Hoodlum Page #9

Synopsis: The film focuses on the war of two gangs in 1930s Harlem for the control of illegal gaming - one headed by black strategic godfather Bumpy Johnson and another by white ruthless hothead Dutch Schultz. Negotiations proposed by white syndicate boss Lucky Luciano never get under way, blood flows and Johnson gets jailed. When Johnson is paroled, he gets the work of enforcer for mighty Stephanie "The Queen" St. Clair. She is also jailed for racketeering and when she leaves she makes him promise "no violence".
Genre: Crime, Drama
Director(s): Bill Duke
Production: 905 Corporation
  7 nominations.
 
IMDB:
6.3
Metacritic:
50
Rotten Tomatoes:
43%
R
Year:
1997
130 min
840 Views


half, I start thinking.

How'd the Dutchman get

so high up on the map?

Because of you.

How come the Queen still got a bank?

- Why the change of heart?

- I got no choice.

Dutchman's got me boxed in,

and frankly, I need your

connections so I don't take

the fall for those policy slips

he's holding over my head.

Besides, a colored man

don't stand much of a chance

buying Tom Dewey.

- Tom Dewey'd take a

payment from an aardvark.

- I could also use your muscle

to keep the Dutchman off my back.

- You know that the terms

of a partnership now,

at this juncture, would be quite severe.

- A wise man once told me, Mr. Luciano,

that if a man wants to

succeed in this business,

he has to make alliances.

- Nice.

- Should I drive around the

yard once again, Mr. Luciano?

- One more time, Cecil.

How do I get assurances

that you're going to play on the square?

- You have your accountant come

by my accountant's house

the same afternoon,

say around three o'clock.

I'll let him go over the books,

the runners, routes, slips, everything.

- You know, a funny thing about Dutch,

he's worth $3 million, easy.

You think a guy making that kind of dough

would take care and make

himself look proper,

nice clothes, good haircut.

Instead, he looks like a

vagrant half the times,

buys his suits off the

rack at Wanamakers'.

- If you don't know, you don't know.

- You know, Mr. Johnson?

- I believe I do.

- Then what happened?

- Mr. Luciano, he don't

think I be listening,

but I be hearing every

word they be saying,

on account I got petition, it's clicked.

- Go on.

- Bumpy Johnson, he

said he need a partner,

that would be you, for the numbers.

- And?

- Bumpy Johnson asked Mr. Luciano

to have Mr. Johnny, the fellow

that's good with figures,

to meet him this afternoon

so he can go over his books.

- Take the yard.

- Yes, sir.

Thank you, Mr. Schultz.

- And if you're right, there's

more where that come from.

- You won't say nothing

to Mr. Luciano, will you?

- My lips are sealed.

- Thank you, sir.

- And Cecil?

- Yes, sir?

- If you're lying, you know what

I'm going to do to you, right?

- Yes, sir, I know.

- So long as you know.

- Yes, sir.

Everybody know.

- Don't it just figure,

colored and a dago, partnered up.

Sicilians, they're

nearly n*ggers, anyways.

They're dark complected bastards.

- Taking on Lucky,

we're going to be in a whole lot of sh*t.

- What's up, Bub?

- Nothing.

- You going soft?

- I'm behind you, Dutch,

a hundred percent.

- Good work, Cecil, present from Bumpy.

- Here we go.

- Hold it.

I can wait.

- This figures, let's go.

- Hey, Johnny, how you doing?

- Hey, Dutch, how are you doing--

- You little prick.

Hey, Dennis, go back

down and watch the door.

Is this it?

- Please, please, yes.

- Where is he?

- I don't know, Dutch.

- What's 235?

- I don't know.

- You don't know?

- It means death.

- Please, Dutch, I'm only an accountant.

You let me live, I'll make sure--

- Yeah, yeah, yeah.

- What's our next move, Mr. Luciano?

- I got a surprise for

little Arthur Flegenheimer.

- Let's go.

Dewey's office, this way.

Quickly.

- I'm sure he's still

looking for Bumpy Johnson.

He wanted that 4,000 you promised.

You know,

just doesn't make sense to me.

I don't ever see that jiggaboo

making a deal with a white guy.

I mean, even if he's a Sicilian.

- Yeah, well, that's because

you're a f***ing idiot.

He never had no intention.

He set me up for a war with Luciano.

And that's pretty smart for a n*gger.

- Yeah.

- Well, if Luciano wants a f***ing war,

I'll splatter this f***ing

city with his blood.

I'm going to take a piss.

- Okay, Dutch.

- What do you want, I'm f***ing busy here.

You've gotta be f***ing kidding me.

They send you.

- It's done.

Where's the money?

- Hello?

- I want to tell you this myself.

Bumpy Johnson just made

me a very wealthy man.

He took care of the Dutch Schultz problem,

and he used you to do it.

Not that you would have occasion to,

but if I were you, Lucky,

I'd never go to Harlem.

- The Dutchman is dead.

- Did Thomas Dewey get his money?

- Yes.

- Cecil get his cut?

- Yes.

Looks like the Queen has the bank back.

- That's the way it's supposed to be.

- What you gonna do, Bumpy?

- I got some unfinished

business to take care of.

What about you?

- I'm going to get some sleep.

- Thanks.

How sweet

The sound

That saved

A wretch

Like me

I once

Was lost

But now

I'm found

Was blind

But now

I see

Grace

Grace that brought

Saved us from

Saved us all

Grace

Will keep

Me whole

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Chris Brancato

Chris Brancato (born July 24, 1962) is a Hollywood writer and producer of several films and television programs. Brancato grew up in Teaneck, New Jersey and graduated from Teaneck High School. He subsequently attended and graduated from Brown University. Brancato wrote or was story editor for several episodes of the 1992 season of Beverly Hills, 90210. He co-wrote the X-Files episode Eve, which first aired on December 10, 1993. Brancato created and wrote Sci Fi Channel's First Wave, which aired from 1998–2001. Brancato also co-wrote the 1998 film Species II.Brancato wrote the 1997 film Hoodlum set in crime-ridden 1930s New York City. Brancato was executive producer of the 2002 film Stealing Harvard. Brancato was also a writer/producer for the critically acclaimed 2002–2003 television series Boomtown. Brancato wrote two episodes during season 12 of the long-running NBC legal drama, Law & Order: Special Victims Unit, titled "Branded" and "Spectacle". Brancato moved on to be executive producer/show runner/head writer for the tenth season of the USA Network police-procedural Law & Order: Criminal Intent, a show that is related to Law & Order: SVU. Brancato did a police-procedural pilot for NBC titled Blue Tilt, where he was creator/executive producer with Vincent D'Onofrio (Law & Order: Criminal Intent) and Ethan Hawke, who were also set to star in the project as well. On May 11, 2012; NBC decided not to bring it, and other pilots, to series. He created the Netflix series Narcos with Carlo Bernard and Doug Miro. more…

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