Hollow Man Page #6
CARTER:
Holy sh*t.
Then as if someone had poured acid all over the bones,
the skeleton evaporates into nothingness.
SARAH:
Pulse is dropping. 170..
150 .... 160..
There is NOTHING left of Sebastian Caine.
LINDA:
Bio-quantum phase shift occurred at
18:
26.The screaming continues and the restraints continue to
twist and turn. Suddenly the restraints go limp.
MATT:
Is he dead?
Linda checks the readouts.
LINDA:
No. He passed out from the trauma.
SARAH:
Vitals returning to normal. Pulse 110
... dropping. Blood pressure 130 over
75.
A long beat as everybody's eyes stare at the instruments.
FRANK (V.O.)
Electrical activity is stabilizing.
SARAH:
Pulse steady at 70.
A long beat.
MATT:
Un-f***ing-believable.
A reverent pause as Linda runs her fingers over what
would be his skin. Small electrical charge dance around
her fingertips. She gasps.
LINDA:
(whispers in his ear)
You did it, Sebastian. You're the
first.
CARTER:
Let's get him into recovery.
DISSOLVE TO:
INT. RECOVERY CHAMBER
The chamber is half constructed out of Plexiglas at the
end of the Hallway of Habitats.
On the recovery bed, a sheet drapes over Sebastian's
invisible body. The gentle bleatings of medical machinery
pound out a dulling rhythm.
Linda sleeps in a corner chair as Matt slips into the
room. He checks the readouts on Sebastian then takes a
seat by Linda. She wakes with a start.
MATT:
S'okay. You nodded off.
LINDA:
His breathing's hypnotic. How long's
it been?
MATT:
Seventeen hours.
LINDA:
Where are the others?
MATT:
In the lab crunching numbers. We've
lifetimes of research.
Linda rubs her temples and gestures to the bed.
LINDA:
I keep looking at that hole, wondering
if he's really there.
She notices something out of the corner of his eye. The
sheet twitches.
LINDA (cont'd)
Did you see...
MATT:
He may be coming out of it.
Linda and Matt watch intently. Then suddenly... the
sheets thrash violently. A yell of pain.
SEBASTIAN'S VOICE
The lights! Turn off the goddamn
lights! Ah Christ!
Linda jumps up and crosses to Sebastian. Matt rushes to
the wall and turns off the lights. Darkness. The room is
lit by the glow of machinery.
SEBASTIAN'S VOICE (cont'd)
I can't... I can't close my eyes. I
can't close my eyes.
LINDA:
Your eyelids are transparent.
The sheets slowly stop thrashing.
SEBASTIAN'S VOICE
So I ... I'm...
LINDA:
Yes.
SEBASTIAN'S VOICE
My arms. I can.. where? ... I can feel
them...
LINDA:
Your arms ... your whole body... It
worked, Sebastian. It worked.
The sheet rises and slips away. The wires, seemingly
connected to thin air, spread out like a spider's web and
then fall away one-by-one. The monitors all go dead.
SEBASTIAN'S VOICE
Mirror. I ... I want to see.
MATT:
Over here in the corner.
Matt motions to a dark corner of the room, toward a
mirror and sink. We push in on the mirror. No reflection.
Suddenly it fogs up ... Sebastian's breath. A finger
tracing appears in the fog ... but of course we see no
finger. The sink faucet twists on and water runs. It cups
into the shape of hands and lifts into the air, splashing
against the surface of Sebastian's face. Beads of water
cling to his f ace, outlining it I shape f or a moment
before dripping away.
MATT (cont'd)
What was it like?
SEBASTIAN'S VOICE
I ... It's hard to think.
Sebastian's voice is now behind him. Matt turns around.
SEBASTIAN'S VOICE (cont'd)
The transformation... I remember every
molecule in my body shattering.
MATT:
It was painful?
SEBASTIAN'S VOICE
At first... but then everything went
black. I couldn't see or hear or feel
anything. It was all just black...
like I wasn't connected.
LINDA:
Your system received quite a shock.
SEBASTIAN'S VOICE
At least my senses are starting to
return... You're wearing your
Shalimar, aren't you?
Linda realizes that he's standing very close by. Her hair
lifts slightly and Sebastian inhales. Chills go down her
spine.
LINDA:
Sebastian.
Linda's hair drops back to her shoulders.
SEBASTIAN'S VOICE
This is weird. I'm looking through
myself at the floor. I'm looking right
through myself. I can't tell ...
He bumps into a chair.
SEBASTIAN'S VOICE (cont'd)
... where my body is.
A moment of silence.
LINDA:
Sebastian?
No answer. Linda and Matt look at each other, slightly
alarmed.
MATT:
Sebastian?
An indentation forms on the bed a moment later.
SEBASTIAN'S VOICE
You really can't see me. Can you?
LINDA:
Gimme symptoms. Dizziness, nausea,
headache, body-ache, disorientation.
SEBASTIAN'S VOICE
No, just tired.
(beat)
It's funny. I can see everything...
more than before... but I can't see
myself.
INT. LABORATORY - DAY
Carter, Frank, Janice and Sarah work at various research
stations. The door opens and Linda and Matt enter.
CARTER:
Hey. How's he doing?
LINDA:
Why don't you ask him?
Linda motions to the gap between her and Matt. The four
of them stare at the nothing.
SARAH:
Sebastian, how do you feel.
SEBASTIAN'S VOICE
Not to bad, considering.
They turn round. The voice is coming from behind them.
The group rises from their various workstations and turn
toward where the voice came from.
SEBASTIAN'S VOICE (cont'd)
Odd, isn't it?
A rheostat switch on the wall turns and the lights dim.
Though it's a simple act, it feels somewhat ominous.
LINDA:
He can't close his eyes so they're
sensitive to light.
Linda's explanation puts everyone at ease.
JANICE:
So, what was it like?
SEBASTIAN'S VOICE
Over here.
Sebastian has moved. As everyone turns toward him again,
he can't stifle a slight giggle.
LINDA:
C'mon Sebastian. Knock it off.
SEBASTIAN'S VOICE
Sorry. Couldn't resist.
His voice again come s from somewhere else in the room.
FRANK:
I feel like we're playing Marco Polo.
MATT:
Well, I see the procedure hasn't
changed your personality.
Frank pulls on a pair of THERMAL GOGGLES.
FRANK:
No worries. I'm on it.
THERMAL POV - Every body in the laboratory shows up as a
heat signature, including Sebastian. Frank points.
FRANK (cont'd)
Gotcha, big man.
THERMAL POV - The HEAT SIGNATURE reaches for a chair.
SEBASTIAN'S VOICE
Boy, you people have no sense of
humor.
A chair slides back from a desk and bends under
Sebastian's weight.
SEBASTIAN'S VOICE (cont'd)
Show me. So ...
CUT TO:
INT. LABORATORY - NIGHT
Frank and Janice shuttle the playback controls as a VIDEO
MONITOR re-plays various angles of Sebastian's phase
shift.
SEBASTIAN'S VOICE
Stop there.
Frank halts the tape.
SEBASTIAN'S VOICE (cont'd)
Index that. That was when it started
burn. Epidermal reaction.
JANICE:
Index Mark. 112125.
Janice scribble the numbers in her notebook. Linda
crosses, nursing a cup of coffee.
LINDA:
It's late. Time you got some rest.
SEBASTIAN'S VOICE
Just a little longer.
LINDA:
Hate to pull rank, but you're my
patient now and you need rest. We've
got a busy day tomorrow.
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"Hollow Man" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/hollow_man_305>.
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