Hollow Man Page #11
Sebastian realizes that they don't know.
SEBASTIAN:
Don't make a mountain out of molehill.
I didn't let anyone see me.
LINDA:
That's not good enough. When you're
outside the lab there are a thousand
variables none of us can control. It's
just not safe for you to be out there.
SEBASTIAN:
Come on, Linda. You don't expect me to
be some kind of prisoner.
LINDA:
You volunteered for this, Sebastian.
You knew going in there could be
consequences.
(beat)
For the security of this project, I'm
gonna have to ask you to confine
yourself to the compound.
SEBASTIAN:
I'm still Project Leader, Linda. It's
my decision to make.
LINDA:
You're right. It's your decision. But
if you leave the compound again, I'll
notify the oversight committee. Then
they can make the decision. You
understand?
SEBASTIAN:
Matt?
MATT:
Sorry, man. You'd do the same if it
were the other way around.
A long beat. Sebastian slowly rises, acknowledges Linda
with a nod and leaves the room. Linda looks around at her
silent co-workers, the goggles and tranqs still on the
table.
LINDA:
Pack 'em up... Everyone go home.
DISSOLVE TO:
INT. LABORATORY - DAY
The Lab is buzzing with the usual activity. Linda rolls
up Sebastian's sleeve, revealing nothing.
LINDA:
Hold still.
She wraps a bungee cord around the nothing and pulls it
tight. She then sprays the inside of his elbow with dye.
SEBASTIAN:
(contentious)
How much blood do you think you've
taken so far?
The surface of his skin sheens in the light as Linda
searches for a vein. She slaps his arm several times,
then plunges a hypodermic needle into his skin.
LINDA:
SEBASTIAN:
Every day... feels like you're sucking
me dry.
Linda presses down on the hypodermic plunger, releasing a
dye into his bloodstream.
SEBASTIAN (cont'd)
It's funny. All these years I've known
you, I never pegged you for a
megalomanic.
LINDA:
What are you talking about?
SEBASTIAN:
The shoe being on the other foot. You
getting to run things.
LINDA:
I didn't ask for this, Caine. But when
a classified experiment disappears in
the middle of the night, someone's
gotta run the show.
(tries sympathy)
Look, I know how hard this has been
for you.
He knocks her arm away and pulls the hypo, out of his
arm.
SEBASTIAN:
Don't patronize me.
(beat)
And for the record, you've got no idea
what it's like. I get up every morning
and you people stick needles in me.
You bombard me with radiation until I
vomit. And then at six it's over for
you. You get to go home. But Sebastian
is still here. Sebastian can't leave,
or else. That's the worst part, you
know. Here I have this ... this GIFT
and I can't even use it.
LINDA:
Now it's a gift?
SEBASTIAN:
You're goddamn right it's a gift. And
if you weren't so goddamned short
sighted, I'd be out there right now
trying to master it.
Sebastian looks around at the other scientists staring at
him. He tosses the hypo with the needle onto the
instrument tray and heads toward the door.
LINDA:
Where're you going?
SEBASTIAN:
Looks like I'm going nowhere.
MATT:
Come on, man. We've got a ton of tests
scheduled today.
SEBASTIAN:
Do them yourself.
INT. RECOVERY CHAMBER - NIGHT
Linda enters to find Sebastian reading the collected
works of T.S. Elliot.
LINDA:
Want to talk about it?
SEBASTIAN:
No.
Linda looks over his shoulder.
LINDA:
"We are the hollow men, the stuffed
men, headpieces filled with straw."
SEBASTIAN:
Funny, huh? I've become a literal
metaphor.
He puts the books down.
LINDA:
I don't want to fight you. I just want
what's best for the program.
SEBASTIAN:
I know. And you being right doesn't
make it any easier for me.
LINDA:
You can be scared. That's okay.
SEBASTIAN:
I'm not scared of being stuck this
way. With a little more make-up and
practice, I could...
(he motions to his face)
... pass. Y'know, get by in the world.
But the testing...
LINDA:
You're talking like you've given up.
It's only been a few months.
SEBASTIAN:
What if it's years? I don't know how
much more testing I can take.
INT. RECOVERY CHAMBER - LATER
Sebastian paces back and forth, glancing at the camera.
INT. LABORATORY - DAY
Linda, Matt and Sebastian, in latex and scrubs, stare at
an electron microscope's video display. On the screen in
a sparse colony of blood calls but every second more and
more cells appear, filling the gap.
MATT:
60% reversion. 70% ... 75% ... 80% ...
85 ...
The others in the lab listen. They start to get excited.
Janice and Carter leave their research and come over to
watch the screen.
SEBASTIAN:
We've got it. We've got it.
MATT:
93% ... 95%... 95%
They wait. Linda points to a blank patch on the screen.
LINDA:
That's all we need.
SEBASTIAN:
Come on, baby. Come on.
But the blood cells nearest the blank patch twinkle out
existence, and then those around them also blink away
until after a beat, the screen is empty.
MATT:
(beat)
I'm sorry.
SEBASTIAN:
You're sorry? You're f***ing sorry?
Sebastian picks up a glass beaker and hurls it against
the wall. It shatters.
SEBASTIAN (cont'd)
Six weeks of this sh*t and you're
sorry!
He grabs more equipment and begins tossing it in a rage.
Carter and Janice grab him and restrain him. After
struggling against them a beat or two, Sebastian calms
down and pushes away from them and heads out the door.
JANICE:
I don't blame him.
LINDA:
I'll go talk to him.
MATT:
Leave him alone. He just needs to blow
off some steam.
INT. RECOVERY CHAMBER - NIGHT
CUT TO:
Sebastian lies in his bed, staring at the security
camera. The camera stares back at him.
As if from a dream, we hear the Brunette's muffled scream
and cries for help. As we push in on Sebastian's cold
eyes, we can barely make out her face thrashing back in
forth in panic and confusion.
Sebastian suddenly rises.
He crosses to the video camera and examines a small panel
on the underneath of the camera.
He reaches into a box of twinkies and pulls out one of
the sponge cakes and begins munching. He hits the
intercom button on the phone.
FRANK (V.0.)
Yeah?
SEBASTIAN:
I'm going to the lab.
FRANK (V.0.)
Don't you sleep?
SEBASTIAN:
Waste of time. Da Vinci never slept.
INT. OBSERVATION ROOM - NIGHT
Frank eyes Sebastian in the monitor.
FRANK:
Okay. I'm here if you need me.
He watches as Sebastian's heat signature moves toward the
door.
INT. LABORATORY - NIGHT
In the dark deserted lab, Sebastian pulls together a
circuit board, a computer chip and some wiring. He seems
be assembling something.
Sebastian crosses underneath the camera... just out of
its range... reaches up and using a screwdriver, unscrews
the access panel. He scans the electronics and attaches
two alligator clips to wires on the circuit board.
Trailing a long length of wire, Sebastian crosses back to
his bed and lies down. He holds a black project box with
a button on it. He lies perfectly still and press the
button.
INT. OBSERVATION ROOM - NIGHT
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Hollow Man" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/hollow_man_305>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In