Inherent Vice Page #21
DOC:
... you didn't happen to take out
a policy yourself, Saunch...
SAUNCHO:
If there's litigation -- I'll be
on it.
DOC:
Well... I hope it works out for
you, man. That boat and you
really do belong together...
Sauncho starts singing "We Should Be Together," from
Little Miss Broadway.
CUT TO:
113 INT. DOC'S PLACE - DAY 113
Doc is on his couch. LONG PAUSE, THEN: BIGFOOT'S FOOT
SMASHES HIS DOOR DOWN... The door is shattered in a
thousand pieces. Doc looks up scared shitless:
125.
BIGFOOT:
Don't get up...
DOC:
Bigfoot. Bigfoot, man... smash
down my door?!?! Come on, man...
BIGFOOT:
After a long and busy day of civil
rights violations, I found myself
in the neighborhood and compelled
to drop in... just to check and see
the current state of affairs of my
old stomping grounds. Seeing as
communications open with me have
been limited to say the least...
DOC:
I've been busy...
BIGFOOT:
Trying to figure out which side of
the Zig-Zag paper is the sticky side?
Then... they both talk at the same time...
DOC/BIGFOOT
Listen... I'm sorry about last night.
You? Why should you be sorry?
The spell is broken.
DOC:
Weird.
BIGFOOT:
Extraordinary...
Bigfoot looks over Doc's weed supply... BIGFOOT starts to
EAT DOC'S WEED BAG AND JOINTS.
HE SWALLOWS... BIGFOOT takes another BIG BITE OF DOC'S
DRUGS... FINDS SOME PILLS, EATS THEM UP, TOO.
BIGFOOT:
This f***ing Gordita Beach has
been cursed from the jump. I've
been trying my whole life to get
out of here. Indians lived here
long ago, they had a drug cult,
smoked toloache which is
jimsonweed, gave themselves
hallucinations, deluded themselves
they were visiting other realities
-- why, come to think of it, not
unlike the hippie freaks of our
present day.
(MORE)
126.
BIGFOOT (CONT'D)
Their graveyards were sacred
portals of access to the spirit
world, not to be misused. And
Gordita Beach is built right on
top of one.
DOC:
Yeah? And these spirits, can you,
like, catch them, Bigfoot?
BIGFOOT:
You plod along in pursuit, maybe
only wanting to apologize and they
fly away like the wind, and wait
their moment...
He heads for the door and WALKS INTO THE WALL.
DOC:
You okay, brother?
BIGFOOT:
I'm not your brother.
DOC:
No... but you could sure use a
keeper.
Bigfoot walks out the door and falls over the balcony...
114 INT. DOC'S CAR (DRIVING) - NIGHT 114
Doc driving on the freeway. Shasta is curled up in the
passenger seat. A fog is rolling in on the Santa Monica
Freeway. Headlights drift ahead and behind him...
SHASTA:
Remember that day, the Ouija board
set us off into that big storm?
DOC:
One of a couple things I never
forgot -- don't know why.
SHASTA:
This feels the same way, tonight.
Just us. Together. Almost like
being underwater. The world,
everything gone someplace else.
DOC:
Figured it was Sortilege just
settin' us up.
SHASTA:
No, she...
DOC:
Her Ouija board...
127.
SHASTA:
She knows things, Doc... maybe
about us that we don't know...
DOC:
This don't mean we're back
together.
SHASTA:
Course not.
She drifts -- off to sleep.
SORTILEGE (V.O.)
Doc fell into a car convoy, moving
slowly, single lane through the
fog. He figured if he missed the
Gordita Beach exit, he'd take the
first one whose sign he could read
and work his way back on surface
streets. He knew that at
Rosecrans, the freeway began to
dogleg east, and at some point,
Hawthorne Boulevard or Artesia,
he'd lose the fog, unless it was
spreading tonight, and settled in
region wide... Maybe then it would
stay this way for days, maybe he'd
have to just keep driving, down
past Long Beach, down through
Orange County, and San Diego and
across a border where nobody could
tell anymore in the fog who was
Mexican, who was Anglo, who was
anybody. Then again, he might run
out of gas before that happened,
and have to leave the caravan, and
pull over on the shoulder, and
wait. For whatever would happen.
For a forgotten joint to
materialize in his pocket. For the
CHP to come by and choose not to
hassle him. For a restless blonde
in a Stingray to stop and offer him
a ride. For the fog to burn off,
and for something else this time,
somehow, to be there instead.
FADE OUT.
THE END:
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Inherent Vice" Scripts.com. STANDS4 LLC, 2025. Web. 22 Jan. 2025. <https://www.scripts.com/script/inherent_vice_595>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In