Hoodlum Page #7

Synopsis: The film focuses on the war of two gangs in 1930s Harlem for the control of illegal gaming - one headed by black strategic godfather Bumpy Johnson and another by white ruthless hothead Dutch Schultz. Negotiations proposed by white syndicate boss Lucky Luciano never get under way, blood flows and Johnson gets jailed. When Johnson is paroled, he gets the work of enforcer for mighty Stephanie "The Queen" St. Clair. She is also jailed for racketeering and when she leaves she makes him promise "no violence".
Genre: Crime, Drama
Director(s): Bill Duke
Production: 905 Corporation
  7 nominations.
 
IMDB:
6.3
Metacritic:
50
Rotten Tomatoes:
43%
R
Year:
1997
130 min
839 Views


Jesus Christ.

Come on.

- That's it, sir.

You sign on the dotted line.

- We need to be going now.

- What's wrong with you, boy?

- Nothing, boss, just a little tired,

we got all these deliveries still to make.

- I still don't understand why

Eugene couldn't make the run.

- He tells us, Eugene went out last night

and got himself just as

drunk as a fiddler's b*tch.

That's when they called us, sir.

- Eugene's a f***ing

Mormon, he don't drink.

- That's the problem, he got

himself kicked out the church.

- Hey,

where you going?

- We don't want no trouble, sir.

Like I said, we just got

all these deliveries.

- You boys stay put, I'm

going to get the boss.

Don't move.

- Yes, sir.

- Hey!

- Hit the gas!

- Now I'll ask you one

more time, where is he?

- I don't know, I don't

know, I don't know!

- Hey, Dutch, you don't have to do that.

- Hey, Bub,

toughen up a little, will you?

- Hey, there,

what you doing back there?

Hey, I'm talking to you!

- Mary?

Oh!

Mary.

Mary.

- I've got bodies

all over the front page of the Daily News.

I've got that pansy Hoover calling me,

asking if I need his help.

You put my dick in a ringer, fella.

- Dutch didn't instigate this.

- Let me explain something to you:

if one crazy negro is

provoked into coming downtown,

they'll all come.

I can't afford to have all of Harlem

crossing the line because of you.

You get this numbers thing settled,

or I will launch an investigation

into every syndicate activity

in the city of New York.

Do you get that?

You pimp.

- I thought it was about

time we meet, Mr. Johnson.

- I was honored by your invitation.

- Thank you.

A friend of mine at Sing Sing

tells me you're quite a chess player.

- You partake in the game?

- No.

Only in its strategies.

Let's go for a walk.

You're in good hands, boys.

I love this place.

- I was under the impression

that you and the Dutchman were partners.

- Dutch Schultz, he doesn't recognize

that a partnership requires compromises.

I think you do.

This is about money, Mr. Johnson.

- You get a piece of my operation,

what are you prepared to offer

me in return, Mr. Luciano?

- For starters, political connections,

the kind of connections that will keep you

from suffering like Madame

Stephanie St. Clair.

A man wants to be

successful in this business,

he has to make alliances.

- You got judges?

- Even better, special prosecutor.

- Thomas Dewey?

- Yeah, he's as greedy

as the rest of them.

- I appreciate your offer

but my answer is no.

I'm strictly an independent operator.

- So be it.

But your move downtown affects me

as well as Mr. Schultz.

That was a clever gambit, Mr.

Johnson, your brewery job,

but now it means required

to discuss these problems.

- The Dutchman and I are

past the point of discussion.

- It's not a request,

I'll call you with a time.

- What can I do you for?

- This thing between you and Mr. Johnson

has gone way past bedtime.

- Lucky, why do you give a f***

what happened to my liquor warehouse,

ain't got nothing to do with

you and your whore business.

- If Tom Dewey clamps

down, it affects all of us.

- Well, the guy Dewey's

having with rings a bell.

- Exactly, your numbers

racket has him looking

to open a panel on all our

business in New York City.

- Get me out of f***ing bed for this?

What's the other news of the day?

Roosevelt running for re-election?

- Close.

I want to bring Mr. Johnson to our table.

- We do not bring that

n*gger into my presence.

- We're having a sit-down, Dutch,

and we're going to settle things.

- This is your f***ing strategy?

- My strategy is to keep things in order.

My responsibility is the bigger picture.

- Yeah, what if I say no?

Does Vido send his

mattress boys to my house

in the middle of the f***ing night?

I warn you, Luciano, don't f*** with me.

- You've been outvoted.

- Okay, have it your way.

Bring him to the f***ing table.

Sh*t, have him over for

f***ing dinner for all I care.

Hey, Cecil, pull the f*** over.

- Where you going?

Let me buy you an ice cream.

- I'm going to the library.

I'll take out that book you been reading,

How to F*** Friends and Irritate People.

- It look like the parole board

could let me out any day now.

- Then we'll have a celebration.

All of them down the next Saturday.

Well, you'll be happy

to know that the bank

is making more money now than ever before.

- Take possession of it back.

You will no longer work for the green.

- What are you talking about?

- You broke your promise, you lied.

- I wasn't able to keep that promise.

We had to fight for the bank,

the Dutchman wasn't going to let up.

- You are wrong.

You are not going to let up.

I can see that now.

- Look, I've been invited

to the syndicate table

by Mr. Luciano, don't

that count for nothing?

- What about life?

Doesn't life count for anything?

- You asked me

to take control of the

bank while you were gone.

I did that and kept it out

of the Dutchman's hands.

Now you want to come

back and run it with me,

I welcome you with open arms,

but we will do it together.

- So I guess you're the king, now, eh?

Long live the king.

- Lovey, why aren't you dressed?

I told Sam and them we

were going to meet them

over at the Sugar Cane

Club in half an hour, now.

We're having supper.

- Bumpy, I'm leaving you.

- You're leaving me?

- Yes.

- Hold on a few ticks.

You're going, take that with you.

And that, too.

- I don't care about your trophies.

- Oh, you don't want any?

- It was wrong for me to

take them in the first place.

- Oh, it was, was it?

You took them nevertheless, didn't you?

Take it all!

- I don't want any of this sh*t!

- You watch your language!

- You go to hell!

- You're playing with fire.

- You and your noble ideas,

and all your promises!

You lied to me!

- You lied to yourself, Francine,

when you left that stiff in the bathroom.

- You are just like Dutch Schultz.

You're a pig!

If it wasn't for you,

Mary would still be alive.

Yeah, I said it, you're a pig!

Oh, you gonna hit me now, huh?

Bumpy, come on.

Come on, hit me.

- Why?

Francine, you used to be--

- Well, you used to be a human being.

You used to be the man I loved.

- Please sit down.

- I, I've been sitting down too long.

I gotta go.

- Yeah, well,

don't forget your good book.

- You used to write me poetry, Ellsworth.

- Make sure nothing happens to her.

- I'm a police captain,

for the love of Mike.

How's it going to look if I'm seen

running around with a n*gger?

- That's all the n*ggers I'm

going to take from you, Foley.

- What'd you say to me?

- I said, that's all the n*ggers

I'm going to take from you, Foley.

- That's one more than I'll take.

I don't ride with n*ggers in my car.

- F***er--

- Enough of this sh*t!

Hewlett, sit down.

Jack?

- Yes?

- We go back 15 years,

but I'll cut your head off

and drop it in the river.

- What are you doing to me?

- You want to test me?

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Chris Brancato

Chris Brancato (born July 24, 1962) is a Hollywood writer and producer of several films and television programs. Brancato grew up in Teaneck, New Jersey and graduated from Teaneck High School. He subsequently attended and graduated from Brown University. Brancato wrote or was story editor for several episodes of the 1992 season of Beverly Hills, 90210. He co-wrote the X-Files episode Eve, which first aired on December 10, 1993. Brancato created and wrote Sci Fi Channel's First Wave, which aired from 1998–2001. Brancato also co-wrote the 1998 film Species II.Brancato wrote the 1997 film Hoodlum set in crime-ridden 1930s New York City. Brancato was executive producer of the 2002 film Stealing Harvard. Brancato was also a writer/producer for the critically acclaimed 2002–2003 television series Boomtown. Brancato wrote two episodes during season 12 of the long-running NBC legal drama, Law & Order: Special Victims Unit, titled "Branded" and "Spectacle". Brancato moved on to be executive producer/show runner/head writer for the tenth season of the USA Network police-procedural Law & Order: Criminal Intent, a show that is related to Law & Order: SVU. Brancato did a police-procedural pilot for NBC titled Blue Tilt, where he was creator/executive producer with Vincent D'Onofrio (Law & Order: Criminal Intent) and Ethan Hawke, who were also set to star in the project as well. On May 11, 2012; NBC decided not to bring it, and other pilots, to series. He created the Netflix series Narcos with Carlo Bernard and Doug Miro. more…

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Submitted on August 05, 2018

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