Human Target Page #10
- TV-14
- Year:
- 2010
- 60 min
- 483 Views
WE SEE THE ASSASSIN A FEW YARDS AWAY, IN THE DUCT! He’s
trying same thing we are... A moment of surprise for both of
them, before the Assassin goes for his gun, and Chance
scrambles towards him, trying to close the distance...
The gun comes out, but Chance is on top of him--They trade
punches, elbows... Like wild dogs locked inside a metal
trunk... With each punch and kick, we see the BRACKETS
SUPPORTING THE DUCT STRAINING under their weight...
They trade punches, but Chance is losing stamina... The
Assassin begins to get the upper hand, lands a few nasty
elbows... With the last one, THE DUCT GIVES WAY, and we-
CUT TO:
INT. MONTEREY ONE - EMPTY PASSENGER CAR - CONTINUOUS
--where one end of duct drops--Chance and Assassin slide down
and onto the deck... The section holding Stephanie teeters for
a moment, before it gives way, dumping her hard to the ground...
Chance gets up just in time to DODGE THE REST OF THE DUCT AS
IT FALLS... The lower end of the duct hits the ground,
SNAPPING LOOSE THE END THAT WAS STILL CONNECTED... The top
end then topples SIDEWAYS INTO A WINDOW, SHATTERING IT,
FILLING THE CAR WITH WHIPPING WIND.
Chance looks to Stephanie; she’s not moving. But before he
can go to her, the ASSASSIN SPRINGS... This isn’t like
fighting Hollis earlier; the Assassin knows what he’s
doing... Hand-to-hand combat between two pros...
But the Assassin goes to work on Chance’s wound, which is now
a full-on bleeding mess... Chance summons the strength to
throw the Assassin off him... He then clambers across the
floor, where a STEEL PIPE is rolling... He grabs the pipe,
stands, brandishing it, ready to charge, but as he turns, he
sees the ASSASSIN HAS RECOVERED THE GUN. A beat... The
Assassin smiles a little... C*cks his gun... Checkmate.
On Chance... Think fast... He turns, AND FIRES THE PIPE AT
A WINDOW OPPOSITE THE SHATTERED ONE... As it hits, A
SPIDERING CRACK grows in the window... The Assassin looks at
Chance puzzled--What the hell was that for? But then, the
window finally shatters, and-
(CONTINUED)
Human Target - Steinberg Network Revisions 1/23/09 47.
CONTINUED:
ALL HELL BREAKS LOOSE... The two open windows create a cross-
draft that TURNS THE WHIPPING WIND INTO A CYCLONE! Hurricane
force winds swirl, tossing the Assassin like a rag doll...
The odds evened, Chance scoots towards the Assassin, almost
gliding across the deck as he catches a tailwind... HE
CRASHES INTO THE ASSASSIN, checking him into the wall, just a
few feet away from the OPEN WINDOW...
They struggle, each trying to get the upper hand... Then, in
one move, Chance pivots, spinning the Assassin’s momentum
against him, towards the window, and with one last shove, THE
ASSASSIN IS SUCKED RIGHT OUT OF THE TRAIN.
Chance drops to the ground, completely spent... Catching his
breath... But as he raises his head, he sees Stephanie, now
on all fours, hauling herself up.
We’re not out of the woods yet...
They exchange a look...
CUT TO:
INT. MONTEREY ONE - CAFE CAR - DAY
Chance, with Stephanie tight behind him, enters the crowded
car. James approaches, and Stephanie rushes to him, hugging
him tightly...
Chance looks like grim death, and draws strange looks from
most of the car’s passengers. CHANCE THEN FIRES HIS PISTOL
into the deck. That gets the attention of the rest of them.
CHANCE:
In about 10 minutes, this train is going
to crash. I suggest we all get off it
beforehand.
Stunned silence, as the bewildered crowd stares at Chance.
SAITO (JAPANESE SUBTITLED)
Who are you?
CHANCE:
I told you. I’m the interpreter.
Off Chance-
END ACT THREE:
Human Target - Steinberg Network Revisions 1/23/09 48.
ACT FOUR:
INT. MONTEREY ONE - CAFE CAR - DAY
Moments after the end of Act Three.
MCNAMARA:
What the hell do you think you’re doing?
STEPHANIE:
You son of a b*tch... You lied to me.
MCNAMARA:
What?
STEPHANIE:
I told you about the defect in the brake
assemblies. I warned you.
MCNAMARA:
Stephanie, you sound like a crazy person,
calm down...
James tries to put an arm around Stephanie to calm her down,
but she pushes him away-
STEPHANIE:
In a few minutes, we’re going to arrive
at the R-5 curve. But when the engineer
applies the brakes to slow us down before
the curve, the brakes are going to fail.
MCNAMARA:
Alright, let’s everyone take a breath.
This train is perfectly safe. Its brakes
are perfectly safe. Would I be here if I
had the slightest doubt about that?
STEPHANIE:
You’re wrong...
JAMES:
Steph-
CHANCE:
Excuse me. Seems like there’s an easy
way to resolve this...
Stephanie gets it immediately. She heads towards the control
cabin. Chance follows.
CUT TO:
Human Target - Steinberg Network Revisions 1/23/09 49.
INT. MONTEREY ONE - CONTROL CAB - MOMENTS LATER
Stephanie, Chance, James, the Engineer, and a number of
onlookers. McNamara pushes his way to the front.
STEPHANIE:
Slow us down, please.
The Engineer, a bit confused, engages the brakes. Everyone
watches the speedometer... 231 MPH... 227... 221... They’re
slowing. Relieved sighs around the cabin.
MCNAMARA:
Stephanie, come tomorrow, we’re going to
have to have a serious discussion about
your continued employment with-
A LOUD METALLIC POPPING SOUND comes from under the deck.
Everyone gets quiet a moment. ANOTHER POP. THEN ANOTHER.
We hear a series of pops, running the length of the train...
On the speedometer... Stopped at 221 MPH. The Engineer
pushes the brakes harder, but the speed stays the same.
The air suddenly goes out of the room, as it dawns on
everyone the trouble they’re in. McNamara’s face goes white.
CHANCE:
I think they have a name for the kind of
train this just turned into...
TOM:
There must be a way to stop it.
STEPHANIE:
There isn’t. But there may be a way to
stop part of it...
(beat)
There’s a supplemental braking system in
the rear car. It’s too weak to slow the
whole train at this speed, but if we
separate the rear car, we can slow it
down enough to take the curve safely.
A few people look to McNamara for his approval, but he’s too
shocked to respond.
CHANCE:
How far?
Stephanie checks a display on the console.
STEPHANIE:
About 27 miles.
(CONTINUED)
Human Target - Steinberg Network Revisions 1/23/09 50.
CONTINUED:
CHANCE:
(does the math; checks his
watch)
Seven minutes. I suggest we get
moving...
Off Chance-
CUT TO:
INT. CHANCE’S OFFICE - DAY
Guerrero enters, a sense of urgency about him. He goes
straight to the computer.
WINSTON:
Find something?
GUERRERO:
Do you still have the call logs from the
client’s cell phone?
WINSTON:
Yeah.
GUERRERO:
Please read me back the dates and times
of the incoming calls from Mark Hoffer.
WINSTON:
Why?
GUERRERO:
Please. The dates and times.
WINSTON:
August 20, 12:
53 pm. April 24, 7:31pm...Guerrero runs his finger across the screen as Winston reads.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Human Target" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/human_target_19>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In