I Am Sam Page #14
Sam rushes into the coffee shop in his new suit.
GEORGE:
You look great, Sam. What time do you
have to be in court?
SAM:
Half day, half day. I take the stand at
two.
George leads him behind the counter. THE STAFF BEAMS.
Euphorically, Sam approaches the huge espresso machines.
GEORGE:
Okay, we need two grande cappucinos, non
fat.
SAM:
Sprinkles or Cinnamon?
INT. STARBUCKS - 11:00 A.M.
Sam is doing great. He's humming as he prepares a triple
latte with the precision of a Swiss watchmaker.
INT. STARBUCKS - 12:00 P.M.
The place is packed, including a GROUP OF JAPANESE TOURISTS.
Sam zips around, trying to juggle between the blender, the
espresso machine, steamed milk, icemaker, all the while
glancing up at the clock. Sam hands three cups to customers,
the foam overflowing, coffee spilling out.
A CUSTOMER takes a sip and SPITS IT OUT.
GUY:
What is this? I ordered an Americano,
not a latte.
SAM:
Americano, Americano, not a latte.
Working as fast as he can but still NOT FAST ENOUGH, Sam
unconsciously drinks the latte.
INT. STARBUCKS - 12:45 P.M.
Hyped on coffee, Sam is zooming around and he's a mess.
Shirt hangs out, coffee stains on it, his hair wild.
Frazzled, he forgets to put the lid on the blender and turns
it ON. A mint mocha frappuccino SPLATTERS HIM in the face.
At that moment, George comes out of his office.
SAM:
I'm going to be late! I'm going to be
late!
GEORGE:
I'll call a taxi.
SAM:
No, no, I can't wait. I can't wait.
I've got to go right now.
Sam heads out, the coffee drink still dripping from his face.
EXT. STREET - DAY
Walking a hundred miles an hour, Sam barrels down the street
out of his mind. Cars are jammed up. He walks over them, a
man possessed.
INT. COURTROOM - DAY
Everyone is in their places, waiting.
TURNER:
Your Honor, if the defendant doesn't
have enough interest in his daughter to
even show up -
RITA:
Your Honor, I'm sure he'll be here any
moment. This is an extremely important
day to Mr. Dawson.
At THAT MOMENT, Sam bursts through the doors. Suit stained,
hair sticky with frappuccino. Rita's jaw drops.
RITA (CONT'D)
Your Honor, may I have a moment with my
client?
JUDGE MCNEILY:
Make it brief, Ms. Harrison.
Rita heads towards Sam. Up close, he looks even worse.
RITA:
What the hell happened?
(sniffing the air)
What is that smell? Mint?
Sam, determined, heads for the stand. Rita grabs Sam's
shoulders and tries to focus him. Looks deep into his eyes.
RITA (CONT'D)
Sam, look at me. Look at me!
(he does)
I will guide you like last night.
(Sam hugs her)
Not that part of last night, the other
part. Now you can do it. I know you
can. Lucy needs you.
SAM:
(a mile a minute)
Lucy needs me.
RITA:
Yes, slow down because Lucy needs you.
SAM:
Lucy needs you.
JUDGE MCNEILY:
Ms. Harrison. We need you!
INT. COURTROOM - LATER
Sam, on the stand, talks a mile a minute from the coffee.
RITA:
How will you be able to pay for private
tutoring?
SAM:
There's a free program at the YMCA.
Lucy can go there.
RITA:
But don't you ever think it would be
better for Lucy if she lived with a
permanent foster family and you could
visit whenever you wanted?
SAM:
The Fosters don't know her. Why can't
she live with me and they can come visit
if they want to. I'm firm on this. And
I'm getting firmer. Lucy belongs with
me.
RITA:
Why?
Sam puts his finger to his chin and starts his "Let me
see..." Rita gives him a look; he lowers his finger and
starts talking very fast from the coffee. The STENOGRAPHER
desperately tries to keep pace.
SAM:
Paul wrote the first part of the song
"Michelle". He said to John, "Where do
I go from here?" John had been
listening to Nina Simone. There was a
line in it that went something like, "I
love you, I love you, I love you..."
They put that into the song. It
wouldn't be the same song without that.
It made the song complete. That's why
the whole world cried when they broke up
on April 10, 1970.
ON RITA:
Well, he has some kind of point.
MARY, the Stenographer, is still typing.
JUDGE MCNEILY:
Did you get that, Mary?
INT. COURTROOM - LATER
Turner fires questions at Sam - a mile a minute.
TURNER:
When you were Lucy's age, were you
living at home?
SAM:
No.
TURNER:
Were you living with your mother and
father?
SAM:
No.
TURNER:
Well then where were you living?
SAM:
(very quietly)
In an institution.
TURNER:
So your parents put you in an
institution?
SAM:
Only after my mom got sick.
TURNER:
What about your father? Where was he?
SAM:
Gone with the wind when Sam was born.
TURNER:
So, you weren't raised by your mother?
SAM:
I saw her I saw her.
TURNER:
When?
SAM:
Christmas, Easter and my birthday.
TURNER:
Oh, once a year on your birthday. So in
a way, the people at the institution
were your parents. Were they nice to
you?
SAM:
Some yes. Some on. Some yes.
TURNER:
Did they hit you?
SAM:
Sometimes. Sometimes they did
sometimes.
TURNER:
Like when you hit Lucy's friend at her
birthday party?
RITA:
Objection! Nobody hit anybody!
TURNER:
Let me rephrase that, strong-armed. So
what role model do you call upon as a
father when you're parenting Lucy? The
head of the institution? The Principal
the warden?
SAM:
No. Not Mr. Whitehead. Not him.
TURNER:
Then who?
SAM:
Myself.
TURNER:
you have the mental capacity of a seven
year old. So you ask yourself, a seven
year old -
SAM:
I am not a seven-year old.
TURNER:
How to parent a fellow seven-year old?
SAM:
Yes. No. What was the question?
TURNER:
The question is:
what makes you thinkyou can be a parent? Your background?
Your IQ? Your friends who can't even
testify for you?
RITA:
Objection -
SAM:
My friends -
RITA:
Objection -
SAM:
My friends love Lucy even if Rita
thought they weren't smart enough to
testify. Even if she said you'd wipe
the floor with them.
ON RITA:
Trying to telepathically reach Sam.
TURNER:
Excuse me, Mr. Dawson, your lawyer just
objected; that means you didn't have to
answer the question. You can't even
follow the simple rules you've watched
here day after day. You really think
you can raise a seven-year old? A ten
year old? A thirteen-year old?
(in his face)
That means she'll be six years more
advanced than you.
Sweat pours down Sam's coffee stained collar. He searches
for words. Then from the clearest place inside himself:
SAM:
I've had a lot of time to think about
whatever it is that makes somebody a
good parent. It has to do with
constancy. It has to do with patience.
It has to do with listening. To
pretending to listen when you can't even
listen anymore.
The court is riveted by Sam's eloquence. Rita's amazed.
SAM (CONT'D)
It has to do with love, like she says...
Rita's antenna goes up: who's "she?"
SAM (CONT'D)
And I don't know where it's written that
a woman has a corner on that market,
that a man has any less of those
emotions than a woman. Billy has a home
with me! It's not perfect! I'm not a
perfect parent! Sometimes I forget he's
just a little kid...
(whispers from the courtroom)
We built a life together and we love
each other and if you destroy that, it
may be irrep, irrep, irrep...
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"I Am Sam" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/i_am_sam_874>.
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