Innocent Blood
- R
- Year:
- 1992
- 112 min
- 233 Views
NIGHT,
HERE COMES THE NIGH ANOTHER NIGH TO DREAM ABOUT YOU
NIGHT,
EACH LOVELY NIGH THE ONLY TIME
I'M NOT WITHOUT YOU
ONCE MORE,
I FEEL YOUR KISSES
ONCE MORE,
I KNOW WHAT BLISS IS
COMES DAWN,
MY DARLING, YOU'RE GONE
BUT YOU COME BACK
INTO MY ARMS EACH NIGH ONCE MORE,
I FEEL YOUR KISSES
ONCE MORE,
I KNOW WHAT BLISS IS
COMES DAWN, MY DARLING,
YOU'RE GONE
BUT YOU COME BACK INTO MY ARM
S EACH NIGH [HORNS HONKING]
Marie:
WHEN YOU ARE ALONE ETERNALLY,
YOU LIVE FOR THE COMFOR OF THE SENSES--
FOOD, SEX.
AND IT WAS GETTING HARDER
EVEN LIVING IN THE CITY.
MY CHOOSINESS ABOUT FOOD
COST ME MY LOVER,
AND WITHOUT HIM,
THERE IS NO SEX.
FOR SIX NIGHTS,
I WAS SAD.
I WAS STARVED.
IT WAS TIME:
TO TREAT MYSELF,
AND I THOUGHT,
"WHAT ABOUT ITALIAN?"
DON'T WORRY
ABOUT THE CAR.
WE HAVE TO MOVE IT.
HEY, LENNY.
HOW YOU DOING, HUH?
ALL RIGHT.
WHAT TOOK YOU?
I HAD TO DRESS RIGHT.
I HAD TO SHAVE.
HE WANTS YOU:
IN ON THIS.
HEY, TON, WHAT'S
THIS ALL ABOUT, HUH?
WATCH THIS.
AAH!
AAH!
[CRUNCH]
I LOVE THAT.
PLACE IS BUGGED.
WE DO BUSINESS:
DOWNSTAIRS.
COME ON.
SEE? WE COME SO FAR DOWN,
WE'RE IN CHINA.
SAL, HOW YOU DOING?
I WAS HONORED:
BY YOUR CALL...
A LITTLE SURPRISED.
I DIDN'T THINK--
HAVE A SEAT.
SO, UH, SAL,
WHAT'S HAPPENING HERE, HUH?
WHAT'S THIS?
IT'S A...IT'S A TOASTER.
IT'S A TOASTER OVEN.
WHOA, HEY.
IT'S A NICE ONE.
A LOT OF BUTTONS.
HIT THIS BUTTON...
POPS OPEN.
YOU COULD PU ANYTHING IN HERE--
SLICE OF PIZZA,
PASTRY.
YOU POP IT IN.
COMES OUT,
[SLAMS OVEN DOOR]
MICROWAVE DON'T DO THAT.
YOU EVER TRIED COOKING
CALZONE IN A MICROWAVE?
IT COMES OU LIKE A LIMP DICK.
[LAUGHTER]
YEAH.
KOREAN.
OF THE ELECTRONICS ACTION.
DO YOU KNOW WHY?
BECAUSE THEY F***ING STEAL.
ANY F***ING IDEA
THAT AIN'T NAILED DOWN.
YOU THINK:
SOME KOREAN A**HOLE
CAME UP:
WITH THE TOASTER OVEN?
WELL, HERE THEY ARE,
KNOCKING THEM OUT.
WHERE'D IT COME FROM?
WHAT, SAL?
THE TOASTER?
HONESTLY, I DON'T KNOW.
YOU WAS WITH LEGUTO.
WHEN LEGUTO FELL
YOU BECAME MINE.
THEN YOU GOT THIS IDEA
BECAUSE I JUST TOOK OVER,
MAYBE I'M CONFUSED,
MAYBE I'M LETTING THINGS
SLIP THROUGH THE CRACKS.
NO, SAL,
WHERE DID IT COME FROM?
SAL, TELL ME
WHAT THE ANSWER IS.
WHAT SHOULD I SAY?
IT CAME FROM A WAREHOUSE.
IT CAME OFF A TRUCK
FROM THE AIRPORT!
WHERE'S MY END,
GILLY?
I HAD TO TAKE INVENTORY,
MAKE SURE YOU GO A COMPLETE CROSS SECTION
OF THE MERCHANDISE.
I THOUGHT THIS WAS
JUST A SIT-DOWN.
YEAH, BUT SOMEBODY
AIN'T GETTING UP.
I GOT A MESSAGE:
FOR YOUR WAREHOUSE GUYS.
PLEASE, GOD.
SALLIE, NO.
THE MESSAGE IS...
DON'T F*** WITH ME!
SAL!
WE GOT EYES ON US!
MAYBE SOMEBODY SAW
WHAT ARE YOU SAYING?
GET RID OF HIM:
DISCREET.
YOU WANT DISCREET?
YOU F***ING SHOOT HIM.
RAY!
DO IT!
PLEASE, SAL, NO.
YOU DON'T UNDERSTAND.
IT'S A TERRIBLE MISTAKE.
I WANT TO LIVE.
I'LL DO ANYTHING
FOR YOU.
PLEASE!
PLEASE HELP ME!
PLEASE, SAL.
YOU DON'T UNDERSTAND.
GILLY,
THAT'S F***ING DISGUSTING.
NO, PLEASE!
DON'T DO IT TO ME!
YOU DON' UNDERSTAND!
DON'T DO IT TO ME.
DON'T!
YOU DON' UNDERSTAND!
F***ING DIE.
TO PULL THE TRIGGER,
YOU F***ING PULL THE TRIGGER!
SAL, COME ON, RELAX.
JOE'S ONE OF US.
YEAH.
HA HA!
THIS SH*T'S STARTING
TO GET TO ME.
HA HA HA!
YEAH.
HE DOES WHA HE'S GOT TO DO.
HE LOVES IT.
HE'S F***ING SICK.
YOU CAN'T TALK LIKE THAT.
THIS IS WAR.
WE'RE SOLDIERS.
WE KILL TO PROTEC WHAT'S OURS.
HERE. TAKE THIS.
IT'S CLEAN.
I'M GOOD AT STEALING.
I'M NOT A SHOOTER.
IF YOU'RE NOT A SHOOTER,
YOU'RE SHOT.
BANG!
AND WATCH ANYMORE.
SAL WILL TELL YOU
TO WHACK SOMEBODY,
AND YOU GOT NO CHOICE.
COME ON.
F***ING COPS!
HEY!
JESUS, JOEY!
AAH! OW!
HEY, BACK OFF!
YOU THINK WE'RE
F***ING ENTERTAINMENT?
F***ING A**HOLE!
OH, SH*T.
YOU THINK WE'RE
F***ING MTV?
GET OUT OF HERE!
BACK OFF!
YAY!
YAY!
COME ON!
WHAT'S WRONG
WITH HIM?
WHOA!
F***, JOEY!
YOU DON'T DO THAT!
WHAT THE F***
AM I SUPPOSED TO DO?
YOU DON'T DO
THOSE THINGS!
TAKE IT EASY, MAN!
GO HOME AND GE YOUR HEAD STRAIGHT.
GO AHEAD.
I'M SORRY, TONY.
OH!
JEEZ, I'M SORRY.
I RUINED YOU.
LET ME HELP YOU.
GIVE ME YOUR BAG.
PUT YOUR HAND:
UP HERE.
I'M REALLY, UH...
I'M SORRY
ABOUT THAT.
I DIDN' SEE YOU THERE.
Marie:
HE LOOKED PROMISING.
CAN I GIVE YOU:
A RIDE SOMEWHERE?
A DRINK--COFFEE, HOT TEA.
YOU COULD DO:
WITH SOME WARMING UP.
Marie:
HE FELT PROMISING.
BUT HIS EYES WERE...
SAD, SO VERY SAD.
MY FIRST RULE--
ARE YOU SURE?
[ENGINE STARTS]
[TIRES SCREECH]
[HONKS HORN]
DO NOT TOUCH:
THE F***ING CAR!
Marie:
THIS GUY WAS PERFECT.
GEE, I'M SORRY.
DON'T HURT ME, O.K.?
I--I JUS GOT SCARED.
THANK GOD YOU'VE GO GOOD REFLEXES.
YOU CAN REALLY MOVE
FOR SOMEONE SO...
BIG.
LOOK, WE'RE GETTING SOAKED.
I'LL GIVE YOU A LIFT.
WHERE YOU GOING?
GEE, TONY, THIS IS
I KNOW IT'S A LITTLE
OUT OF YOUR WAY.
ACROSS THE F***ING
RIVER.
ALL SINATRA?
HEY, DON'T STAR ON SINATRA.
THERE'S THIS PARK--
YOU WANT TO SEE:
A GREAT VIEW, TONY?
Sinatra:
THAT OLD BLACKMAGIC HAS ME IN ITS SPELL
THAT OLD BLACK MAGIC
ICY FINGERS:
SAME OLD WITCHCRAF WHEN YOUR EYES
MEET MINE:
THE SAME OLD TINGLE
THAT I FEEL INSIDE
AND THEN THAT ELEVATOR
STARTS ITS RIDE:
VERY NICE.
DOWN AND DOWN I GO
HEY.
ROUND AND ROUND:
HEY, YOURSELF.
I CAN TELL:
YOU'RE EXCITED.
YES.
BUT WHAT CAN I DO?
I HEAR YOUR NAME,
AND I'M AFLAME
NOT SHY, ARE YOU?
AFLAME WITH SUCH
A BURNING DESIRE
THAT ONLY YOUR KISS
COME ON, BABY.
GIVE TONY A LITTLE ROOM
COME ON.
I HAVE WAITED FOR,
THE MATE:
AAH!
WHAT ARE YOU,
SOME KIND OF A FREAK?
GRRR!
AAH!
AAH!
GRRR!
ROUND AND ROUND I GO
IN A SPIN:
LOVIN' THE SPIN
THAT I'M IN
UNDER THA OLD BLACK MAGIC
CALLED LOVE:
Marie:
MY SECOND RULE--
ALWAYS FINISH THE FOOD.
THAT MEANS ELIMINATING
THE FEED MARKS:
AND A CENTRAL NERVOUS SYSTEM
DISCONNECT.
[SIREN]
OH, THAT'S O.K.
THIS ONE HAS EVERYONE
A LITTLE SPOOKED.
STANDARD SHOTGUN HIT,
RIGHT?
NAH. THIS GUY'S LOS A LOT OF BLOOD.
YEAH, WELL, HE HAD
HIS HEAD BLOWN OFF.
THIS GUY'S REALLY LOS A LOT OF BLOOD.
IT'S NOT HERE.
DECENT AMOUNT OF SPLATTER,
BUT HARDLY WHAT YOU'D EXPECT.
IN HIS ANKLES,
TURNING THEM PURPLE.
I'D SAY THIS GUY'S
ABOUT FIVE QUARTS LOW.
WHAT IN HELL:
ARE YOU DOING OUT HERE?
I WAS WITH TONY:
LAST NIGHT.
ANY OF THESE COPS COULD BE
IN THE MOB'S POCKET.
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