I Love You Phillip Morris Page #2
6A INT. STEVEN'S HOUSE, VIRGINIA BEACH - 1984 - NIGHT 6A
Establishing of the empty parts of the home.
"I Love You Phillip Morris" Green Pages 5-23-08 5.
7 INT. STEPHANIE'S BEDROOM (VIRGINIA, 1984) - NIGHT 7
Steven switches off the small lamp beside Stephanie's
bed. He kisses her forehead.
STEVEN:
Have lots of dreams...
STEPHANIE:
(smiling)
Okay.
8 INT. STEVEN AND DEBBIE'S BEDROOM (VIRGINIA, 1984) - NIGHT 8
Steven and Debbie kneel at the edge of the bed, praying.
DEBBIE:
...and if it wasn't for you Jesus, I
would have never found that last coffee
filter and Prayer-Girls would have been
ruined. So thank you for that.
STEVEN:
Amen.
Steven moves to get up but settles back in when she
continues.
DEBBIE:
And thank you for Steffie's allergy
screen coming back all negative. I always
knew it was in your plan for her to enjoy
nuts. And finally I want to thank you
for this man Jesus. This man who works
so hard to make us happy without even a
thought for himself.
Steven smiles at that sentiment. Again he moves to get up
when--
DEBBIE (CONT'D)
This man who pursued me to the ends of
the Earth and promised me a life of
eternal happiness. A promise he has kept
oh Lord. Every day. Amen.
STEVEN:
Amen.
Steven tries to get up again. Then-
"I Love You Phillip Morris" Green Pages 5-23-08 6.
DEBBIE:
Sometimes when I think of how happy I am,
I just want to cry. Like the time when
you--
STEVEN:
(politely)
Okay let's wrap it up...
DEBBIE:
And in your gracious name, I find thee
and praise thee. Amen.
STEVEN:
Amen.
CUT TO:
9 INT. STEVEN AND DEBBIE'S BEDROOM 1984 - NIGHT - LATER 9
CLICK. In bed with Debbie, Steven switches off the light
and lets out a hearty YAWN.
STEVEN:
I'm absolutely bushed.
DEBBIE:
Me too.
They turn on their sides, back to back in the bed. After
a few moments of SILENCE, Steven rolls over and puts his
arm around her, gently feeling her breasts.
Debbie turns on her back and they kiss quietly as Steven
quietly gets on top. In moments, they are rocking with
the gentle rhythm of everyday sex.
Just as things are peaking, Steven suddenly STOPS and
strikes a conversational tone.
STEVEN:
Deb- You know how, as a cop, I have lots
of access? You know- records and things?
DEBBIE:
(surprised)
Steven-
STEVEN:
(oblivious)
Now do you think it's, you know,
unethical, to use that to find my mother?
"I Love You Phillip Morris" Green Pages 5-23-08 7.
Debbie quickly realizes where his head is at.
DEBBIE:
Oh... that. Yeah, um, well I don't know-
STEVEN:
I swear honey- getting around the system's
so easy. No one would even know I did it.
DEBBIE:
I know you want to find her Steven, but
STEVEN:
You're right, I shouldn't have done it.
DEBBIE:
You did it!? Oh my God, Steven- what'd
you find?
Steven shrugs.
STEVEN:
I haven't looked. It's downstairs.
DEBBIE:
Really? Well let's go!
She moves to get up. Steven takes umbrage.
STEVEN:
Well hold on- let me finish.
DEBBIE:
Oh, right.
Steven thrusts and tenses.
STEVEN:
There- that's got it.
10 INT. STEVEN AND DEBBIE'S HOUSE 1984 - DINING ROOM - NIGHT 10
Steven flips through the file box, reading through
various pages. Debbie watches with compassion as he
reads. Eventually he cracks an incredulous SMILE.
DEBBIE:
What?
STEVEN:
She's right here. She's been right here
all this time.
"I Love You Phillip Morris" Green Pages 5-23-08 8.
DEBBIE:
It's really her?
STEVEN:
Yeah. No question.
DEBBIE:
My goodness Steven, that's wonderful.
He reads on, his smile ever widening until-
He comes across something that concerns him and his voice
trails off. His smile fades, replaced by a look of dread.
Debbie grows concerned.
DEBBIE (CONT'D)
What? What is it? Steven?
He cannot believe his eyes.
11 EXT. BASCOMBE HOME, VIRGINIA, 1984 - DAY 11
Steven walks up to a middle class home and raps on the
screen door. A kindly woman (MRS. BASCOMBE) arrives
behind the mesh wearing a birthday PARTY HAT.
MRS. BASCOMBE
(alarmed)
STEVEN:
Are you Barbra Bascombe?
MRS. BASCOMBE
Yes. Is something wrong? Is someone hurt?
STEVEN:
(lip quivering)
In a manner of speaking, yes. You gave
up a baby for adoption, correct?
An ashen look overcomes Mrs. Basham's face. She removes
her hat.
MRS. BASCOMBE
I don't think I know what you're talking
about.
Steven can see that behind her is a small FAMILY
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"I Love You Phillip Morris" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/i_love_you_phillip_morris_234>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In