In the White City

Synopsis: A Swiss sailor jumps ship in Lisbon, tired of the noisy engine room, the ship "a floating factory of crazy people." He rents a room and does little. He writes letters to his lover, describing the whiteness of the city, the solitude and the silence. He sends his love and emptiness; she replies with love and confusion. He sends movies from his 8mm camera. Then he becomes friendly with Rosa, a chambermaid, and soon it's a love affair. He continues to send letters and movies home. His Swiss lover is hurt and angry; she sends an ultimatum.
Genre: Drama
Director(s): Alain Tanner
  2 wins & 1 nomination.
 
IMDB:
7.5
Year:
1983
108 min
24 Views


- There's a problem downstairs.

- Wait.

- Will you shoot me?

- OK.

Look through here

and press the red button.

No, wait.

- Now?

- Yes, now.

Come on.

Wait.

IN THE WHITE CITY

One beer.

Beer.

- You speak English?

- No.

- French, a bit.

- That's fine.

That clock over there goes backwards.

No, it goes alright.

- The world is going backwards.

- Yeah?

Interesting.

If all clocks went backwards...

the world would work properly.

Yes.

- You work in a ship?

- No.

In a floating factory

with some madmen.

- You're mad too?

- I don't know.

- Is this a hotel?

- Yes.

- Any rooms available?

- Yes.

I'll take one for tonight.

- A guest, speaks French.

- Good afternoon.

Take over.

- You're not needed at the bar.

- Fine.

You have to be pretty for the bar.

Looking like that,

you can only be a cleaner.

What's the difference?

Cleaning is not

like attending the bar.

- Don't you see?

- No, I don't see.

Dress up, put on some make up.

Cleaning here is not

like attending the bar.

Make it visible in the salary.

- What?

- It's two different salaries.

What are you saying?

Listen.

I'm the same here, at the bar

and in the rooms.

If you don't like it, bad luck,

I don't care.

I always do my job,

at the bar or cleaning rooms.

Don't push me with that make up thing.

I'll wear make up if I want to.

You make the rules about my work,

and it's always well done.

What do you want?

- What?

- What do you want?

- This man is mine.

- No, it's mine.

What?

Why?

Why not?

What?

- Why not?

- Get out of here.

He was with me.

Go ahead.

- Can I make the bed?

- No.

Fine.

I'll clean up the basin.

What are you doing?

I don't like having pictures made of me!

- Your ship ain't sailing?

- It can't without me.

- You also clean the rooms?

- Yes.

That's why I get mad at the boss.

I can't close it.

Bloody package.

"It seems I'm not able to write.

I have got some images,

but I can't write.

I've had a dream.

I dreamt I left the ship,

went into town...

and rented a room...

without knowing why.

And I stayed there,

waiting, unable to move.

I dreamt the city was white,

the room was also white...

and loneliness and calm

were white too.

I' m tired.

I wish I could learn again

to talk about things."

"The room was white,

and loneliness and calm

were white too.

I'm tired.

I wish I could learn again

to talk about things.

I think of you.

I love you very much."

I feel fine.

I'm free.

I don't do anything,

but I'm not on vacation.

When on vacation you do things,

you arrange your free time.

I don't.

I don't do anything.

My adress:

Mayling list, Lisbon.

The Shipping Company asked

regarding your whereabouts.

What shall I tell them?

Nothing.

Nothing at all.

Shall I tell them you created

an inner world of your own...

and you'll tell me about it

at some point?

I'd love it if you told me.

I don't know how to grasp

that "I don't do anything".

I don't think I'll get to understand it.

Maybe that's the reason why I work.

I love you and everything

turns around inside my head.

If you wanna play, deal cards better.

A beer!

- Hi.

- I've walked a lot.

When I walk a lot,

I think about things.

Very interesting things.

I've thought about you.

What's your name?

Paul, and you are Rosa.

- How do you know?

- I just know.

Were you expecting me?

In a way.

The bar is closing.

I buy you a drink upstairs,

in my room.

Not here.

- At your place?

- It's very small.

So much the better.

I must go to work.

Hurry or I'll be late.

- I'm on vacation.

- I'm not.

My ship is in the Atlantic,

or the Pacific.

- I'm a desertor.

- What?

I'm in the mood for sleeping,

walking, dreaming,

sleeping,

not moving.

You're not on vacation.

You sell dope.

A sailor was arrested at the boarding house

for doing that.

I sell nothing.

I stayed for you.

Really?

Yes, really.

For you...

and also for me.

Lock it and leave the key at the bar.

Where are you from?

Me?

I was born here,

near the castle.

My father was a peasant's son.

He came to Lisbon to become

a baker, and met my mother.

- What does she do?

- My mother?

She makes other people's laundry.

And you?

My father was a peasant's son too.

He left the countryside,

was more interested in machinery.

So he became a mechanic.

My mother is Italian.

She left Switzerland when she was 14.

Worked for some rich people.

- You got any siblings?

- Yes, and you?

Three brothers and one sister.

- And you?

- One brother.

What do your brothers do?

They live abroad.

Two of them are...

I don't know, plumbers,

mechanics...

I don't know the right word.

The others work in a restaurant in Canada.

And your brother?

He works in a ship too,

he's a sailor.

It's open.

How is it like, when you're out in the sea?

The cabin is tiny

and outside it's huge, infinite.

That's why sailors are nuts.

You never know what day it is.

Don't you enjoy travelling any more?

I don't travel.

I spend 8 hours every day

with noisy machines,

at 50 and, when the sea is twirling...

it's like being inside a moving factory.

Then, we stop at some horrible places

to download the cargo.

Some travels.

The best wine of all

is the one you haven't drunk yet.

He's not paying much attention to me.

He prefers to eat.

And you don't think I'm right?

You know what they say about sailors?

I better don't say it

or he'll kill me.

Isn't that so?

Three fingers is the limit,

it's almost finished.

Three fingers is the limit.

From here on, you ask for a new one.

You know how important this measure is?

You know?

He woukldn't know.

It's the distance between the vagina and the anus.

What?

What did he say?

Tell me.

Here's a waitress...

with a black diamond between her legs.

I don't think she's

what's keeping me still,

but I love two women at the same time.

I feel confusion and happiness.

I've been with Marianne for a week.

I'm happy I'm one of the two women you love.

The other one can talk to you, touch you.

I see pictures,

get weird letters from Lisbon,

sometimes from Yoklahoma.

You saw it?

- What?

- That guy's wallet.

He's alone.

Yep.

Let's go!

Well.

F***!

- You had it all in your wallet?

- Yep.

Even dollars.

You have nothing left?

Not a penny.

Nothing.

What will you do?

A romantic film.

- A beautiful one.

- Yep.

A beautiful romantic film.

What will you eat?

I'll manage.

Drop that.

I tried to steal some fruit and got caught.

Buy me a sandwich.

- That's not the problem.

- It's the problem indeed!

The being hungry issue is solved.

What's the other one?

It's you.

- Hi, you speak French?

- A little.

I've been told I could sell my watch here.

Wait.

Samuel, come here.

Someone wants to sell a watch.

- Good afternoon.

- Hi.

I want to sell my watch.

It's Swiss, solid gold.

How much?

Ten thousand.

- Ten?

- Yes.

Three thousand.

No, no.

It's not possible.

I paid one thousand Swiss francs for it.

All right, five.

Five?

OK, hold on.

- Five and some scotch.

Rate this script:0.0 / 0 votes

Alain Tanner

Alain Tanner (born 6 December 1929) is a Swiss film director. more…

All Alain Tanner scripts | Alain Tanner Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "In the White City" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/in_the_white_city_6300>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "denouement" in screenwriting?
    A The rising action of the story
    B The opening scene of the story
    C The final resolution of the story
    D The climax of the story