Home Invasion Page #4

Synopsis: Terror arrives at the one place we all feel safest in this taut psychological thriller starring Natasha Henstridge. When a wealthy woman and her stepson are targeted by a trio of expert thieves in their remote mansion, her only form of help comes from a call with a security systems specialist. But as the intruders become increasingly hostile and the connection wavers, will she trust him to be her eyes and navigate her to safety?
Genre: Thriller
Director(s): David Tennant
Production: Odyssey Media
 
IMDB:
5.1
PG-13
Year:
2016
85 min
364 Views


Did you recognize the voice?

No, no. No, I have no idea.

Is there any reason

you may know of they'd be there?

No. We're really scared.

Just hold on. Okay, Chloe?

I got your back.

MAN 1 [ON RADIO]:

And these kids are being trained...

- Have you got it yet?

HEFLIN:
Not yet. Just found the safe.

"MAN 1"...from the time they're 6,

7 years old with video games.

Yeah, and by the time

they get into the military...

they just wanna see action.

[III]

[DRILL WHIRRING]

We gotta get out.

I need you to make your way

to the garage.

Okay-

Hallway's clear. Go.

Okay. Follow me.

Wait, stop.

Stay clear of the windows. Get down.

Stay still.

Mike, please help us.

Move Jacob's foot quickly.

Okay, she's gone. Keep moving.

Get up. Keep moving.

Okay-

Okay-

[TYPING]

Are you there? Can you hear me?

Mike?

[STATIC OVER PHONE]

I'm losing you. Chloe? Chloe? Can...?

It's the Wi-Fi signal. Move to this side.

Mike? Mike?

- Are you still with us?

- I see you. I hear you.

You gotta keep going.

Trust me, you're safe. I'm with you.

What's going on with the responders?

Uh... They are still working

on the bridge.

Word from Burlington?

Helicopters are grounded

because of the storm.

Their boat is on loan to Shrewsbury.

They can get it back...

- ...but that won't be until about 1.

- Richmond County? Williamsburg?

No, Richmond's on mandatory

evacuation due to flooding.

And nobody is picking up

in Williamsburg.

[SIGHS]

Shh.

Jacob, come here.

[THUNDER CRACKING]

[GASPS]

[MUFFLED] Hey, you all right?

MIKE [ON PHONE]:

Can you hear me? Chloe?

Chloe, can you hear me?

KNOX [IN SINGSONG]:

I know you're in here.

- Hello, kittens.

- Get back!

[GRUNTING]

MIKE:
Chloe?

[SHUSHING]

[DRILL WHIRRING]

[GRUNTING OVER PHONE]

Chloe?

[III]

[GRUNTS]

[BAT CLATTERING]

KNOX:
Huh.

[CHLOE GRUNTS]

CHLOE:
Jacob, help me.

Okay. Help me.

[CHLOE AND JACOB GRUNTING]

MIKE:
Chloe? CHLOE: Okay.

- Chloe?

- Wait. Okay.

- Can you hear me?

- We're here. We're here, Mike.

- You all right?

- She found us, but we're okay.

- Keep moving.

- Okay.

Don't. If you go for the garage door,

they'll hear us.

What are you saying? I can't hear you.

If we open the door,

they're gonna hear us.

- We have to find a way to distract them.

CHLOE:
Like what?

- You have a music system in the house.

- Yeah.

- Where's the central control?

- Um...

It's in the master panel with the lights,

and the heat and...

And the security system.

What is it? What's going on?

Chloe, I can access that.

And turn it on loud. Really loud.

So when I do,

you need to be ready to move.

Are you by the car?

In the car? I can't see you.

Car. Get in the car.

Okay, now listen.

Music and engines at the same time.

I'll trip the door and then you gun it.

- Ready?

- Okay.

Three, two, one.

[ROCK MUSIC PLAYING

OVER SPEAKERS]

Somebody's playing bloody games.

[THUNDER CRACKING]

What?

[GRUNTING]

V, come in.

[MUFFLED GRUNTING]

Chloe? What's happened?

CHLOE:
The power's out.

Get out, Jacob.

Maybe we can lift it.

Help me. JACOB:
Okay.

[BOTH GRUNTING]

It's too heavy.

Is there a carriage release?

I don't know. What is that?

It's a handle that releases the door.

It should be on a track above the car.

- It's for emergencies.

- I don't see one.

I don't see it.

Come on, Jacob.

We gotta go. Come on.

Chloe, don't leave.

Stay where you are.

We have help coming.

I know it's dark.

But remember, they can't see you either.

Come on. We're going. This way.

It's not safe for us to stay here.

HEFLIN:
Vicki, do you copy?

Where do you think you're going?

ASTOR:
If it's only a power surge,

I can check the circuit breaker.

You have 25 minutes

to get that safe open.

Hey, you don't think I know that? Huh?

See if you can find Vicki

while you're down there.

She's your girlfriend.

Yank your own damn leash.

Please.

[MUFFLED GRUNTING]

[GRUNTING CONTINUES]

Christ.

HEFLIN:
Is that you, Ms. Paige?

Oh, I recognize that perfume.

[SNIFFING]

I wonder if that's from that

same little boutique...

along the Champs-Elyses.

Do you know the one?

Why don't you come out

and have a little chat?

Your husband David tells me

you're a delightful...

conversationalist.

[GRUNTING]

Well, at least...

she knew what she was doing, huh?

Ah!

[FOOTSTEPS]

There we go.

What the hell happened to you?

They've both seen me.

I need to kill them.

You're not thinking straight.

Calm down.

- Calm down.

- Let me go.

- We need to get out of here.

- Shh!

Calm down.

Give me the gun.

I need them alive.

- No.

- For now.

You can play with them later.

ASTOR:
Aw, Christ.

[DRILL WHIRRING]

[BELL RINGING]

[LAUGHS]

[INSTRUMENTAL FOLK MUSIC

PLAYING OVER SPEAKERS]

[CHUCKLES]

Sheriff, I got power to

the control console.

System's rebooting right now.

Oh, finally. Thank you.

[DRILL WHIRRING]

[SCRAPING NOISE]

Oh, sh*t.

Tungsten carbide

fitted with a hard plate.

- Meaning?

- Meaning scoping's out.

It's time to go old school.

Just get the bloody thing open,

would you?

I know what I'm doing, Heflin.

Just back off.

Come on.

Now if I could just get

a little quiet around here...

everythng...

will be hunky dory.

Serrated wheels. Hm.

You b*tch.

That'll slow things down just a little bit.

- Just a bit.

- I thought you said you were good at this.

I did.

And I am.

[III]

[BELL RINGING]

All right. Let's get moving.

The bridge is open.

ASTOR:

I'm gonna find your sweet spot. Yeah.

Oh, oh.

Oh-ho-ho-ho, there she is.

[CLICKS]

Got an alignment.

Spare me the play-by-play,

for pity's sake.

[CRACKLING]

MAN [ON RADIO]:

What she pointed out earlier...

was Russians don't have to think...

KANE:

What the hell is wrong now?

CHACKO:

Looks like we blew a fuse.

It's one of the old ones

I had in the truck from before.

I'll try something else.

For crying out loud.

[THUNDER RUMBLING]

All right. You handle this here, okay?

Wait, where are you going?

- I'm going over.

- But, Bill, you gotta be careful.

You let me worry about that.

You keep things under control here.

Send backup as soon

as this bridge opens.

Yes, sir.

MAN [ON RADIO]:
I've talked to, uh,

certain folks who have been abducted...

or at least their claims...

How do you know that, uh,

some facet of our government...

"hasn't reverse-engineered

the technology..."

and that they're actually making you

believe you were abducted when...?

[BELL RINGING]

KANE:
Chacko.

Get this damn thing working.

When you do,

get these cars out of the way...

because my deputies are

coming through hot and heavy.

Phil.

Bill? What the hell are you doing out

on a night like this?

Phil, I need your car.

Listen to me. The foyer is clear.

So why don't we just leave

by the front door?

We'll just walk

right out the front door...

and you?! hop

into one of those cars, okay?

XANDER:
This is the lookout.

- Talk.

The sheriff's crossed the bridge.

He's commandeered a car.

Ten minutes,

he'll be on your door.

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Peter Sullivan

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Submitted on August 05, 2018

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