Inkubus Page #4

Synopsis: Inkubus tells the story of a skeleton crew working the final shift at a soon to be demolished police station. The night takes a gruesome turn when the demon, Inkubus, calmly walks into the station holding the severed head of a murdered girl. Inkubus toys with the crew, allowing himself to be restrained, and begins to proudly confess to his litany of crimes, some dating back to the Middle Ages. Why? Inkubus has a score to settle with the one detective that almost put him away some thirteen years ago. To their dismay, the cops quickly become pawns in Inkubus' brutal crowning achievement of murder, gore, and mayhem. They ultimately realize it's his world, they only die in it.
Genre: Horror
Director(s): Glenn Ciano
Production: Screen Media Films
  1 win.
 
IMDB:
3.9
R
Year:
2011
80 min
Website
70 Views


WAS THE ONLY EYEWITNESS.

- THE CONVICTED MURDERER

CLAIMED THA:

THEY SAW A DARK STRANGER

THAT APPEARED OUT OF NOWHERE

AND MURDERED THE VICTIMS.

LISTEN TO ME.

DO NOT LET THAT THING

OUT OF YOUR SIGHT.

ALL RIGHT?

ALL YOUR LIVES:

DEPEND ON THAT.

- CAN WE GO NOW?

[loud banging]

- WHAT WAS THAT?

- INKUBUS JUST HUNG HIMSELF

IN HIS CELL!

- OH, MY GOD.

- OH, GOD, NO.

NOT AGAIN.

- [gags]

- GO UPSTAIRS.

LOCK THE DOORS.

- F***ER!

- RELAX!

- GET HIM UP THERE NOW.

LOCK THE DOORS.

- [shouting indistinctly]

- MUDGE, GET MILES!

SH*T, INKUBUS MUST HAVE GOTTEN

INTO THE STORAGE LOCKER,

AND HE GOT HIS WRIST KNIFE,

'CAUSE IT IS MISSING.

YOU KNOW WHAT,

I NEED AN A.P.B. ON HIM NOW.

I NEED BACKUP.

NOW!

CAPTAIN, CAN I COUNT ON YOU?

- NOT A GOOD IDEA,

LIEUTENANT.

MY PATIENT NEEDS TO LEAVE NOW.

- IT'S ALL RIGHT, EMILY.

I CAN LEND A HAND.

- WHAT?

- LISTEN,

HE'S GOT THE EXPERIENCE.

WE NEED ALL THE HELP

WE CAN GE:

UNTIL BACKUP COMES HERE,

OKAY?

GET HER IN THE BREAK ROOM,

BARRICADE THE DOOR,

AND DON'T LET ANYBODY IN.

YOU READY FOR THIS?

- I GOT YOUR BACK.

[indistinct radio transmission]

[keys clacking]

- EIGHTH PRECINCT.

EIGHT PRECINCT, COME IN.

- WE'RE ALL SO F***ED.

WE'RE ALL GONNA DIE.

YOU KNOW THAT, RIGHT?

[game show music playing

over television]

- HELLO, AMERICA,

AND WELCOME TO...

- WHOA, HEY, DOC.

DON'T DO THAT.

YOU'LL BLOW MY PUMP OUT.

- OH, SORRY.

SORRY.

- WILL YA MOVE?

THANK YOU.

JUST A SECOND.

- HERE, WE HAVE TODAY'S

WINNING LOTTERY NUMBERS.

[static crackles]

- ALL UNITS,

DO YOU RESPOND?

[radio transmission crackling]

- HEY...

WANT TO HAVE A LITTLE FUN?

- EIGHTH PRECINCT,

DO YOU READ?

[crackling and beeps]

IS ANYONE OUT THERE?

[beep]

- 13.

- 8!

[laughs]

I'LL BE GOD DAMNED.

GO!

I LOVE YOU,

LITTLE WHITE BALLS.

- 6.

- 6?

I'LL BE GOD DAMNED.

- STAY TUNED.

WE'LL BE BACK FOR MORE.

- ONE NUMBER OFF.

THAT'S THE DIFFERENCE BETWEEN,

LIKE, A FREE TICKE

AND, LIKE, 200 GRAND.

IT'S THE STORY OF MY LIFE,

DOC.

SO, UH...

HOW LONG YOU BEEN

HEAD-SHRINKING?

- TOO LONG.

- WHY DON'T YOU SIZE ME UP?

I'M CURIOUS.

JUST...

WE GOT TIME TO KILL.

PLEASE.

- AND ALL DUE RESPECT,

OFFICER,

THIS REALLY ISN'T THE TIME

OR THE PLACE.

- YOU KNOW WHAT,

EVERYBODY'S ON EDGE.

JUST FOR A GOOF.

SIT DOWN.

- CARETTI, I--I JUST SEN A DISTRESS CALL TO ALL UNITS.

DID NOT RECEIVE REPLY.

I'M GOING DOWN

TO THE COMMUNICATIONS ROOM.

[static crackles]

- CAREFUL, NOW.

- I'LL BE FINE.

I GOT MY WEAPON.

- WE'RE ALL SO F***ED.

- [exhales]

- OKAY, UM...

YOU...

HAVE A LOT OF FRIENDS HERE.

YOU'RE VERY WELL LIKED.

THAT'S PRETTY EASY TO TELL.

CLOSE TO RETIREMENT.

MAYBE YOU'VE MENTALLY

CHECKED OUT OF YOUR JOB ALREADY.

- YOU GOT THAT RIGHT.

I'LL BE FISHING IN ALASKA,

LAKE OKEECHOBEE,

COLORADO.

- YOU SEE...

RETIRED ALREADY.

- GOOD COPS NEVER RETIRE.

I'M STILL CATCHING STUFF.

- WHERE THE HELL

ARE THOSE STAIRS?

- [echoing whispers]

- DID YOU HEAR THAT?

- MM.

- HE TOYS WITH YOU.

HE TRIES:

TO GET IN YOUR MIND.

- DID YOU SEE THAT?

- THAT'S JENSEN'S OLD OFFICE.

[faint clattering]

[banging]

- WHERE THE HELL ARE WE?

- WE'RE IN THE SAME

F***ING HALLWAY.

- THAT'S WHAT HE DOES.

- ABRA-F***ING-CADABRA.

[door slams]

[faint haunting music]

[switch clicks]

[switch clicking]

- WHAT ELSE YOU GOT,

DOC?

- YOU'RE A PEACEKEEPER.

YOU DON'T LIKE CONFLICT.

YOUR PARENTS FIGHT A LOT?

- ALL RIGHT, YEAH,

THAT'S ENOUGH OF THIS.

- PERHAPS THAT'S WHY

YOU'VE NEVER BEEN MARRIED.

- MAYBE I'M JUST UNLUCKY.

- [laughs]

VERY UNLUCKY.

AND YOUR LUCK:

IS JUST ABOUT TO RUN OUT.

[blade rings]

- AH, AH, AH, AH.

[dial clicking]

[microwave beeps]

- HEY...

HEY, WHAT ARE YOU DOING

OVER THERE?

[clicking and zapping]

HEY, WHAT ARE YOU--

DON'T TOUCH THAT!

WHAT ARE YOU DOING?

AH! AH!

[gagging]

AHH!

[groans]

[groaning]

AH! AH!

[timer dings]

- WE'RE ALL SO F***ED.

YOU KNOW THAT,

DON'T YOU?

WE'RE ALL GOING TO DIE.

- SHUT UP.

[exhaling deeply]

- WE'RE ALL GONNA DIE.

- SHUT UP!

- WE'RE ALL--

- SHUT UP AND SIT DOWN!

[footsteps pattering]

- WHAT'S GOING ON?

- HOW DO WE GET UPSTAIRS?

[door slams]

- WHAT WOULD WE DO

WITHOUT STAIRS?

STAIRS ARE SO IMPORTANT.

[laughing]

[man screaming]

EVER LOST ANYTHING

REALLY IMPORTANT?

JUST COULDN'T FIND IT?

- SHE NEEDS MY HELP.

- COME ON, TOUGH GUY.

COME ON.

- LIVE UP TO YOUR NAME,

MEAT, COME ON.

YOU WANT SOME OF THIS,

DON'T YOU?

- WHAT DO YOU GOT?

- [growls]

- COME ON.

WHAT ARE YOU AFRAID OF?

- COME ON.

- LET'S SEE WHAT YOU GOT,

HUH?

SHOW ME WHAT YOU GOT.

GIVE IT TO ME.

I KNOW WHAT YOU WANT TO DO.

COME ON, MEAT!

SHOW ME WHAT YOU GOT.

TOUGH GUY.

TOUGH GUY, COME ON.

KICK MY ASS.

COME AND GET ME, MEAT-PIE.

- [grunts]

[blows landing]

[screams]

[roars]

[door bangs open]

- [roaring]

- WHAT'S THE MATTER?

- NO.

I'M FINE.

- OKAY.

- I'M FINE.

- [roaring]

- REALLY, WHAT THE HELL

IS THE MATTER WITH YOU?

- I DON'T KNOW.

- WHAT'S WRONG?

- [gasps]

I DON'T KNOW.

- ARE YOU SAYING...

YOUR WIFE GAVE BIRTH

TO A DEMON?

- [sighs]

I KNOW EVERYBODY THINKS

I'M F***ING NUTS.

[scoffs]

WOULD YOU BELIEVE IT?

WOULD YOU?

- TOM, THE FACTS ARE THA YOUR WIFE WAS IN LABOR.

SHE HAD A C-SECTION.

SHE WAS HEMORRHAGING.

DO YOU BELIEVE IT?

- I WAS THERE.

THAT THING WAS NOT HUMAN.

- [sighs]

- [sighs]

JESUS CHRIST.

[static crackling]

[static crackling louder]

[indistinct radio transmission]

[sighs]

[sighs]

CARETTI, CARETTI,

DO YOU READ?

[static crackling]

[screen clicks on]

- HEY!

[grunting]

- [panting]

[whispering]

MILES?

MILES?

[thud]

- [gasps]

JESUS.

- I DIDN'T DO IT.

IT WASN'T ME.

- STOP.

- [sobbing]

PLEASE HELP ME.

PLEASE.

- PLEASE, STOP.

- MILES WAS RIGHT.

WE'RE ALL GONNA DIE.

[flesh tearing]

- [screams]

[body thuds]

[groans]

- YOU CAN'T PULL THAT TRIGGER.

YOU CAN'T EVEN MOVE.

THERE'S NOTHING YOU CAN DO

ABOUT THIS.

[blade slices]

[flesh ripping]

- [moans]

- DON'T FIGHT IT.

THAT'S IT.

THAT'S IT.

[sighs]

- I'VE NEVER BEEN HERE BEFORE.

- LET'S JUST KEEP GOING.

THERE'S GOT TO BE

A WAY OUT.

[Inkubus hissing and murmuring]

[faint moaning]

- [moans]

[groans]

[inhales]

[moans]

- GIL...

- [inhales sharply]

[moaning]

- EMILY?

- I LAID YOUR WIFE OU ON THE DINING ROOM TABLE

JUST LIKE THIS.

- [moans]

- SHE WAS SO...

SO VERY RESPONSIVE.

- [moans]

- WHICH IS...

WHICH IS WHAT YOU WANT,

OF COURSE.

- [moans]

- IT CAN BECOME RATHER MESSY

WHEN THEY FIGHT IT.

AH, AH, AH.

DON'T FIGHT IT.

[bang]

THE DAHLIA:

WAS MY PIECE DE RESISTANCE.

BUT YOUR NANCY...

YOUR NANCY WAS SPECIAL,

BECAUSE SHE WAS SO SPECIAL

TO YOU,

WHICH IS WHY:

I'VE DECIDED TO...

CUT THE GOOD DOCTOR HERE

IN HALF...

- [moans]

- AS A SHORT OF TRIBUTE

TO YOU, GIL.

- [moans]

[gunshots]

- [laughing]

YOU SEE,

YOU'VE RUINED ME.

YOU'VE SPOILED ME.

AFTER YOU, I--I JUST COULDN' GET EXCITED ANYMORE.

- OOH...

- AND NOW...

[chuckles]

NOW I FEEL ALIVE.

- [inhales]

- THANK YOU.

- YOU F***ING COWARD!

TAKE ME!

YOU WANT ME!

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Carl V. Dupré

Carl V. Dupré was born in Providence, Rhode Island, USA. He is known for his work on Detroit Rock City (1999), Hellraiser: Hellseeker (2002) and The Prophecy 3: The Ascent (2000). more…

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Submitted on August 05, 2018

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