In the Flesh
- Year:
- 2013
- 56 min
- 628 Views
1 INT. SUPERMARKET - NIGHT 0 1
CLOSE ON A JUMBO PACK OF MONSTER MUNCH - A female hand
reaches into frame and plucks the crisps from the shelf.
MEGA PACK OF HULA HOOPS- Swipe... SIX PACK OF KIT KATS -
Again the hand swipes the chocolate.
THE MYSTERY SHOPPER’S TROLLEY - Overloaded with comfort
foods. Then we spot something peaking out of the mountains of
junk:
An old, battered SEMI AUTOMATIC RIFLE.PAN up to LISA LANCASTER (18) pushing the shopping trolley
along. A normal shopper. A normal shopper with a semi
automatic rifle. A normal shopper in a DIRTY ARMY SURPLUS
JACKET. A normal shopper with a blood-encrusted BLUE ARMBAND
on her right bicep. The band reads “Human Volunteer Force”. A
normal shopper in what seems to be a completely deserted
supermarket.
LISA:
(On Walkie Talkie)
Thought you said you were on a
diet, mate? (Beat) Well I’ve picked
you up some shortbread.
WALKIE TALKIE:
TALKIE)
LISA:
No, they don’t have those. They’ve
got caramels. If you stick them
both together in yer gob it’s the
same thing.
Lisa gets to a long aisle. She looks down it. Why not, it’s
safe in here. She revs up. Then bolts it, pushing the trolley
full pelt. She jumps on the back (like she used to do as a
kid). The trolley freewheels it down the aisle at speed. Lisa
on the back. Face radiant. Alive. Free from...
CRASH.
From behind her. Lisa cranes her neck to see what could have
made that sound. The trolley wheels HIT something lying on
the floor. The trolley goes FLYING, as does Lisa. She hits
the ground HARD. Her left foot twists in on itself. Lisa lies
on the floor for a moment, covered in bars of chocolate and
crisp packets...
A MUNCHING SOUND.
Lisa opens her eyes. Turns to see what her trolley hit. It
hit a DEAD BODY.
(CONTINUED)
IN THE FLESH by Dominic Mitchell EP 1 FINAL SHOOTING SCRIPT 27.11.12 2.
1 CONTINUED:
1The dead body is a fellow Human Volunteer Force fighter.
Cradling the dead FIGHTER is A YOUNG FEMALE (18). We will get
to know this zombie as AMY DYER (18)
Lisa focuses and sees that The Young Female is cradling the
fighter’s head so as to more easily EAT HIS BRAINS. The Young
Female looks up and stares at Lisa with pin prick eyes. The
dead eye gaze of a ZOMBIE. Lisa stumbles to her feet. The
Young Female Zombie does likewise.
Lisa looks around, searching for her rifle. Spots it inches
off to her right. The Young Female Zombie jerks forward. Lisa
dives for the rifle. Grabs it as she hits the floor and
points it in the zombie’s direction...
BANG, BANG, BANG, BANG.
The Young Female Zombie’s been hit. But only in the shoulder.
Lisa takes careful aim and pulls the trigger. CLICK. No
bullets. The Young Female Zombie launches forward. Lisa
scrambles up, hobbles fast, her twisted left foot dragging
behind her. She turns into the frozen food aisle.
A blood curdling ROAR. Lisa looks behind her. The Young Woman
Zombie is keeping pace, shuffling, but shuffling with speed.
SMACK. Lisa’s hit something. Someone. She looks up at the
person she’s bumped into... A YOUNG MALE ZOMBIE. Teeth bared.
Hunger in his pin prick eyes.
DOCTOR SHEPHERD (V.O.)
Kieren.
Lisa screams. The Young Male Zombie (KIEREN) grabs Lisa’s
head and...
DOCTOR SHEPHERD (V.O.)
Kieren.
SMASH CUT TO:
2 INT. PDS TREATMENT CENTRE - DAY 1 2
KIEREN WALKER (18), the Young Male Zombie from the previous
scene, now dressed in a standard hospital uniform, JUMPS back
out of his chair. He’s scared and disoriented. He’s just had
a vivid medication flashback. DOCTOR Shepherd (54) his
doctor, who’s holding a medication injector gun in his hand
(obviously just administered a shot), gets up and goes to
Kieren, holds onto him.
DOCTOR SHEPHERD:
Breathe, Kieren. Deep breaths.
Kieren, still freaked out, starts to take some deep breaths.
He calms a little.
(CONTINUED)
IN THE FLESH by Dominic Mitchell EP 1 FINAL SHOOTING SCRIPT 27.11.12 3.
2 CONTINUED:
2Doctor Shepherd takes out a medical pad.
DOCTOR SHEPHERD (CONT’D)
Another Involuntary Recurrent
Memory?
Kieren nods. Doctor Shepherd jots it down.
KIEREN:
They’re getting more vivid.
DOCTOR SHEPHERD:
That’s a good sign. Means the
cognitive circuitry’s connecting
again. Like a computer rebooting.
KIEREN:
Maybe it means I’m not ready?
DOCTOR SHEPHERD:
No. It means the opposite.
KIEREN:
I don’t feel ready.
DOCTOR SHEPHERD:
That’s exactly why you’re ready.
You’re feeling.
KIEREN:
I can’t - I can’t even keep my
contacts in - The medication, it’s
not just the flashbacks, all the
side effects
DOCTOR SHEPHERD:
Means your brain’s responding.
Repairing. That’s positive. Believe
me you don’t want to be a patient
who doesn’t respond to
Neurotriptyline.
KIEREN:
Where do they go? The ones that
don’t respond?
DOCTOR SHEPHERD:
We take care of them.
An ambiguous and unsettling response.
DOCTOR SHEPHERD (CONT’D)
Your parents. They’re looking
forward to seeing you again.
Kieren gives him a look - “I highly doubt that”
(CONTINUED)
IN THE FLESH by Dominic Mitchell EP 1 FINAL SHOOTING SCRIPT 27.11.12 4.
2 CONTINUED:
(2) 2DOCTOR SHEPHERD (CONT’D)
Why wouldn’t they?
Kieren takes a deep breath.
KIEREN:
Because...I’m dead. And I killed
people.
DOCTOR SHEPHERD:
No. What are you?
Kieren doesn’t meet his eye.
DOCTOR SHEPHERD (CONT’D)
What are you, Kieren? (Prompting
him)... You are a...
KIEREN:
(flat, as if reciting)
I am a Partially Deceased Syndrome
sufferer.
DOCTOR SHEPHERD:
And?
KIEREN:
(same tone as before)
And what I did in my Untreated
State wasn’t my fault.
DOCTOR SHEPHERD:
Good.
Dr Shepherd ushers Kieren out of room into lobby.
CUT TO:
2A INT. PDS TREATMENT CENTRE - CORRIDOR - MOMENTS LATER - DAY 1
2A
KIEREN exits Dr Shepherd’s office, looks down the corridor at
a long line of other TREATED PARTIALLY DECEASED PEOPLE
waiting for their final consultation. Kieren is one of many.
KIEREN:
Could you maybe talk to someone,
Doctor Shepherd. Say that I need
more time.
DOCTOR SHEPHERD:
(shakes his head)
It’s going to be good for you,
going home.
(CONTINUED)
IN THE FLESH by Dominic Mitchell EP 1 FINAL SHOOTING SCRIPT 27.11.12 5.
2A CONTINUED:
2AKieren fixes Dr Shepherd with a look-‘That’s what you think’.
CUT TO:
3 EXT. ROARTON VILLAGE - DAY 1 3
A panoramic view of the small rural village of ROARTON in
Lancashire. It’s a remote, location surrounded by woodland,
that’s in the books as an “Outstanding Place of Natural
Beauty”. And from this hill top view it certainly seems like
it. But looks can be deceiving... if you look really
carefully you may catch sight of a gibbet, left over from the
rising, in the distance.
CUT TO:
A detached, pebbledash house at the end of a cul de sac.
Outside the house, a FOR SALE sign in the front garden.
CUT TO:
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"In the Flesh" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/in_the_flesh_1035>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In