Hudson Hawk
- R
- Year:
- 1991
- 100 min
- 700 Views
FADE IN:
1 OMITTED 1
1A EXT. VINCI COUNTRYSIDE -RENAISSANCE -DAY 1A
A TRAVELING MERCHANT WITH AN UNFORGETTABLY ETCHED FACE
rambles past a timelessly beautiful Italian countryside
on a trusty mule.
A jaw-droppingly storybook castle looms before him. The
merchant dismounts and pulls forth a cask of wine. Settling
down upon a tree stump, he removes his hat and
inhales the fresh air with a life-loving sigh.
The merchant brings the cask to his lips when suddenly a
LOUD EXPLOSION is heard causing the merchant to douse
himself with a blast of vino.
UNFORGETTABLE MERCHANT
Leonardo, che pazzo...
The merchant shakes his fist up to a swish pan that
swings up toward a smoking window of the awesome castle.
2 OMITTED 2
3 INT. ROOM OF THE GOLD MACHINE 3
The charismatic LEONARDO DA VINCI, with his trademark
beard, drifts through the smoke of a mammoth room. A
flash of light causes him to put on a pair of very early,
very cool sunglasses. Something extraordinary reflects
off them.
Da Vinci moves to the Something, a gloriously incredible
machine. The opening CREDITS REVEAL its dazzling idiosyncrasies.
TWO COUGHING APPRENTICES haplessly try to disperse smoke
from the still billowing, mysteriously spectacular
Machine. Mirrors attached to parts of it reflect beams
of light which cut through the smoke like a Renaissance
laser show.
DA VINCI:
Marcolino, mettiamoli il plumba.
The apprentice throws a lever. A shunt near the furnace
(CONTINUED)
2.
3 CONTINUED:
3DA VINCI:
Su la fiamma. Su! Su! Sole!
Basta. Chudere! Chudere!
The Master peers at the smoking yellow bar.
Crystallo!
DA VINCI:
Da Vinci's pride goes dead as the implications hit.
The apprentices scurry out. Mind reeling, Da Vinci turns
his back to the viewer, before a wall of frescoes.
Spinning back around, using the edge of his cloak, Da
Vinci pulls out the large gleaming crystal with a pop.
4 OMITTED 4
A5 INT. DA VINCI'S WORKSHOP A5
With an accompanying blast of smoke, Da Vinci bursts
through some double doors into his workshop, sadly
reflecting upon the crystal in one hand and the tonged
bar in the other.
His workshop is a spendiferously enigmatic blend of
laboratory and studio; On a table in the foreground is
a fresh clay equestrian statue; a large VOLUME of
sketches, the inkwell nearby; a MODEL of what looks like
a HELICOPTER; Da Vinci flings the tonged bar on the table
among these goodies.
Pocketing the crystal, Da Vinci meanders through his
workshop casually tinkering with various experiments.
Leonardo stops at an easel displaying a finished-exceptfor-
the-mouth portrait of Mona Lisa, who happens to be
seated in a stool before the easel. She broadly smiles,
revealing the worst dental work of her epoch. Da Vinci
shakes his head and moves out onto a
APPRENTICE #1
Maestro, (siammo pronti).
5 OMITTED 5
HUDSON HAWK -Rev. 11/29/90 3.
DA VINCI:
Que bel lavoro.
GLIDER PILOT:
Maestro, non penso sia una buona
idea.
DA VINCI:
Non te preoccupare. Sieta pronti?
APPRENTICE #1
Siamo pronti, maestro.
DA VINCI:
Via, fatame vedere qua causa di bona!
Glider goes. Leonardo muses. The bat winged glider
DISSOLVES into:
5B AHAWK 5B
who is revealed to be flying over Sing Sing prison. At
the sight of the prison, the music on the soundtrack
abruptly changes from Renaissance Orchestral to Jimi
Hendrix's "Stone Free."
6 INT. A SING SING CELL BLOCK 6
SKEETER:
O.K., one coat, one hat. Some personal
items. There's your wallet. I think
you'll find everything in there.
A black hat is dropped onto the counter. A black coat is
SKEETER:
Haven't seen one of these in a
long time.
HAWK:
Like that, Skeeter? Keep it.
SKEETER:
Hey, you got to sign for this!
Don't you want the receipt?
GATES:
I got him, Charlie. So the Hudson Hawk
is finally getting out. Remember all
the reporters that were here when you
came in?... "World's greatest cat
burglar." Now, who gives a f***?
(turning serious)
I've got a proposition.
(CONTINUED)
HUDSON HAWK -Rev. 11/29/90 3A.
6 CONTINUED:
6HAWK:
Answer's no, Gates.
GATES:
As your parole officer, I've found
you a job.
HAWK:
No way.
GATES:
It's a terrific job. An auction
house. One night's work and you're
free. No checking in with a shrink,
no community service...
HAWK:
I want to do community service. I
want to teach the handicapped how
to yodel. I ain't stealing no
more, Gates.
GATES:
Ten years later, you're still
impressed with yourself. Same old
coat, same old hat. You're extinct,
Hawk, out of style.
HAWK:
(to trenchcoat)
Coming from you that's a powerful
statement. Look, aren't you
supposed to stop me from committing
crimes. You know, Book-em-Dano,
Give-a-Hoot-Don't-Pollute.
Hawk and Gates come to a final checkpoint. Gates jiggles
in and out of his pocket, a set of keys.
GATES:
You ain't out yet, wise guy. I
can set you up and send you back
any time I want. It's a very fine
line between ex-con and escaped con.
HAWK:
Gates, Gates, Gates. Go f***
yourself.
GATES:
This hard-on's got my keys.
Seymour! Be seeing you, Hawk.
Gates moves to the bars and reaches in his pocket. It is
empty.
(CONTINUED)
HUSDON HAWK -Rev. 11/29/90 4.
6 CONTINUED:
6Hawk flings the keys in a trash can.
HAWK:
Why am I getting the feeling that
getting out of prison is going to
be a big f***ing mistake.
Hawk dispenses himself a Pez piece then spits it out in
agony.
6B
thru
7
6B
thru
7
HUDSON HAWK -Rev. 7/6/90 5.
8 EXT. OUTSIDE THE PRISON--DAY 8
Hawk strides to the Massive Sliding Concrete Door/Wall
between him and freedom. As music crescendos and Hawk
glows his first smile.
GUARD:
On the gate!
HAWK:
See you around, Michael.
GATES:
Hudson Hawk, you're under arrest.
(cackles)
Just kidding. Good opening line
though, huh? I've got a
proposition....
HAWK:
Answer's no, not even if you
bathe.
The Concrete Wall/Door slams shut behind Hawk.
GATES:
Why do you treat your parole officer
with such disrespect? I've found
you a job. An auction house. One
night's work then you're free like
no ex-con's ever been. No checking
in with a shrink, no community
service teaching retards how to
play air hockey. It's a great deal,
I can't lie.
HAWK:
The only thing you can't do is get
sex for free. I know I was in
prison for basically the 80's,
but, call me batty, aren't you
supposed to stop me from committing
crimes. You know, Book-em-Dano,
Call-for-back-up, Give-a-HootDon't-
Pollute.
Hawk begins to strut off. Gates and the car keep up.
GATES:
You wouldn't be out if it wasn't
for me! I did the dog and pony
for you! You think the parole
board would have let you out after
what you did to them?
(CONTINUED)
HUDSON HAWK -Rev. 7/6/90 6.
8 CONTINUED:
8HAWK:
How was I supposed to know they
were women?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Hudson Hawk" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/hudson_hawk_207>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In