Holly Page #3
We go hotel?
You don't know who I am?
I many men.
We go room now, okay?
No.
No, no, no.
Patrick.
You know, cards?
The...motorcycle.
We picked the berries together.
I picked you up, remember?
You don't remember that?
I picked you up?
Remember?
Ma!
What you do?
Nothing.
I didn't do anything.
You take her hotel or no?
I tired.
We boom boom now.
I go sleep, okay?
Listen to me.
No boom boom.
No yum yum.
Okay?
It's all right.
It's okay.
Come here.
It's okay.
It's all right.
Come on.
See?
Em dep lam.
Stop!
Come on.
You're crazy!
Stop it!
Stop!
I'm sorry.
Okay?
Hey.
Where the hell
did you go?
She need come back
morning.
You take her now.
Bring back morning.
$20.
You want?
Shoeshine, mister?
Shoeshine, mister?
Shoeshine, mister?
Shoeshine, mister?
No.
It's okay.
All right, come on.
It's okay.
It's okay.
It's all right.
Oh, yeah.
That's good.
Okay.
Come on.
- Ma angry! Ma kill you!
I need go back!
You're not going back there
ever again.
Do you understand?
What you think...
...we do?
What do you want to do?
I want to go village
right now.
You still love
your parents?
Yes.
Even after
what they did to you?
They no money food.
Mother all work hard.
Father sick.
He many drink.
I rich.
I give them money.
They no sell sister.
You're a good person.
Why don't you try
and get some sleep?
Hmm?
Come.
All right, all right.
All right, all right.
All right, all right.
All right, all right.
Now...
Come here.
"I don't sleep with
little girls, you sick f***."
No! N-no fight!
No good!
Hypocrite.
Import/export --
leave a message.
Hey, Freddie, it's me.
uh, shipment.
I had something come up.
I actually want to
talk to you about it,
and I need to come by
and pick up my money.
Uh...
why don't you give me a call?
I'm staying --
I'll just -- you know what?
I-I'll call you back.
I'll try you back later.
C-come. Sit.
What's up?
I love you.
What?
We go village.
Take sister.
Go America.
I wife you.
No. You --
you can't wife me.
You're, like, 12 years old,
all right?
You're a little kid.
I woman. I many men.
I can wife you.
Okay, uh...
Why don't you go
sit over there for now?
Go on. Go sit over there.
I mean it.
You no love me?
No, it's --
Okay, let's, uh --
let's just slow that down there.
You other girl.
I kill her.
No, nobody's gonna
kill anybody.
Sit --
- I kill you!
I love you!
You no other girl!
I jealous you!
You don't
need to be jealous.
W-where you go?
I'm just -- I got to --
I got to do some things.
I'll be back.
I don't know.
Try to get some sleep
or watch TV.
Do whatever you want,
okay?
Tomorrow...
what to do.
Thank you.
All right, come on.
We no go Vietnam?
Yeah, we're going.
It's, uh -- it's just not that
easy to get across the border.
can help.
Come on.
Hi.
Hello.
Can I help you?
Marie?
I really like your hair.
You hungry?
Why don't you go with Wen?
She'll get your breakfast.
Patrick come, too.
No.
Patrick and me need to talk
about how to help you.
Okay?
Go.
Come.
They are smuggled in.
The village where you found her
is run by the Vietnamese Mafia.
So...how do I
get her back home?
If you try
and take her back,
they will arrest her
for illegal immigration.
Probably arrest you,
as well.
What if I took her back
to the States?
You can't.
They've put a ban
on adoption from this region
in fear that people will use it
as a shield for trafficking.
But even if you could,
you really think
that you can take care of her?
I promised her that I would
try to help save her sister.
You don't even know
if you saved her yet.
What do you mean?
It takes five minutes
to rescue a girl from a brothel,
but it takes five years
to reintegrate her into society
and save her.
Listen, I appreciate
what you did. I do.
But if you really
did it for her,
you have to let it go.
So, I just dump her here,
and that's it?
That's the happy ending?
As long as it's not tragic,
it's happy.
Can I come visit her,
see how she's doing?
She's 12 years old,
and her male perspective
is of one who abuses,
rapes, and enslaves her.
Here, we try and make this girl
forget all this.
a part of this world.
It's not good for her.
And quite frankly,
I don't think it's good
for you, either.
Everything is fine now.
You are safe.
Can I take this?
Where Patrick?
You know where you are,
Holly?
In this place, we try to help
little kids like you,
kids who have been
to very bad places
instead of going to school,
playing with their friends.
You understand?
You're very lucky.
They're about to start
a dance class.
Do you like dancing?
Holly?
Holly.
Why are you not in your room,
sleeping,
like everybody else?
I wait Patrick.
Holly...
...Patrick
is not coming back.
So, you know?
Yeah, I know.
How bad?
came to my office today.
What are you thinking, man?
Are you stupid?
It was the right thing
to do, Freddie.
Right thing to do.
Yeah, well...
See that river there,
the Mekong?
How many f***ing millions of
bodies been rolling down that.
You'd have been laying in that
thing if it wasn't for me.
Where's the girl?
No, she's gone.
They're not gonna buy that.
I don't care.
She's gone.
Here.
What's this?
- Take it.
It's a one-way ticket
to America.
I can't go back there, Freddie.
You know that.
You don't have
a f***ing choice.
Been 15 years, buddy.
Nobody remembers anything.
Get the f*** home.
Look, I gave them
what I owed you,
and I paid for the rest.
You're heading out tomorrow.
You're finished here.
I'm not going back.
They're gonna kill you,
Patrick, okay?
For once in your life,
you got lucky.
Take advantage of it.
Yeah.
I appreciate the thought.
Yeah.
Will you do me a favor?
Just tell me why.
Look, I know how it works,
all right?
I walk by
a hundred kids a day --
grabbing for hand-outs,
f***ing pushing
bullshit souvenirs.
Okay? And I know
you can't help them.
You can't even try.
You give them money,
someone takes it.
You teach them to beg.
How many bullshit souvenirs
does one guy need, anyway?
Then you develop
this glazed-eye stare.
You know, you walk straight.
You don't look at them.
And you never stop.
And then you're fine.
Long as you don't look
in their eyes, you're fine.
What the f*** does that
have to do with anything?
I stopped, Freddie.
It was just an accident,
but I stopped.
And I looked
into her eyes.
You can't stop, Patrick.
Got to keep moving.
Otherwise,
You know, it's time.
You've been here too long.
These ain't your people.
Just go back to America.
If you're so worried
about little Vietnamese girls,
write your Congressman.
How you have photo?
You go Batdambang?
Yeah, Batdambang.
You know this girl?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Holly" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/holly_10065>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In