Inkaar Page #3

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Who actually benefited

from this relationship...

...you all know...

What... what was he saying?

He was trying to say something, right?

Kavita, he should've said it.

- Oh my God. Look who's here?

- Hi.

- Sonali, how are you?

- I am good and you?

So, what are you doing here?

For some work.

Rahul. Shall we go?

I'll catch you later.

Ok.

- Come on, let's have some coffee.

- Yeah sure.

- Yes, Rahul.

- We've a problem.

I'm coming to your room.

What's wrong?

The other agency, who are

pitching for the same campaign?

Their creative director Sonali,

I met her in the lobby.

And... in a weak moment...

...she showed me her entire campaign.

- What did you do?

- Nothing.

I mean we just had coffee. I swear.

- Just coffee?

- Really?

Ok.

But the problem is...

...our campaigns are too similar.

- They are almost the same.

- How is that possible?

Yeah. And we've got to

change our entire campaign...

...by tomorrow morning because...

...they will give

their presentation today.

- Tomorrow morning!

- Yeah.

I think you need to get ready.

So the idea, idea, idea...

What's the idea?

They're presenting an

urban campaign like us, so...

So we should do the opposite.

We should show them the

India they've never seen.

Like MP, Bihar...

You know, rural India.

Saharanpur.

Who would buy such a

bike in Saharanpur?

There are some nice people

from Saharanpur as well.

- Saharanpur?

- What's so funny?

Nothing, nothing, nothing.

So our hero's from Saharanpur.

Opening shot Saharanpur.

A father-son enter the showroom...

...and ask the salesman.

So how much does she give?

- What?

- I mean... that's too vulgar.

- We...

- What do you mean by vulgar...

They are talking about petrol mileage.

- You've a one track mind.

- No.

Yeah.

That's how people talk there.

Like...

'We just have to sit our asses down... '

'... and go from one place to another.'

'Why spend 50,000 for that? '

The father refuses to

buy the motorcycle...

...which makes the

son upset. Some drama.

- That's a bad idea.

- No, the Koreans will love it.

Close your eyes... and think.

It's a technique.

What?

Actually... I've got an idea.

Whoa, so it actually works.

Where's the mother in all this?

She'll have a say in

this decision as well.

So the mother gets angry.

She says That's enough.

I've got some money too.

I'll buy that bike for you.

That's not how women talk

to their husbands in India.

Then the mother says Mr. Chaudhary...

...our son is growing up.

Think about it.

Better.

But not so much.

I think the mother will say...

...Times have changed, Mr. Chaudhary.

Learn to keep up with times.

Then... the father understands.

- I think this really works.

- I think so.

That works.

- Write it down.

- Yeah.

Superb.

And the last line says...

...'Raaston ko hi nahi

Rishton ko bhi jodein'.

Which means 'Not

just connecting places...

'... but connecting... people.'

If they don't like it

I'll gift you to them.

You are already

quite decked up as it is.

Rahul. It's wonderful.

Great.

It's great. Superb.

Champagne.

Rahul.

- Yeah.

- Come back please for a minute.

- Yes.

- I want to ask you about how you...

Now I'm lost.

Lost in love.

Shall we get out of here?

Now I'm lost.

Lost in love.

Lost in the crowd.

Lost in the path.

You go. Go.

I was completely lost from reality.

That's my wife.

My wife, my wife take

permission first. - No, no.

After two months. Both of you.

Oh, God!

Love's a unique place.

A place for the lovers.

Everyone's here.

But not you.

With these bewitching eyes.

I will seduce you.

Lord, You're the benefactor.

Allah, You're the benefactor.

Lord, You're the benefactor.

Allah, You're the benefactor.

So, by what you're saying,

it clearly indicates...

...that she went on a

professional assignment...

...and slept with the boss.

Two handsome people.

Spending quality

time with each other...

...and there was sex

between them, what else?

No, no, no, Mrs.

Kaamdar. It wasn't sex.

It was not only sex.

Maya was in love.

Now I'm lost.

Lost in love.

Now I'm lost.

Lost in love.

Lost in the crowd.

Lost in love.

Lost in the path.

Lost in love.

I was completely lost from reality.

Lord, You're the benefactor.

Allah, You're the benefactor.

Lord, You're the benefactor.

Allah, You're the benefactor.

Maya told me about this herself.

She was so happy.

I can't tell you how happy she was.

Maya. You...

- Are drunk.

- No.

- Yes.

- No, no, no.

- I am in love.

- What?

When? Where?

What nonsense.

That wasn't right.

It's not right.

Yeah, very bad.

I mean... nothing happened.

- Nothing happened.

- Nothing happened.

Nothing.

No, no, it's not Rahul.

You're kidding?

Maya. Haven't you heard?

If you do the boss, you'll be sacked.

Mrs. Kaamdar, this wasn't just a

sexual relation for Rahul either.

I mean... they were

shooting somewhere in Simla...

...and he even

dropped in at Maya's home.

Sister. Sister. Sister.

Maya, are you really here to see me...

...or to get me to see Rahul?

You always keep

calling me to come see you.

I am here to see you.

- Really.

- Really?

Really.

It's not just me,

he's stuck on me too.

What...

Take the pickle along.

He's a nice boy, but

he won't marry you.

It was a serious relationship,

Mrs. Kaamdar...

...which ended.

Maybe that's how our profession is.

Maybe Rahul wasn't

ready for a commitment.

Maybe Maya wanted much more.

People were uttering nonsense.

I mean it was just a mess.

Come on, Pamela.

Smile. Lift it up. Squeeze it.

Squeeze it tight.

Yeah come on. Come on. You can do it.

Squeeze it.

Hi...

Cut, cut.

Who's that model?

I thought we selected someone else?

Yes, but Rahul preferred this one.

Ma'am.

Ma'am, the mango...?

Break! Break for lunch.

Come on, guys.

- Hi, Rahul.

- Hey, Maya.

- Hi, Kavita.

- I will see you later.

- Where are you going?

- For lunch.

Royal China.

I love the food there.

Have you met Maya?

Arvind, our client.

Maya's the best

copyrighter of our agency.

In fact, she's written this ad.

- I can see you've a good team, Rahul.

- Sure.

And that's Pamela, our model.

- Hi.

- Hi.

You want to check the pack-shots?

Because they'll just shoot them.

Just see that they're shot properly.

- Do you need anything?

- No, I'm fine.

Sure.

I wrote a far better script.

Maya didn't write it, did she?

Yow where Maya gets

her scripts approved?

- Where?

- This is a good one.

Rahul and Maya go inside the cabin.

I don't know what goes on inside.

But when they both come out...

Rahul says Ah. It's approved.

Now get back to work.

What are you saying, man?

Oh no.

What's wrong with you?

- You really sick, Praful.

- Did I say anything wrong?

Did he say anything wrong?

Great.

He didn't say anything wrong?

- It's a joke, Maya.

- It's a joke.

- Just relax, it's a joke.

- I'm laughing.

- Let's laugh.

- Serves you right.

Serves you right.

You can just park the car,

I'll be right back.

Hey, Rahul.

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