I Love You Phillip Morris Page #7

Synopsis: I Love You Phillip Morris is a 2009 black comedy drama film based on the 1980s and '90s real-life story of con artist, impostor, and multiple prison escapee Steven Jay Russell, as played by Jim Carrey. While incarcerated, Russell falls in love with his fellow inmate, Phillip Morris (Ewan McGregor). After Morris is released from prison, Russell escapes from prison four times to be reunited with Morris. The film was adapted from I Love You Phillip Morris: A True Story of Life, Love, and Prison Breaks by Steve McVicker. The film is the directorial debut of Glenn Ficarra and John Requa. It grossed a little over $20 million worldwide after its limited theatrical release.
Production: Roadside Attractions
  6 wins & 11 nominations.
 
IMDB:
6.6
Metacritic:
65
Rotten Tomatoes:
72%
R
Year:
2009
98 min
$2,026,852
Website
903 Views


KEMPLE:

That would be a warning sign...

DEBBIE:

And all that Peter Allen music on his

Walkman.

KEMPLE:

Denial is a powerful thing. I don't feel

so bad now.

DEBBIE:

I just never thought. But now stealing?

KEMPLE:

He's probably been doing it for years. I

say to myself he did it just to buy me

things but I don't think that's true.

"I Love You Phillip Morris" Green Pages 5-23-08 26.

DEBBIE:

It's bigger than that. I'm sure.

KEMPLE:

But why then?

DEBBIE:

And why suicide? I mean- just like that?

After that, he dresses and walks out the door behind

them.

KEMPLE:

I know- he seemed so happy and--

Just then Debbie notices Steven is not in bed and looks

up in time to see him disappearing around the corner.

DEBBIE:

Steven!!!

39 EXT. PALM BEACH HOSPITAL PARKING STRUCTURE - 1992 - DAY 39

Debbie, Kemple and the Cop exit the hospital and look

around frantically. They spot him running across the open

air lot and give chase.

Steven comes to a stairwell door. It's locked. He runs

some more and finds himself cornered at the guard rail.

KEMPLE:

Steven!!! Stop!

Kemple, Debbie and the cop slowly approach. Steven

glances over the guard rail. ONE FLOOR DOWN is an OPENED

DUMPSTER.

KEMPLE (CONT'D)

Steven!

Steven looks down again. Kemple knows what he's thinking.

KEMPLE (CONT'D)

Wait Steven. Don't!

Steven looks down. The soft bags of trash below beckon

him to freedom.

KEMPLE (CONT'D)

Steven I'm serious! You stop or you'll

never see me again!

(no response)

I mean it!

"I Love You Phillip Morris" Green Pages 5-23-08 27.

Steven looks to Kemple and then to the Cop right behind

him. HE JUMPS and--

KEMPLE (CONT'D)

STEVEN!

They run to the guard rail and look over to see--

Steven lies MOANING and delirious on his back NEXT TO THE

DUMPSTER.

FADE OUT.

40 EXT. TX STATE PENITENTIARY BREEZEWAY, 1995 - DAY 40

As inmates CHANT and STOMP, a new inmate walks the line

to his new cell clutching his prison issue belongings.

Although we can only see him from behind, we can only

assume this is Steven. He continues his walk amidst a

shower of stares and JEERS and THREATS raining upon him.

INMATES:

(yelling)

40A INT. TX STATE PENITENTIARY CELL BLOCK, 1995 - DAY 40A

The unseen inmate continues past the open cells of his

new home and eventually the unseen inmate enters a cell

to find--

41 INT. TX STATE PENITENTIARY PRISON CELL, 1995 - CONTINUOUS 41

STEVEN is reclined on his bunk, relaxed and ready to

greet the inmate (his new cellmate ARNIE) with a smile.

STEVEN:

Hi. Welcome to prison. I'm Steven.

Arnie is scared. Terrified. Speechless.

STEVEN (CONT'D)

Oh don't worry, I'm not gonna hurt you.

First time?

He nods.

STEVEN (CONT'D)

Sh*t, I was so scared when I first got

here. But you get used to it.

(MORE)

"I Love You Phillip Morris" Green Pages 5-23-08 28.

STEVEN (CONT'D)

Only took me a year. You just need to

know a few ins and outs and you'll be

fine.

42 EXT. TX STATE PENITENTIARY BREEZEWAY, 1995 - DAY 42

Steven escorts Arnie through the prison, waving to

various inmates and guards along the way.

STEVEN:

(upbeat)

You're gonna catch a beating any day now,

that's just the way it is. I lost three

teeth and cracked a vertebrae. Anyway,

all you need to do is fight back. Win or

lose, just fight back.

(then)

Or you could try to suck the guys' dick.

Your choice.

He moves on.

43 INT. TX STATE PENITENTIARY LAW LIBRARY - 1995 - DAY 43

Steven and Arnie stand at the door of the prison's law

library.

STEVEN:

Law Library. I pretty much live here. I

don't really have anyone on the outside

except my ex-wife- so I just hunker down

here learning everything there is to know

about the law. Ask me anything.

Arnie has no response. Steven points across the library

where a menacing OLDER INMATE studies a law book.

STEVEN (CONT'D)

See him. Over there? Him? Anything you

want from outside, he's the guy. Candy,

cigarettes, drugs, whatever. He's the

guy.

(then)

Just keep in mind- it's gonna cost you a

lot of money. Or you could suck his

dick. Your choice.

44 INT. TX STATE PENITENTIARY CAFETERIA - 1995 - DAY 44

Steven and Arnie stand outside the empty cafeteria.

"I Love You Phillip Morris" Green Pages 5-23-08 29.

STEVEN:

Three meals a day. Not so bad. Just make

sure if you make enemies with someone, he

doesn't work here. Otherwise you'll wake

up one morning shitting blood and find

out you've been eating ground glass in

your cornbread for six weeks.

Arnie notices one of the INMATES working in the kitchen

SPITTING a loogey into the mashed potatoes. He mixes it

in and CACKLES with glee.

Steven pays no mind.

STEVEN (CONT'D)

Let me introduce you to the mail guy. His

name's Gary.

45 EXT. TX STATE PENITENTIARY BREEZEWAY, 1995 - DAY 45

A mean-looking con named GARY mans a mail-cart while he

talks with Steven and Arnie.

GARY:

(mid-sentence)

...letters, magazines, sh*t like that- it

all goes through unmolested. But if

Grandma's sending you cookies, or porn or

brownies or whatever-- you're gonna have

to pay for it if you wanna get it. Five

bucks per item or you can suck my dick.

Rate this script:0.0 / 0 votes

Glenn Ficarra & John Requa

John Requa is a screen writer (with Glenn Ficarra) of Cats & Dogs, Bad Santa and the 2005 remake Bad News Bears. Requa and Ficcara directed Jim Carrey and Ewan McGregor in their screenplay I Love You Phillip Morris. more…

All Glenn Ficarra & John Requa scripts | Glenn Ficarra & John Requa Scripts

0 fans

Submitted on July 01, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "I Love You Phillip Morris" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/i_love_you_phillip_morris_234>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    I Love You Phillip Morris

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of "scene headings" in a screenplay?
    A To provide dialogue for characters
    B To indicate the location and time of a scene
    C To outline the plot
    D To describe the character's actions