Inherent Vice Page #10
ADRIAN walks over.
ADRIAN:
This you're new partner, Bigfoot?
BIGFOOT:
Here, Adrian... have a banana.
Bend over and I'll stick it in for
you.
ADRIAN:
F*** you. And f*** your banana.
Adrian exits. Bigfoot to Doc...
DOC:
You guys go back, huh?
57.
BIGFOOT:
Where do you think Mickey Wolfmannis, Doc?
DOC:
Now that's a good question.
try Las Vegas yet?)
(You
BIGFOOT:
And where is that love of yourlife Shasta Fay Hepworth?
Play nice.
Bigfoot.)
DOC:
(Mighty snotty,
BIGFOOT:
And how much could she have reallymeant to him -- or him to her that
he could just let this all getso f***ed up?
DOC:
Best question yet.
multiple choice?)
(Is this
BIGFOOT:
There's places you don't want togo, Doc -- better get back to thebeach, you smell like a patchoulifactory.
CUT TO:
50 EXT./INT. DOC’S OFFICE - NIGHT 50
Doc walks the long corridor towards his office...
51 DOC 51
walks into his office, is deep in thought, locks the doordouble and triple lock turns and SCREAMS AT THE SIGHT OFA SEXY YOUNG BIKER GIRL: CLANCY CHARLOCK.
DOC:
AHHHAHAHAHHA!!!! COOTIE FOOD!!
CLANCY:
Remains to be seen...
DOC:
WHO ARE YOU?!??
CLANCY:
Clancy Charlock.
DOC:
Glen Charlock’s?
58.
CLANCY:
Sister.
DOC:
I’m sorry about your brother...
CLANCY:
Glen was a sh*t and bound to have
his series canceled sometime. But
that don’t keep me from wanting to
know who his killer is.
DOC:
You talk to the police?
CLANCY:
They talked to me. Some smart-ass
named Bjornsen. Can’t say it was
encouraging. But I guess he’s a
fan of yours... Would you mind not
staring at my tits like that?
DOC:
Sorry -- I was just reading your
T-shirt. So now... you say...
Lieutenant Bjornsen referred you
to me?
CLANCY:
He sounded a lot more concerned
with Mickey Wolfmann's
disappearance than Glen's murder,
which I guess is no big surprise.
Is that a joint? Can I smoke it?
DOC pulls out a freshly rolled one.
DOC:
Here's a new one.../Please...
She lights it and smokes half of it down in one suck
before passing it back to Doc...
DOC:
The theory downtown is that your
brother tried to prevent whoever
it was from putting the snatch on
Mickey and got shot for doing his
job.
CLANCY:
Way too sentimental.
DOC:
Then maybe he saw something he
shouldn't have.
CLANCY:
That's how Boris has it figured
to.
59.
DOC:
Who's that?
CLANCY:
Another member of Mickey's muscle
patrol. They've all dropped out
of sight, but last night, Boris
called me late. We have some
history. Right now, he's scared
shitless.
DOC:
What of?
CLANCY:
He said Mickey was in the deepest
sh*t you could get in all because
of this idea that came to him.
DOC:
Which was?
CLANCY:
All the money he ever made -- he
was working on a way just to give
it back.
DOC:
Can I still get my name on the
list?
CLANCY:
That's what I said!
DOC:
Why, but why would he want to?
CLANCY:
Wouldn't be the first rich guy
on a guilt trip lately. He was
doing a lot of acid and peyote and
maybe it just got to a point...
you must've seen that happen.
DOC:
Once or twice, but it's more
like calling in sick for a couple
days, breakin' up with your old
lady, nothing on that scale.
CLANCY:
He said he felt bad about making
people pay for shelter -- that all
along he should have realized it
should've been for free -
DOC:
He told him that?
60.
CLANCY:
Boris heard him say it... he
wanted to build a big place out in
the desert where anybody could
come and live for free -- called
Arrepentimiento.
DOC:
Yeah, okay, and what's that mean
again?
CLANCY:
Spanish for ‘sorry about that.’
The idea was if there was an open
unit -- it was yours for free...
anyone from anywhere can have
shelter... are you gonna keep
holding on to that joint or are
DOC:
And what about Mickey's ladies?
Any of them object to his big
giveaway?
CLANCY:
anything about is Shasta -- the
one's gone missing.
DOC:
What'd he say?
CLANCY:
Said Shasta was the only one that
ever made any sense around there --
givin' away all his money -- which
because it made him think that's
all she was worried about was her
meal ticket -- which I guess was
really crazy cause she was in love
with him. Deeply in love...
DOC:
Shasta and I lived for a short
while together and I can't say for
sure how deep it went. How she
really felt about me.
CLANCY:
Well, I hope this ain't a bummer
for you to be hearin'...
DOC:
Clancy, I only look like an evil
motherf***er... secretly, I'm as
sentimental as any ex-old man.
61.
CLANCY:
You are a pretty dangerous hombre,
I can see that... but, as one
who's been down this particular
exit ramp -- you can only cruise
the boulevards of regret so far,
and then you've got to get back up
onto the freeway again.
DOC:
Who else does he think was worried
about Mickey's big giveaway?
Business partners? The wife?
CLANCY:
showing up at the house all the
time warning Mickey...
DOC:
Bigfoot? So he warned Mickey to
what?
CLANCY:
I don't know. (Mickey didn't
listen to advice... maybe he said
don't give away all your money?
Stop doing peyote? Stop doing
acid? You're the detective.)
CUT TO:
52 EXT. DOC'S OFFICE - NIGHT 52
Clancy and Doc step out of the office. She has TWO
BIKERS waiting for her...
DOC:
Anything else?
THE BIKES FIRE UP LOUD. CLANCY YELLS TO DOC:
CLANCY:
PUCK BEAVERTON.
DOC:
UH-HUH.
CLANCY:
HE HAD THE DUTY TO GUARD MICKEY
THAT DAY BUT CHANGED SHIFTS WITH
DOC:
CLANCY:
PUCK'S AN A**HOLE.
62.
DOC:
CLANCY:
DOC:
BOTH? (TWO AT A TIME?)
CLANCY:
THAT'S MY PREFERENCE.
DOC:
MR. BEAVERTON?
CLANCY:
PROBABLY OUT LOOKING FOR GIRLS TO
TREAT LIKE SH*T -- PREFERABLY
ONES THAT DON'T MIND. HAPPY
HUNTING.
CUT TO:
A53 INT. DOC'S CAR - NIGHT A53
After Clancy. Driving to get postcard... NO SORTILEGE.
53 EXT. DOC'S APARTMENT - NIGHT 53
Doc walks up to his place... a FEW SHADOWS AND MOVEMENTS
AROUND click him into a paranoia alert... He sees on the
doorsill a POSTCARD... He carefully picks it up, looks it
over... it's from some place deep in the Pacific Ocean.
SHASTA (V.O.)
I wish you could see these waves.
It's one more of these places a
voice from somewhere else tells
you you have to be. Remember the
day with the Ouija board? I miss
those days and I miss you. I wish
different... Nothing was supposed
to happen this way, Doc, I'm
sorry...
CUT TO:
54 INT. DOC'S APARTMENT 54
He comes in, places the postcard down and lights a joint,
SHASTA'S VOICE CONTINUES.
SHASTA (V.O.)
... you don't remember the Ouija
board? Come on, Doc...
(MORE)
...go stumbling through that citydump of a memory... It had beenone of those prolonged times of nodope, nobody had any, everybodywas desperate and suffering lapsesof judgment.
SHASTA (V.O.) (CONT'D)
CUT TO:
63.
55 FLASHBACK - INT. SORTILEGE'S HOUSE 55
DOC and SHASTA with SORTILEGE and a OUIJA BOARD.
DOC:
Hey! You think it knows where we
can score?
SORTILEGE:
Easy as pie, just do it all byyourself.
DOC and SHASTA put their hands on it. The PLANCHETTE
TAKES OFF LIKE A ROCKET, SPELLING OUT AN ADDRESS AND APHONE NUMBER. They furiously write this down. DOC picksup the phone and dials. It rings and a FEMALE VOICERECORDING ANSWERS:
FEMALE VOICE (V.O.)
‘Howdy, dopers! We've gotwhatever you need, and remember --
the sooner you get over here, themore there'll be left for you.’
DOC:
Who is this? Whom I talking to?
Hey! She just hung up.
SORTILEGE:
Did you hear what she wasscreaming at you: ‘Stay away! I
am a police trap!’ You see the
problem about Ouija boards -DOC
looks to SHASTA and they RUN OUT THE DOOR, IGNORINGSORTILEGE.
CUT TO:
56 EXT. SUNSET (NEAR VERMONT)
They arrive at the address in the rain. It's a HUGE,
EMPTY, EXCAVATED LOT. Rain water fills it up... it...
flows out into the street...
56
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