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I Heart Monster Movies Page #7
- NOT RATED
- Year:
- 2012
- 75 min
- 59 Views
too fond of the hearse. I run a foster home for
medically-fragile, disabled children, and I used my hearse
as a wheelchair vehicle. She kind of cringes a
little bit when we show up at Dorenbecher's
Children's Hospital and I'm rolling out
looking like this, with my tattoos pulling
wheelchairs out of the back. And Kids have a seat that rides
in the back there as well. That kind of freaks people out. My daughter's doing
this out the window as we're driving down the road. -My friends and family, you
know, my dad helped me buy it, and he's an eight-year-old
conservative Republican. Maybe my neighbors
across street that are trying to sell their house,
they don't necessarily like it so much, but they're
about the only ones. -I think you're probably
a hearse fan first, if you own a hearse,
before you want to buy one. Just 'cause you
like horror stuff, if you like horror things
and go buy horror effects, you know, a hearse
[INAUDIBLE] first, and then probably have
an interest in, you know, the dark side of things,
or the macabre stuff. -I don't have like, it all deck
out with skeletons and things like that. I have it very classic,
with the white-wall tires, and just want to keep
it as professional looking as possible. So that's my goal. Just to have,like
a collector's car that's a little more
on the macabre side. -My cars' all are custom. They've got skeletons hanging
from the ceiling in there. You know, big fan
white walls was kind of in your face vehicles. DAD: Those look like
the Halloween props, when we put the
Halloween props in. -Especially Zilch. -Yeah, especially Zilch. Zilch is a little zombie
baby that we put in the car. BOY: He creeps me out. DAD: He doesn't like to ride
in the same seat as Zilch. [MUSIC] -My name's Voltaire, and I
have a little bit of trouble explaining exactly
what it is that I do, because I do a lot
of different things. I started out as a
stop-motion animator. I animated and directed some
of the early MTV and Sci-Fi channel station IDs --
all of the spookier ones, I like to think. And I got into
making comic book, so I made some comic
books -- sci-fi, horror, usually with a touch of comedy. And then at some point in the
'90s I learned to play guitar, and I, on a dare,
played a live show which got me signed to a
record label, and I've been a recording
artists ever since. [MUSIC] -Everything I do
tends to be macabre. So there's always,
sort of an appreciation or a love for monsters
and the macabre, and there's also,
usually, a sense of humor. I don't choose to put
the macabre in my music. The macabre is just in my
music, because I'm macabre. And that may sound really,
I don't know, pretentious or corny, but it's
just the truth. Everything around
me, I inevitably find some cynical or
sarcastic way of looking at. I have been a fan of
monsters since as far back as I can remember. My earliest memories were
memories of, you know, getting excited because
"King Kong Vs Godzilla" was going to be
on the 4:
30 movie. As a child, if it had a monsterin it, that was all I needed. So "King Kong" is
probably my favorite film, and as far as I'm concerned
it's a monster movie. I was on tour a few years ago,
and I was in Portland Oregon, and I was in a bookstore
-- no record store, and I saw a gentleman
signing a Bauhaus poster, and that gentleman was
apparently the bass player -- David J. And at some point,
when I least expected it, the man came up to
me and said, excuse me is your name Voltaire? And I said, yes. He said, did you write a
book called "What is Goth?" And I said, yes. And he goes, I loved that book. Would you autograph it for me? And I like, wow -- the
bass player of Bauhaus is asking me for my autograph. This is pretty epic. [MUSIC] -Yes, I'm a founding father,
if not the godfather, of goth. It is said that I wrote the
song, "Bela Lugosi's Dead," but actually I
made a contribution to the song, in that I wrote
the lyrics and the bass line. And then Peter saying it as if
he'd been singing it for years. And then we recorded the
thing, like the next week. So it was all very quick. And then it was made into
a record very quickly, and it took off. [MUSIC] -Director -- Mr. Scott. He saw a performance of ours on
a TV show called "Riverside," and we were doing
"Bela Lugosi's Dead," and he ran it Bowie and
Bowie gave it the thumbs up. As far as my favorite
type of horror film, it's usually
psychological actually. And the more subtle,
and the horror that's implied rather
than shown, I think, is much more potent. IVAN DE PRUME:
Unleash with no fear. People don't like it
when we hold back. When you're -- we you
watch someone on stage and they're holding back,
then we're going to hold back. We're not gonna go crazy. We notice when the
band is going crazy, the audience is going crazy. Right? [MUSIC] -We are Dead Animal
Assembly Plant. We're a horror industrial band. The story goes back to the
Sweet Meat's slaughterhouse. It was found in the late
1800s by someone named Wilhelm Schroder, who industrialized
butchery with the machines. And after he was fed to the
machines by the townspeople, the Sweet Meat's
Slaughter remained empty until we came along. -Be who you are -- 100%. Kick ass, and then you're
gonna be proud of yourself, because no one else is
gonna give a sh*t except you in the end. -The whole theme is
cannibalistic, murderous, you know, slaughterhouse,
kind of dirty south -- more the embrace of
raw industrial sound. It's not clean, it's not
perfect, but it is sincere. -So If you want to do
a horror kind of thing, do a horror kind of thing. But do it 100% present! Don't just do a
little dibble dabble. Don't just get one monster,
get all the monster. You know, make them
as ugly as you can. Like, big teeth, you know? With fire. Saw blades. -Virtually every
creative outlet I have, horror films have wormed
their way into it. -Started working on
independent feature films. Did everything
from being a blood guy to dealing with
the body parts. -To which I'm really,
really grateful, because it's made my work a
lot better and more interesting than it use be, I think. -To washing off the
naked women when they were done doing
their blood scenes. -I wrote a book
called "Shadow Play: Philosophy and Psychology
of the Modern Horror Film," to explore aspects of the psyche
that we're trying to leave behind as we reach
for civilization. And horror films are
a perfect fantasy arena to process all that stuff. -Started developing a
distribution company to distribute my own
movies, and then that was the creation of "Iron
Virgin" and "Stripper Land," of writing and directing and
co-producing horror movies with our own company,
to open the doors to bigger and better things. DANIELLE ANATHEMA: I
always love photography because I can't paint. Basically I like to capture an
image that looks like a movie still. When I was a child I had
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