Human Target Page #5
- TV-14
- Year:
- 2010
- 60 min
- 483 Views
WINSTON (INTO PHONE)
Listen. I don’t know why you were in
such a rush to take this job. And I
haven’t wanted to say anything about
this, but... She looks like her. I
know, I see it too. But it isn’t her.
It’s got nothing to do with her. You
know that, right?
Chance’s smile fades. An unreadable, silent beat.
CHANCE (INTO PHONE)
Lemme know when you’ve got Guerrero.
Off Chance-
CUT TO:
TWO NASTY-LOOKING THUGS enter, each stuffed into their cheap
suits. We focus on the LATINO one of the two. Guerrero?
He scans the place, before he spots-
A SKINNY GUY (40s), sitting alone in a corner booth, reading
a book, eating his lunch. The Thugs sit, boxing him in.
LATINO THUG:
You’re the guy digging around South Trust
Bank. Asking questions. Making trouble.
It’s weird, but the Skinny Guy doesn’t seem intimidated.
SKINNY GUY:
And you’re... employees of the bank?
LATINO THUG:
You could say that.
(CONTINUED)
Human Target - Steinberg Network Revisions 1/23/09 22.
CONTINUED:
SKINNY GUY:
I see. Well, I’m sorry, but your employer
is engaged in some pretty shady loans
with his directors’ families. And my
friends need to know just how shady if
they’re going to make their case. So I’m
afraid we’re at an impasse.
LATINO THUG:
We’re at a what?
SKINNY GUY:
Impasse. It means we disagree without
prospect of resolution.
Latino Thug looks to Other Thug. You believe this guy?
LATINO THUG:
See, we came here to explain it to you.
But you’re not getting it. So maybe we
need to go for a little walk to the alley
out back, and explain it different. So
we don’t have ‘impasse.’
SKINNY GUY:
(beat; considers them)
Alright. But I have to warn you. If
this gets violent, I’m gonna fight back.
The Thugs chuckle. They outweigh him by about 500 lbs.
LATINO THUG:
SKINNY GUY:
Actually, you’re right, ‘fight back’ is a
little misleading. What I’ll do is break
into your homes some night soon, and kill
you each in your sleep.
You’ll probably be first, Alfredo. That
way Steven here can have a few extra days
with Marla and the girls. It’s only fair.
On the Thugs. What the hell is this...
LATINO THUG:
How do you know my name?
SKINNY GUY:
Your employer keeps sensitive information
on a drive he thinks is secure. It isn’t.
(re:
the door)Shall we?
(CONTINUED)
Human Target - Steinberg Network Revisions 1/23/09 23.
CONTINUED:
(2)The look in the Skinny Guy’s eyes makes our skin crawl.
There’s something just slightly unhinged about it...
The Thugs consider how long they have to wait to leave in
order to maintain a shred of dignity. Long enough? Yeah,
that’ll do it. They get up, and exit silently. Skinny Guy
watches them go, as his CELL RINGS. He answers.
SKINNY GUY (GUERRERO)(INTO PHONE)(CONT'D)
This is Guerrero.
Off Guerrero-
CUT TO:
INT. MONTEREY ONE - CAFE CAR - DAY
Chance and Stephanie sit at a booth. A CELL RING comes from
Chance’s pocket. He fishes it out and answers.
STEPHANIE:
That’s funny, my phone has the same ring.
CHANCE (INTO PHONE)
Yeah. Yeah, go ahead...
CUT TO:
INT. CHANCE’S OFFICE - DAY
Winston, on the phone-
WINSTON (INTO PHONE)
Guerrero is in. But there’s something
else. I went through her call logs,
found something that may be interesting.
CUT TO:
INT. MONTEREY ONE - CAFE CAR - DAY
As Chance listens silently to Winston on the other end, a
STEWARD (whom we’ll only see from the neck down) sets a few
drinks around the table.
STEPHANIE:
That’s strange, don’t you think? That
we’d both have the same...
(looks closer)
Wait a minute, that is my phone.
CHANCE (INTO PHONE)
Alright, let me know what he finds.
(CONTINUED)
Human Target - Steinberg Network Revisions 1/23/09 24.
CONTINUED:
STEPHANIE:
(snatches the phone back)
You stole my phone?!
CHANCE:
I borrowed it. Listen, do you know a
Times reporter named Mark Hoffer?
STEPHANIE:
I forgot to plug it in last night, and
you’re here running it down--
CHANCE:
Focus, please. Mark Hoffer.
STEPHANIE:
He covers the project, he used to call
periodically for background or a quote.
Why?
CHANCE:
His name isn’t in your phone book, but
his number’s listed as incoming a dozen
times or so. Mostly unreturned.
STEPHANIE:
Yeah, well, I’m bad about returning
calls. Haven’t talked to him in almost a
year. What difference does it make?
CHANCE:
Just that reporters are like vultures;
when they linger, it’s worth noticing...
Chance trails off, his attention focused out the window...
STEPHANIE:
Hello...?
...we then notice what’s drawn his attention. In the
window’s reflection, Chance sees the Suspicious Guy, now
clearly eying Stephanie from across the car. A beat, before
the GUY STARTS WALKING THIS WAY... Chance calmly stands up,
picks up a full cocktail... Waits... Then turns,
‘accidentally’ spilling the drink all over Suspicious Guy...
CHANCE:
Chance helps the guy clean up... But as he does, we see he’s
discreetly frisking him. Chance then turns him, looks him
square in the eye. Evaluating the threat. The look of
surprise in the guy’s eyes says he’s clear. Chance backs off.
(CONTINUED)
Human Target - Steinberg Network Revisions 1/23/09 25.
CONTINUED:
(2)CHANCE (CONT’D)
Can’t take me anywhere...
The Guy gives Chance a sideways look, before continuing on
and approaching Stephanie. Chance stays close by...
SUSPICIOUS GUY (BILL)
We’ve never met, but I think you know who
I am. My name is Bill Arnold. May I sit?
Stephanie is instantly uncomfortable. Seems to know exactly
who this guy is, and not in a good way...
STEPHANIE:
Of course.
BILL:
I’ll be honest, I came here prepared to
say to your face what you already know
I’ve been saying in Sacramento. But now
that I’ve seen this thing you’ve created,
now that it’s real... I think the first
thing I need to say is, I’m sorry.
Evidently, you were worth every penny...
Chance watches over the conversation, but suddenly, we start
to notice the sounds in the room start to drop out. Bill’s
voice... Then the crowd noise... On Chance, hyper-alert.
He can’t tell what it is, but something isn’t right...
Chance scans the crowd... Still can’t put his finger on
what’s tripping his alarms... Then, from the silence, we
begin to hear the SOUND OF TINKLING ICE CUBES rise in the
mix... Chance focuses on a few glasses in the hands of
people around the room... From glass to glass, until his
focus settles on Stephanie’s... And the ICE CUBES in her
drink... As Stephanie lifts her glass to take a sip-
SOUND RUSHES BACK IN... Chance grabs her arm, taking away
her glass, and leading her away from the table... Before she
can protest, she sees the look in his eye, and knows exactly
what it means. She goes along.
BILL (CONT’D)
Excuse me, we were just in the middle of
a conversation...
Chance ignores him, keeps Stephanie moving. They pass James,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Human Target" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/human_target_19>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In