Inkubus Page #2

Synopsis: Inkubus tells the story of a skeleton crew working the final shift at a soon to be demolished police station. The night takes a gruesome turn when the demon, Inkubus, calmly walks into the station holding the severed head of a murdered girl. Inkubus toys with the crew, allowing himself to be restrained, and begins to proudly confess to his litany of crimes, some dating back to the Middle Ages. Why? Inkubus has a score to settle with the one detective that almost put him away some thirteen years ago. To their dismay, the cops quickly become pawns in Inkubus' brutal crowning achievement of murder, gore, and mayhem. They ultimately realize it's his world, they only die in it.
Genre: Horror
Director(s): Glenn Ciano
Production: Screen Media Films
  1 win.
 
IMDB:
3.9
R
Year:
2011
80 min
Website
70 Views


MAY BE USED AGAINST YOU

IN A COURT OF LAW.

YOU HAVE THE RIGH TO AN ATTORNEY!

- IF I CANNOT AFFORD

AN ATTORNEY.

ONE WILL BE APPOINTED FOR ME.

DO I UNDERSTAND?

WHY, YES, I DO.

- I CAN'T CUFF HIM.

HE'S GOT SOMETHING

ON HIS WRIST.

- HERE.

ALLOW ME.

[thudding]

- WHAT THE HELL IS THAT?

- CAREFUL NOW.

YOU WOULDN'T WANT TO, UH...

shing!

PUT YOUR EYE OUT.

- COLE, TAKE THAT.

MUDGE, BAG.

- HELLO, LOVE.

THIS ONE YOURS,

LIEUTENANT?

- HEY, PAL!

HOPE YOU ENJOY:

GROUP SHOWERS:

AND EATING MYSTERY MEA THE REST OF YOUR LIFE.

- JUST AS LONG

AS THERE'S NO BONES.

I DON'T LIKE BONES

IN MY MEAT, MEAT.

- ALL RIGHT, EVERYBODY,

JUST CALM DOWN.

TECH, WRITE HIM UP.

HAVE A SEAT.

MEAT, PAX, WHY DON'T YOU

TAKE MILES OVER THERE

AND PUT HIM:

IN THE HOLDING CELL?

- WHY?

- 'CAUSE YOU'RE COVERED

IN THE VICTIM'S BLOOD.

THAT'S WHY.

GET HIM OUT OF HERE!

- HE JUST WALKED IN HERE

WITH HER F***ING HEAD!

THIS IS BULLSHIT!

[clattering]

- SO WHY DON'T YOU RELAX?

IT'S GONNA BE A LONG NIGHT.

- INDEED IT IS.

WELL, LET'S GET TO IT THEN,

SHALL WE?

I'D LIKE TO MAKE

MY PHONE CALL.

- [sighs]

WHAT'S THE NUMBER?

- [shushes]

[line trilling]

IT'S RINGING.

[line trilling]

[telephone ringing]

[ringing continues]

- THIS IS GIL DIAMANTE.

- MR. DIAMANTE.

I'M CALLING YOU

FROM THE OLD POLICE STATION,

A PLACE YOU ONCE CALLED HOME.

I DON'T KNOW

IF YOU READ THE PAPERS,

BUT THEY'RE TEARING THE OLD GIRL

DOWN.

- WHO IS THIS?

- OHH...

I AM STUNNED:

YOU DON'T KNOW.

IT'S ME.

INKUBUS.

- INKUBUS IS DEAD.

- YOU REALLY BELIEVE THAT?

REMEMBER MY VAN.

REMEMBER?

I BROUGHT HER WITH ME.

- PUT A COP ON THE PHONE NOW.

- CAPTAIN DIAMANTE.

- WELL, I--I HAVEN' BEEN CALLED THAT IN A WHILE.

- IT'S TOM CARETTI

IN HOMICIDE.

YOU PROBABLY WOULDN' REMEMBER ME.

I WAS MOVING UP:

WHEN YOU WERE...

RETIRED.

- YOU MEAN WHEN

THEY CARTED ME OFF

TO THE CRACKER FACTORY,

DON'T YOU, TOM?

SORRY.

IT'S NOT LIKE

IT'S A BIG SECRET.

SO WHAT'S GOING ON

OVER THERE?

- WELL, WE GAVE THIS GUY

HIS PHONE CALL:

AND DIDN'T KNOW

WHAT HE WAS UP TO.

SORRY TO DISTURB YOU.

- NO BOTHER.

I'M PLENTY DISTURBED ALREADY.

LOOK, I'M GONNA CALL

MY CASEWORKER.

WE'LL BE OVER THERE

IN HALF AN HOUR.

- UH, OKAY.

- DETECTIVE,

I HAVE TO CAUTION YOU.

IF THERE'S EVEN

THE SLIGHTEST CHANCE

THAT THIS GUY:

IS THE REAL INKUBUS,

I ADVISE YOU TO KEEP YOUR

HANDS UP AND YOUR EYES OPEN,

IF YOU KNOW WHAT I MEAN.

- SO GOOD TO HEAR HIS VOICE

AGAIN.

I DO MISS HIM.

- YOU'RE REALLY PUSHING IT.

HEY, MUDGE,

WE NEED THAT V.I.N. NUMBER.

LET'S GET OUT THERE

AND MOVE THE VAN INTO A LOT.

HEY, YOU GOT THIS GUY?

- I GOT IT.

[phone beeping]

[line trilling]

- DR. WINSTROM, PLEASE.

EMILY, IT'S GIL.

I NEED YOU TO COME OVER HERE

RIGHT AWAY:

AND PICK ME UP.

- I'D LIKE TO GET OUT OF THIS.

- CAN YOU PROMISE ME

THAT WE'LL HAVE

A CIVILIZED CONVERSATION?

- YES.

- GOOD.

- [inhales]

[sighs]

- OH!

- OH, MY GOD.

- [gagging]

- OH! OH!

- [coughing]

[gags]

[flies buzzing]

THIS SH*T DOESN'T HAPPEN

AROUND HERE.

IT'S LIKE WE'RE IN CLEVELAND.

OH, F***.

- NAME.

- YOU USED TO WEAR GLASSES,

THICK ONES.

BUT I DON'T SEE ANY EVIDENCE

OF CONTACT LENSES.

AH...AH.

LASIKS.

- NAME.

- EVER LOST SOMETHING

REALLY IMPORTANT,

JUST COULDN'T FIND IT?

AND WHEN YOU DID,

THERE IT WAS,

RIGHT WHERE YOU LEFT IT,

RIGHT BEFORE YOUR EYES.

- I'M ONLY INTERESTED

IN YOUR NAME.

- WELL, THEN, IF THAT'S ALL

YOU'RE INTERESTED IN...

INKUBUS.

- COLE, CALL THE GUYS

AND TELL THEM TO COME UP HERE.

- PAX, MEAT,

GET OUT HERE NOW.

BRING GLOVES AND BAGS.

- F***...

JESUS.

[man speaking indistinctly

over police radio]

- IT'S LIKE HE'S SOME

THROWBACK NAZI FREAK.

- GO ON THE COMPUTER

AND TRANSLATE THIS.

- TECH'S ON THE COMPUTER.

- JUST DO IT.

- NO, THAT'S CORRECT.

I LIKE THE INVERTED "K."

SEPARATES ME FROM

ALL THE OTHER INCUBI.

THEY'RE SUCH RABBLE.

- DATE OF BIRTH.

- LET'S SEE, NOW.

WHEN WAS LUCIFER

CAST OUT OF HEAVEN?

- HOW OLD ARE YOU?

- 99 YEARS, 364 DAYS,

AND CHANGE.

ONE MIGHT SAY:

I'M PUSHING 100.

- YOU LOOK GREAT.

- THANK YOU.

- [scoffs]

F***-HEAD.

ADDRESS?

- ALL OF CREATION.

- SUPER.

"ADDRESS UNKNOWN."

- [huffs]

OH, THIS IS SO BORING.

HEY,

WANT TO HAVE SOME FUN?

[laughing]

MR. HOUDINI LOVED THAT ONE.

[gasps]

THERE IT IS.

RIGHT WHERE YOU LEFT IT.

MIGHT I SUGGES ZIP TIES?

- ALL RIGHT.

CUT THE SH*T.

SHUT THE F*** UP.

IT'S FINGERPRINT TIME.

- [chuckles softly]

- STAND UP.

THERE, HOLD IT.

ALL RIGHT, NEXT.

- HAD I KNOWN YOU WERE GOING

TO BE SO THOROUGH,

I WOULD HAVE HAD

A MANICURE.

- LIKE I F***ING CARE.

[flies buzzing]

- WHAT THE F***?

- HOLY SH*T.

- [sighs]

- WELL, WHY DON'T YOU GUYS

START BAGGING THIS UP?

- REALLY?

- YEAH.

BRING IT DOWNSTAIRS

TO THE STORAGE BASEMENT.

- JESUS CHRIST.

- F*** ME.

[sighs]

BETTER NOT GE ANY OF THIS SH*T ON ME.

JOIN THE FORCE.

HIGH-SPEED CHASES.

CATCHING BAD GUYS.

- ALL RIGHT,

GIVE ME THE HAND.

- HIGH FIVE?

[groans]

WHAT THE F***?

I JUST GOT THIS CLEANED.

- WE'RE GONNA NEED

A BIGGER BAG.

- ALL RIGHT, TIME FOR YOU

TO LOOK PRETTY.

TURN YOUR HEAD:

TO THE RIGHT.

[camera clicks]

[electronic buzzing and humming]

WHAT THE F***?

ALL RIGHT, TO THE LEFT.

[camera clicks]

[electronic buzzing and humming]

[beep]

HOLY SH*T.

SIT DOWN.

[keys jingling]

[gasps]

- A LITTLE JUMPY?

- I DON'T LIKE BEING ALONE

WITH THIS GUY, ALL RIGHT?

WOULD YOU...

JUST TAKE HIM:

TO THE INTERROGATION ROOM.

- ALL RIGHT, LET'S GO!

- HERE, I RAN THAT V.I.N.

AND YOU KNOW WHAT,

DO ME A FAVOR.

PLEASE TELL THOSE TWO IDIOTS

TO TREAT DIAMANTE

WITH A LITTLE RESPECT.

HE'S ONE OF US.

IMAGINE RESPONDING

TO A CALL,

AND YOUR WIFE:

IS SPLIT IN HALF.

AND WHILE YOU'RE

MOPPING UP THE BLOOD,

YOU FIND OU THAT YOUR KID IS GONE,

TAKEN BY THAT ANIMAL.

HE'S NOT A LUCKY GUY.

- HEY.

CAN I TALK TO YOU?

WE GOT A PROBLEM HERE.

I JUST RAN HIS PRINTS.

I GOT TEN DIFFERENT NAMES,

A DIFFERENT NAME

FOR EACH FINGER,

ALL DECEASED,

ALL VICTIMS:

OF VIOLENT MURDERS.

- AND YOU'RE SURPRISED?

DOES ANYTHING F***ING WORK

IN THIS PLACE?

RUN IT AGAIN.

- I ALREADY DID.

I GOT TEN NEW NAMES,

ALL DECEASED,

ALL VICTIMS:

OF VIOLENT MURDERS.

WE GOT TO GET HIM

OUT OF HERE.

- HE'S NOT GOING ANYWHERE.

WE'LL TAKE HIM

TO THE NEW STATION TOMORROW.

RUN IT AGAIN.

PLEASE.

- I DON'T LIKE THIS AT ALL.

- [scoffs]

- MIND IF I BORROW

THE COMPUTER?

- HA.

[faint echoing murmurs]

[haunting noises,

roaring]

- [moans]

THIS DOESN'T FEEL RIGHT.

- WHAT?

YOU GETTING SICK?

- [sighs]

SO IF NO ONE:

COULD EVER DESCRIBE HIM

AND HE NEVER LEFT ANY DNA

OR FINGERPRINTS AT THE SCENE,

HOW DID THEY IDENTIFY HIM?

- HE SHOT HIMSELF

IN THE MOUTH:

IN A GAS STATION,

IN THE BATHROOM.

AND WRITTEN ON THE WALL

WAS A SUICIDE NOTE

WITH DIAMANTE'S WIFE'S BLOOD.

[footsteps approaching]

HOW YOU DOING, CAPTAIN?

I'M TOM CARETTI.

THIS IS ERIN COLE.

- OFFICER.

WHAT THE HELL HAPPENED

TO THIS PLACE?

LOOKS LIKE A REAL SH*T HOLE.

- WELL, WE'RE IN TRANSITION

WITH THE NEW STATION.

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Carl V. Dupré

Carl V. Dupré was born in Providence, Rhode Island, USA. He is known for his work on Detroit Rock City (1999), Hellraiser: Hellseeker (2002) and The Prophecy 3: The Ascent (2000). more…

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Submitted on August 05, 2018

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