Imitation Of Life Page #4
- NOT RATED
- Year:
- 1959
- 125 min
- 2,017 Views
to that school!
Never as long as I live!
Sarah Jane!
Don't cry!
Annie, don't be upset.
Children are always pretending.
You know that.
No, it's a sin to be
ashamed of what you are.
It's even worse to pretend,
to lie.
Sarah Jane has to learn
that the Lord must
have had his reasons...
for making some
of us white...
and some of us black.
Sarah Jane Doesn't
want me with her.
She says I'm not her friend.
She says nobody's
her friend.
Darling, she's upset right now.
But she'll be better soon.
So will you if you get
back in bed. Come on.
Don't worry, Annie.
I'm sure you'll be able
I don't know.
How do you explain to your child
she was born to be hurt?
Hello.
Hi. Sorry I'm late.
That's all right.
I'm ready. I thought
you'd never get here.
Why, Steve, you sold it!
More than that, they gave me
a job, a steady one
on the advertising staff.
Oh, that's wonderful.
But, darling, is it really
what you want?
Well, it's not
But they pay you
in the nicest-looking
green folding money.
Which reminds me,
this is the season
for spending it.
Let's go.
We have to get a tree,
and I have a list of gifts
for the kids and Annie.
And I hope you like
what I picked out for you.
Oh, Steve, you...
You have to have something
to put under a tree, don't you?
Well, I know, but...
This way, ma'am.
Oh, I feel awful.
I haven't been able to buy
you anything really nice.
It's been five months
without a job...
Then I guess you'll
have to marry me.
It's the least you can do
for me for Christmas.
I love you.
But, darling, you're...
You're just
getting started and...
It would be foolish.
At least we'd
be foolish together.
But marriage
is such a big step.
I want us to be together.
Well, we are,
most of the time.
Most of the time
you're out fighting
to get somewhere.
Breaking your heart,
trying to do for
yourself and Susie...
what I want to do for you,
what I finally
can do for you.
Pardon me. I'm sorry.
Pardon me.
Oh!
Well, wait a minute.
I want to give you a home,
take care of you, love you.
Oh, Steve, you
don't know me at all.
I still love the theater.
You tried it
and it's only hurt you.
Realize that
and you'll get over it.
I want to be honest
with you, darling.
I want more.
Everything.
Maybe too much.
Don't think I want any less.
So let's settle something
right now. Do you love me?
I think I do,
but...
Come here.
I want to kiss you
so badly.
But if you did,
I might say something
I wouldn't really mean.
That's why
I want to kiss you.
That's my phone.
Hello?
Miss Meredith's residence.
- Who, Mr. Loomis?
- She's not in.
She isn't in, Mr. Loomis.
No, not even if it's important.
What? A job?
I... I have to find out.
It could be something.
Yes, Mr. Loomis?
You look good with
a St. Bernard dog.
The St. Bernard dog?
Yes. Uh-huh.
Well, that's you
in the picture, isn't it?
Sprinkling flea powder?
All right, well, I'm here
with David Edwards.
David...
Edwards, yes.
You know,
the prize-winning playwright.
He saw that picture
in a magazine.
He's looking for a girl with
that certain je ne sais quoi
for his new play.
That certain something
you managed to get
with the dog.
It's not a big part, I know...
If this is one of
your jokes, Mr. Loomis...
Jokes? So help me,
I'm only thinking
percentage-wise.
The part calls for
about...
Two and a half.
Two-fifty a week.
I left the script with
my secretary. Can you
pick it up immediately?
Uh, yes.
Yes, Mr. Loomis.
Yes.
He wants me
to pick up a script;
I'm to audition tomorrow.
And you're going
down there?
Of course.
Even after what
happened last time?
This has
nothing to do with Loomis.
I'm to audition
for David Edwards.
How do you know that?
I know. I just know.
But do you know if he's
gonna be any different
than Loomis?
No, I don't.
I don't want you to go.
Don't you realize what
this could mean to me?
I'm not asking you
not to go down there,
I'm telling you.
What makes you think
you have that right?
Because I love you.
Isn't that enough?
No, Steve, I'm sorry.
Good night.
Lora, wait.
I didn't mean
to sound dictatorial or
to try to run your life,
but you have to understand
how I feel.
And what about
the way I feel?
Oh, stop acting.
I'm not acting.
I want to achieve something,
something you'll never
understand.
What you're after isn't real.
At least
I'm after something!
Not the snapshot of
a disgusting old man with
a beer can on his belly.
Is that your idea
of achieving something?
Is a beer can "real"?
Going up and down,
up and down.
Well, I'm going up and up
and up, and nobody's
going to pull me down!
Lora, listen, please.
I've been trying to do
something with my pictures.
It's meant everything to me.
Every minute,
for a long time now.
No, it hasn't.
Or you wouldn't
give it up to sell beer.
I gave it up for
something much better,
something right now: You.
But you're asking me
to give up something
I've wanted all my life,
ever since I was a child,
and I can't do it!
If you grew up,
you could.
What do you mean?
You're not
a child anymore,
and I might not be around
to pick up the pieces
this time.
Good.
I'd like it that way.
Forever.
Joseph and Mary couldn't
find no place at the inn,
so they had to go to the
stable among the animals.
The animals?
Mm-hmm.
And in the manger
Jesus was born.
And the heavenly hosts
sang, "Hallelujah."
There was a shining bright
star in the sky,
and it was
a beautiful time.
That'll be
Mr. Steve again.
Hello?
Hello, Annie.
- Oh, hello, Mr. Steve.
- Has she come in yet?
I'm sorry.
I see.
Well, Merry Christmas,
Annie.
Merry Christmas to you,
Mr. Steve.
Mommy, isn't Steve
coming here tonight?
I think you'd better
go to bed, both of you.
But Annie was
telling us a story.
Oh, all right,
Annie can finish it.
Where were we?
- That's right.
As soon as the holy infant
was born, three wise men saw
a beautiful star in the sky.
The star
of Bethlehem...
It doesn't matter.
He's the way
you imagine him.
But Annie said
he was a real man.
He's not a pretend man.
He was real.
He is real.
Then what color was he?
He was like me...
White.
Now, the closet door
is over here.
is over there.
The door to your bedroom
is over here.
And you trip over
the vacuum cleaner
over there.
All right,
come on, let's have
your offstage line.
Is anybody home?
Marjorie?
Oh, Marjorie!
Colonel, what are you
doing in there?
Why, Mr. Obermeyer,
why aren't you in Duluth?
Oh, Herbert, you too?
No! No, no,
Miss Meredith.
David, David.
She can do it, David.
I guarantee it.
She's just
a little nervous.
Miss Meredith.
Yes, sir?
be played for high comedy,
with delicate reactions,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Imitation Of Life" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/imitation_of_life_10664>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In