Homeboy

Synopsis: Johnny Walker is a cowboy and a boxer. He is very shy and a bit of a fool. He is in love with Ruby, but he cannot tell her. He is also a bit old to keep on boxing, but its the only thing he does well.
Genre: Crime, Drama, Romance
Director(s): Michael Seresin
Production: Live Home Video
 
IMDB:
5.9
R
Year:
1988
116 min
248 Views


1

Sh*t. Damn, why does it

have to be raining?

Check this out.

Holy sh*t.

Yo, man, where your horse at, man?

You rode into town or what?

Hey, yo, look at this

ten-gallon-hat-wearing motherf***er.

Hey, yo, look at his belt buckle...

That sh*t ain't funny, man.

Yes, it is.

It's not funny.

Crazy motherf***er.

I'll f*** you up.

What the f*** do you think this is?

You want to be a cowboy?

I got a cowboy for you.

Hey, I want a Coke with rum.

A rum and Coke.

Yeah.

Whiskey.

We got new money here.

All right. All right.

Shoot the dice.

Shoot the f***ing dice.

Cowboy money.

Shoot the dice, man.

Roll.

Roll. Roll.

Let 'em go.

Come on.

Come here, come here, come here.

Come on, baby.

Go, man!

You Johnny Walker?

You Johnny Walker?

The car smells from all that rain.

You look like a cowboy.

You a cowboy?

I like cowboys.

Stop! Stop!

Get outta here.

Give me the money.

You got nothing here.

Can I borrow your compact, please?

How do you organize your money?

I don't understand this.

You're supposed to put the 20s

first, then the 10s, then the 5s.

Where the f*** you been?

His bus was late.

You got another beauty here.

Here.

Thanks.

25 years of picking you bums up.

You're all the same.

Go to the bus stop to pick him up,

he's in a gin mill getting drunk.

Listen to me.

I get annoyed.

Goddamn jokes about cholesterol.

I am telling you, I'm fuming.

This man, he's two days late.

Relax.

You worry so much. Give me a kiss.

Don't worry.

Get away from me, Wesley.

That's terrible.

There he is.

Wesley Presley.

Women, come and get me.

I'm so pretty.

And, Lou, why?

Why is God so good to

me and so awful to you?

I don't know.

Thank you.

You're an ugly person.

And you're beautiful.

Hey! No smoking

around my fighter.

Can't you read the sign?

Can we go to this fight?

Can we have...

Are we gonna have this fight?

Let's go, please!

Okay, let me see them gloves, John.

Come on.

Let me test this.

I can see it's gonna be

one of them nights.

Let's see your gloves, Roscoe.

Okay, they're all right.

You got your cup on?

Just fight...

Pay no attention.

If it wasn't for your face,

you'd be a good-looking guy.

Get over there. Hold it, hold it.

I'll take care of it.

Come on, let's get back to your corner.

Hey, Lou!

Come on and get your fighter.

Can't you control him?

Come on. Save it for the fight.

Come on. Come here.

Okay, let's get some instructions.

Let's go.

Hey, John.

Come on, Lou.

Let's get your guy out here.

Hey, does he wanna fight tonight?

Yeah. John, come on.

Come on, John. Please?

Come on. Let's go. Come on.

Let's go.

Yeah.

Remember what I told you guys

in the dressing room, okay?

I want a good, clean fight.

Let's touch gloves.

Let's get with it, John, with the program.

Touch gloves.

Hey, you got your hands full tonight, Lou.

He's not gonna be a problem.

Okay, break! Break!

I told you guys to break.

Come on.

Let's get out of there.

Look here, when I tell you

to break, Roscoe,

I want you to break clean,

you understand?

Hey, what are you doing?

What are you doing?

F*** you!

Hey!

Next time you do that, this fight's over.

You understand?

This fight's over!

I'm not playing no more!

Now settle down.

Come on over here.

Moe, what's the guy's name?

Johnny Walker.

Johnny Walker.

That's a great name.

Hey, John!

Come on, John!

Boom, boom!

That's right, John!

Sit down. Sit down.

Come on, Johnny!

Sit down, Wesley.

Sit down.

Boom, boom!

Bang, bang!

Hey, what's the matter? Sit down!

Sit down, a**hole!

Break it, break it. When I tell you

to break, I want you to break.

Will you sit down? The fight's

in the ring! Sit down!

Break clean.

All right.

You say something?

Hold it. Hold it here.

Get his head up.

Let me look at that cut.

That's a butt.

Okay, let's keep it clean.

Let's go. Let's box.

That hurt. I saw that.

Okay, break it.

Break it. Come on.

Step back. Step back.

Round's over.

Sit down. Come on. Get back

to your corner, Roscoe.

Come on. Let's work hard.

Come on. Come on.

Okay, Johnny, this is the

last time I'm gonna warn you.

Any more crap out of you,

you ain't getting paid.

And that goes for you, too, Lou.

He's just going through the motions.

Just go out there and do

the basic simple fundamentals

and it will be very simple.

All right. Spit it out.

Go ahead.

Keep that jab going, and you'll be fine.

All right. Go get him.

Stay away from his right hand.

It'll open that son of a b*tch

right up. Come on.

He's tired, Roscoe.

Let's go. Finish it up.

Ee! Hey-hey!

One, two...

It's all over!

How old, Johnny Walker?

A hundred years old?

You're old school!

You're over the hill, buddy!

You're an old man!

You're an old-timer!

Forget it! You're done!

You're terrible!

You suck!

Come on, Johnny Walker!

Time to go home!

You're washed up. Go home, buddy.

You're an old man.

You're an old-timer!

Will you watch where you're going?

What are you looking at?

Hey, man, you got my money?

I got your money.

There's your money. Jesus.

Lou, congratulations.

Boom, boom.

You've got a guy here, I'll tell you.

I love the way you fight, John.

I never saw anybody fight like that.

Am I right?

Call ahead. Get the table.

I'm Wesley Pendergrass.

I like you.

You get dressed, okay?

I'll take you for something to eat.

Keep it.

I gotta tell you something up front.

I know a lot of people.

I know everybody in this f***ing town.

Nothing goes down

I don't find out about it.

That's important.

Keep informed.

I got this gig.

I do it on the side.

Moe owns a couple of strip joints.

I go in, I bullshit a little.

I do an act on stage.

It sucks, but it's better than working,

and it keeps my P.O.

off my ass.

I can sing a little.

I'm a pretty good dancer.

And, I have fun... f***ing up the songs.

Hey, Wesley!

Who's this guy?

I'm gonna kill you!

Why? Hey!

You f***ing punk!

Where you been? You locked me up!

Take it easy, will you?

Hey! Hey, hey, hey!

Don't f*** with me, man!

You're gonna pull a knife on me?

You are gonna pull a knife on me?

I ain't no punk! What were

you gonna do with that?

I don't know.

No, Wesley, not my nose.

Will you move your f***ing car?

Hey, you got a problem? Shut up!

Move your car!

Where's my money?

Give me my f***ing money!

Hey, man, it's right here.

Right now!

I got it right here.

Take it easy.

Give it to me.

Come on, come on!

Take it easy. Here.

Stupid.

Why you always gotta hit me for, Wesley?

Where you been?

Hey, how you doing?

What are you kicking

the sh*t out of him for?

You wanna kick the sh*t out of him,

you do it somewhere where

you don't hold up traffic.

Hey, man, nobody's gonna

kick the sh*t out of me.

Hey, scrote, move that hunk of

sh*t over to the curb and shut up.

"Scrote"?

Shut up!

Wesley, I heard you pulled a nickel.

How come you're back

on the brick so soon?

"Scrote"?

What is that, French?

Ray, I ain't gonna tell you again.

Move it out.

Stupid.

Lieutenant, hey.

Rate this script:0.0 / 0 votes

Mickey Rourke

Philip Andre "Mickey" Rourke Jr. (; born September 16, 1952), is an American actor, screenwriter, and retired boxer who has appeared primarily as a leading man in drama, action, and thriller films. During the 1980s, Rourke starred in the comedy-drama Diner (1982), the drama Rumble Fish (1983), the crime-black comedy film The Pope of Greenwich Village (1984), and the erotic drama 9½ Weeks (1986). He received critical praise for his work in the Charles Bukowski biopic Barfly and the horror mystery Angel Heart (both 1987). In 1991, Rourke teamed up with Don Johnson and Tom Sizemore in the cult classic action film Harley Davidson and the Marlboro Man; also in 1991, Rourke--who had trained as a boxer in his early years--left acting and became a professional boxer for a time.After retiring from boxing in 1994, Rourke returned to acting and had supporting roles in several films, including the drama The Rainmaker (1997), the comedy-drama Buffalo '66 (1998), the thriller-remake of Get Carter (2000), the mystery film The Pledge (2001), the crime dark comedy-drama Spun (2002), the action film Once Upon a Time in Mexico (2003) and the action thriller Man on Fire (2004), playing the role of a corrupt lawyer. In 2005, Rourke made his comeback in mainstream Hollywood circles with a lead role in the neo-noir action thriller Sin City, for which he won awards from the Chicago Film Critics Association, the Irish Film and Television Awards, and the Online Film Critics Society. In the 2008 film The Wrestler, Rourke portrayed a past-his-prime wrestler; for his work in the film, Rourke received a 2009 Golden Globe award, a BAFTA award, and an Academy Award nomination. Since then, Rourke has appeared in several commercially successful films, including the 2010 films Iron Man 2 and The Expendables and the 2011 film Immortals. more…

All Mickey Rourke scripts | Mickey Rourke Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Homeboy" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/homeboy_10104>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Homeboy

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "INT." stand for in a screenplay?
    A Internet
    B Interior
    C Internal
    D Introduction