

with your new partner and you...

You don't know who she is?

I danced with a new partner?

When? Where?

Here! Last night!

Think, Ted.

Remember?

Wait a minute. I remember.

I got here just about midnight.

There was a girl.

We danced.

What'd she look like?

Oh... I don't know.

All I saw was a vague outline.

Can't you remember

anything about her?

Well, I remember dancing with her.

If I ever dance with her again,

I'd probably recognize her.

Great. That takes care of

everything but finding her.

- You were here. Why ask me how she looked?

- I only saw her from the back.

She was a... about this...

She had a...

If I ever saw her from the back again,

I'd recognize her.

Well, that's fine.

After I've danced with her,

I just turn her around for your okay.

This should be a cinch.

You saw her.

- Describe her.

- Who, me?

Well, I wasn't watching

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Claude Binyon

Claude Binyon (October 17, 1905 Chicago, Illinois – February 14, 1978 Glendale, California) was a screenwriter and director. His genres were comedy, musicals, and romances. As a Chicago-based journalist for the Examiner newspaper, he became city editor of the show business trade magazine Variety in the late 1920s. According to Robert Landry, who worked at Variety for 50 years including as managing editor, Binyon came up with the famous 1929 stock market crash headline, "Wall Street Lays An Egg." (However, writer Ken Bloom ascribes the headline to Variety publisher Sime Silverman.)He switched from writing about movies for Variety to screenwriting for the Paramount Studio with 1932's If I Had A Million; his later screenwriting credits included The Gilded Lily (1935), Sing You Sinners (1938), and Arizona (1940). Throughout the 1930s, Binyon's screenplays were often directed by Wesley Ruggles, including the "classic" True Confession (1938). Fourteen feature films by Ruggles had screenplays by Binyon. Claude Binyon was also the scriptwriter for the second series of the Bing Crosby Entertains radio show (1934-1935). In 1948, Binyon made his directorial bow with The Saxon Charm (1948), for which he also wrote the screenplay. He went on to write and direct the low-key comedy noir Stella (1950), Mother Didn't Tell Me (1950), Aaron Slick of Pun'kin Crick (1952), and the Clifton Webb farce Dreamboat (1952). He directed, but didn't write, Family Honeymoon (1949) as well as Bob Hope's sole venture into 3-D, Here Come the Girls (1953). After his death on February 14, 1978, he was buried at the Forest Lawn Memorial Park in Glendale, California. more…

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Submitted on August 05, 2018

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