Homefront Page #5

Synopsis: Phil Broker is a former DEA agent who has gone through a crisis after his actions against a biker gang went horribly wrong and it cost the life of his bosses son. He is recently widowed and is left with a 9 year old daughter, Maddy. He decides to quit the turbulent and demanding life of thrill for Maddy's sake and retires to a small town. His daughter fights off a boy who is bullying her at school, and this sets in motion a round of events that end in his direct confrontation with the local Meth drug lord. His past history with the biker gang also enters the arena, making matters more complex. But he has a mission in his mind to protect his daughter and he is ready to pay any cost that it demands.
Genre: Action, Crime, Drama
Director(s): Gary Fleder
Production: Open Road Films
  1 nomination.
 
IMDB:
6.5
Metacritic:
40
Rotten Tomatoes:
42%
R
Year:
2013
100 min
$12,641,119
Website
2,501 Views


Come on.

Hey, man, Gator'll be

here soon. That's it...

I don't give a sh*t! I'm calling

the shots! You hear me?

Hey! Can you hear me?

Who's watching

your f***ing kid, huh?

Who's watching your kid?

Your girlfriend?

She got a babysitter?

Or is she at home all by herself,

just waiting on you to

come tuck her sorry-ass in

and read her a bedtime story?

What the f***!

You're dead!

Motherf***er!

When I get home, I am gonna

tell my girl a bedtime story.

This is how it ends.

Just tell me,

why are we going? Why?

I owe you an apology, I know, but we

don't have time to get into that.

What about school?

We'll send for your records

in the morning. It's fine.

Send for them?

No, why are we going?

What's wrong?

Nothing's wrong.

They need me back in the city.

It's new business.

I need to review a case.

No!

You said Mom

wanted us to live here.

That's what you said, Dad. Remember?

Yeah, I did. I did.

Things changed, darling.

Things changed.

I'm sorry, Maddy.

I'm sorry.

You're a liar.

Gator.

You must be Cyrus.

Sheryl's told me a lot about you.

Has she?

That is sweet.

Where is the f***-up?

He's about three

miles south of Route 12.

Rubber plantation.

I can draw you a map, trail,

even the inside of the house.

No, I don't need a f***ing map.

We ain't driving, Gator.

Hey, check this one out.

What the f*** is this?

This many people here,

this a f***ing party?

I don't f***ing know. Motherf***er

just showed up with all of them.

You ready to show

us the way, Gator?

No, I'm not going.

Come again?

Look, the first person they're

gonna be looking for is me,

so I'm not gonna be

anywhere near the site.

I'm gonna be in a public place.

Guess you don't get to see me

shoot the rat tuck in the mouth.

Guess not.

What about the kid?

It's one-stop shopping,

right, Gator?

That's right.

No loose ends.

She's coming with me.

No, that's not the deal.

No, she's gonna show us the way.

I'll bring her back.

Be back.

Listen, I can only

hold them about a week.

Thanks, Teedo, you're a big help.

Is there anything

you need to tell me?

Yeah, there is, but not now.

I got a lot of heat.

All right, then,

let me go load up these nags.

Howdy, Sheriff.

Hey, Gator.

How you doing?

All right.

Keeping busy, I hope.

Yeah.

That's good.

Just made a big sale,

so I thought we'd celebrate.

Congratulations.

Thank you.

Well, I got a date

with a pool table.

So I'll be seeing you.

All right.

Thanks for the whiskey.

Of course.

You keep out of trouble, now.

Yes, sir.

Twenty minutes.

Don't even think about not

being here, you understand me?

Yeah.

Go call your boyfriend.

Hey!

Motherf***er!

Come on, you f***!

Where the f*** is he?

F***.

Maddy!

Go, go, go.

Maddy!

Dad, what was that?

Shh!

Dad, what was that?

Go.

I need you to stay

down here, okay, Maddy?

Dial 911.

Tell them who you are,

where you are.

Tell them there's a man with a gun

trying to get into the house, okay?

Go.

911. What is your emergency?

Go.

Hey!

No!

She's getting away!

Maddy!

Hey.

Gator, man, sh*t's

gone wrong out here.

What do you mean

"sh*t's gone wrong"?

There's too many gunshots

all over the f***ing place.

Whoa, whoa, Sheryl, just slow down.

Tell me what's happening.

F*** this noise, man.

I'm out.

Just stay there and

tell me what's happening!

Ahh!

Maddy, run! Run!

Help! Help! Help!

Help!

Help, please! Help me, please!

Hey, you okay?

Please help!

There's a man, and he's

hurting my dad back at our...

Okay, okay, listen to me.

Listen. These guys, they don't

give a sh*t about you, all right?

They're gonna kill you.

Do you understand?

You got to come with me, okay?

You have to come with me!

Come on.

F***ing p*ssy!

Not okay! Dad!

No! Listen!

F***!

Let me go!

Let go of me!

Maddy!

No, let me go! Dad!

Maddy! Maddy!

Come on.

Sh*t.

Maddy!

Help, please! Dad!

Dad, help!

Broker?

What the hell's going on?

They hit the house.

They took my girl.

By boat. Headed south

towards Blue Cove.

What do you mean "hit the house"?

An ambush.

Five, six men. All armed.

Tried to kill us.

She's on the river?

You know who took her?

Broker? Broker!

Need a medic!

Dispatch, I got a...

You'll be okay, Teedo.

F***ing rednecks.

Sheriff, get on the radio. It's

Broker's daughter on dispatch.

Broker, your daughter's

on the radio.

Get compression on this wound.

Maddy, go ahead.

Maddy, tell me you're okay.

Dad? Dad, Dad, please get me

out of here, Daddy. Please?

Don't worry, baby.

Trust me. I'm coming.

First, you need to

tell me who took you.

I don't know. Just some

lady with black hair.

Okay, baby.

Here's what we're gonna do.

When they take you out,

you need to hide the phone.

Okay.

Look for something.

A landmark, anything.

Okay. Okay.

Dad... Dad...

Maddy.

Maddy?

F***!

Dispatch, listen here, I need you

to check back every 30 seconds.

No need to, Sheriff.

Track my cell.

Get a state chopper.

You'll get there faster.

Got a better idea,

track his cell.

Let's get the troopers

in on this.

I need a bear in the air, and every

road within 10 miles shut down.

Go for 25, work your way in.

25-mile radius.

Work our way in.

Tell them they're

looking for a 20-foot

Boston Whaler, solo female driver,

and a center console.

20-foot Boston Whaler, solo

female driver, center console.

Now, these men that attacked

your house, where are they now?

They're right there.

How do you know?

Trust me. I know.

Sheryl, answer your f***ing phone!

Just meet me at the f***ing shop!

What the f***'s going on?

Give me the phone.

Quiet down, now.

Daddy?

Maddy.

Daddy, we're stopping. I'm really scared.

Please hurry.

I see two big fans.

And we've stopped in a barn.

Broker!

Broker, you need to tell us, now.

Okay.

Come on. It's okay. It's okay.

Just give me your hand.

Go away!

F***!

God!

F***!

Pick up, baby.

Come on. Come on, Maddy.

Sheryl, I've been calling you.

What the f***?

What the f*** happened?

Everything f***ing happened.

What the f*** does that mean?

Where's Cyrus?

Where's everyone?

I don't f***ing know.

You left them there?

I got the kid.

What?

I have the kid.

The kid is here.

You brought her here?

You brought the kid here?

Are you retarded, Sheryl?

Don't!

Don't, Gator!

Don't what, b*tch?

What the f***, Gator?

It's over.

Come on, this is over.

You brought

the f***ing kid here.

You f***ed this up!

This is not

what you do, man!

You f***ing brought a witness here?

You do not kill a kid, Gator.

The only f***ing chance

we had, you f***ed up!

You brought f***ing

Cyrus into this!

Why did you bring the kid here?

Why the f*** did you bring her here?

Gator. Gator.

Get your f***ing hands off me!

You brought a f***ing

witness here, huh?

All right. Damn it.

Just shut the f***

up and keep her quiet.

Can you do that?

What y'all doing here?

Did you hear about the shooting?

No, what shooting?

Up at the old Griffin place?

No, I didn't hear about it. No.

Rate this script:5.0 / 1 vote

Sylvester Stallone

Sylvester Gardenzio "Sly" Stallone is an American actor, screenwriter, producer, and director. more…

All Sylvester Stallone scripts | Sylvester Stallone Scripts

3 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Homefront" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/homefront_10108>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Homefront

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which part of a screenplay provides a detailed description of the setting, actions, and characters?
    A Character arcs
    B Action lines
    C Scene headings
    D Dialogue