Ikiru Page #4

Synopsis: Kanji Watanabe is a civil servant. He has worked in the same department for 30 years. His life is pretty boring and monotonous, though he once used to have passion and drive. Then one day he discovers that he has stomach cancer and has less than a year to live. After the initial depression he sets about living for the first time in over 20 years. Then he realises that his limited time left is not just for living life to the full but to leave something meaningful behind...
Genre: Drama
Director(s): Akira Kurosawa
Production: Cowboy Pictures
  Nominated for 1 BAFTA Film Award. Another 5 wins.
 
IMDB:
8.3
Rotten Tomatoes:
100%
NOT RATED
Year:
1952
143 min
4,248 Views


- Would that be Ohbara?

- Bingo!

Next comes Flypaper.

- Flypaper?

- You know, sticks to everything.

Get it? Noguchi-san.

Next is Saito-san, the manager.

See if you can guess his nickname.

Saito, huh. Saito would be...

Saito's main feature

is that he's so featureless.

I don't really know...

Daily Special.

- Daily special?

- At the cafeteria.

Then what about Kimura?

Rice noodles,

always timid and trembling.

Say, I had a nickname

for you, too.

But I'm not going to tell,

'cause I had you all wrong.

No, don't worry, just tell me...

Oh, dear.

No, I'd rather you broke it to me.

Okay, then. The Mummy.

I'm sorry.

Oh, no...

In other words, I'm...

I'm going.

Thank you so much.

Do you really have to tender

your resignation today?

If you could make it tomorrow,

why not spend today...

You're not eating anything.

No, it's just...

You look so tired.

But I had a truly

marvelous day today.

But you snored through

the best part of the movie.

It's just that I overdid it

a little last night.

Kimura-san...

I really can't...

This isn't the sort of thing

I can tell just anyone.

It's quite embarrassing, but...

In other words, the reason

I worked like a mummy

these last 30 years...

Oh, no,

it's not that I mind you

calling me a mummy.

Because that's exactly right.

In other words, I don't blame you.

It's just that the reason

I made myself into a mummy...

In other words, I did it all

for my son's sake.

But as it turned out, my son

doesn't seem to give a whit.

But you can't blame it all

on your son.

Isn't that right?

Not unless he asked you

to make a mummy of yourself.

Parents are all the same.

My mom gives me the same

kind of line sometimes.

"The things I've suffered for you. "

And I'm grateful she had me.

But it's not my fault I was born.

What's the matter with you,

bad-mouthing your son to me?

It's just...

You know you still adore him.

No end in sight

for the electricity shortage.

Is that a fact?

They say we haven't had

such a heat wave in 30 years.

I see.

The thing is, there's something

I'd like to tell you.

I know I should have

told you sooner,

but it's not very pleasant business.

Father, let's drop it.

You see, I discussed it

with Uncle today,

and we have to address this

to avoid complications later.

For instance, we have our rights

as your heirs.

To avoid misunderstandings...

- Mitsuo!

- Fact is,

she's fleeced you out of 50,000 yen

in a few days.

Young girls these days...

- What are you...

Father, we respect your right

to freedom of expression.

We accept your degenerate behavior.

But we do have

some basic conditions.

Think of Kazue or, putting her aside,

of her family back home.

How dare you bring

a woman like that home.

And holding hands with her in your room.

I could hardly face the maid.

It's been two weeks now since

our protagonist abandoned his spot.

During that time,

various rumors and speculations

have swirled around our Watanabe-san.

All these rumors

and speculations coincide perfectly

with the notion that our Watanabe-san

is being very foolish indeed.

But Watanabe himself has

never taken his actions so seriously

in his entire life.

This isn't the city office,

where you waste a whole day

on an hour's work. It's more serious.

It's just, I...

Every minute I waste here

costs me money.

Then I'll see you tonight...

I'm exhausted at night.

I'd rather sleep than go out.

Besides, why are you always

taking me out?

It's just...

Let's stop doing this.

It doesn't feel right.

But, then, just one more night, okay?

No, it'll never end.

I'm sorry.

After tonight, no more, okay?

Shall we go for a stroll?

I've had it.

Next it'll be a sweet shop,

then a sushi or noodle joint.

What's the point of it all?

I feel badly that you keep treating me,

but I've had it up to here.

Besides, we've both run out

of things to say.

There's that face again.

The truth is,

you give me the creeps.

What's going on?

Why do you chase me around like this?

- In other words...

- In other words, what?

In other words, I really enjoy

spending time with you this way.

Keep your old man's infatuation.

No, it's just that I...

Why can't you spit it out,

instead of always dribbling?

- Are you mad?

- No.

I don't even know myself

why I keep following you around.

It's just, all I do know is...

You see, I'm going to die soon.

I've got stomach cancer.

It's right here.

Can you understand?

No matter what I do,

I've only got six months or a year left.

Ever since I've known that,

the way I felt about you became like...

I know. I nearly drowned in a pond

once when I was a child.

I felt exactly the same way then.

Everything seems black.

No matter how I struggle and panic,

there's nothing to grab hold of,

except you.

- And your son?

Don't talk to me about my son.

I have no son.

I'm all alone.

- But...

No, you really don't understand.

My son is somewhere far, far away.

Just as my parents were

when I was drowning in that pond.

It hurts me even to think

about him now.

But why is anyone like me so...

It's just that, that, you're, I mean...

When I look at you,

it warms me up

right here.

This old... this old mummy...

In other words, you're like,

you seem like my family...

No, that's not right. You're young

and you're healthy, so that's why...

No, that's not right.

In other words,

in other words, why are you so

incredibly alive?

You're just so alive.

That's why I'm envious.

This old mummy envies you.

Before I die, I want to live

just one day like you do.

I'll live that way before I die.

Until I've done it,

I can't just give up and die.

In other words, I just...

I just want something to...

I want to do something.

But it's just that, I don't know what.

But you do know.

No, maybe you don't, but you...

But I don't...

No, tell me, how can I be like you?

- But all I do is work and eat...

- And what else?

That's all.

I mean it.

All I do is make these little things.

Even making these is so much fun.

Making them, I feel like I'm playing

with every baby in Japan.

Why don't you try

making something too?

What can I possibly make

at that office?

You're right. It's just impossible

to make anything there. So quit and go...

It's too late.

It's not too late.

No, it's not impossible.

I know I can do something there.

I just have to find the will.

There is something I can do...

It's a matter of time before he resigns.

His son came yesterday about his pension.

Which means

you'll finally be section chief.

Well, you never know.

Good morning.

Section Chief.

Ohno, I'd like you to...

PETITION BYTHE WOMEN'S COMMITTEE

TO REPAIR AND FILLIN CESSPOOL

THE ENGINEERING DEPARTMENT IS HEREBY

DESIGNATED IN CHARGE OF THIS MATTER.

But this belongs to Engineering.

No, this is just the sort of matter

that Public Affairs

must take the lead on.

This isn't just Engineering's problem.

Parks and Sewage also

have a responsibility.

Rate this script:4.6 / 5 votes

Akira Kurosawa

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948)--"Drunken Angel"--was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Maadadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977). more…

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Submitted on August 05, 2018

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