Into the Arms of Strangers: Stories of the Kindertransport Page #8

Synopsis: For nine months prior to World War II, in an act of mercy unequalled anywhere else before the war, Britain conducted an extraordinary rescue mission, opening its doors to over 10,000 Jewish and other children from Germany, Austria, and Czechoslovakia. These children, or Kinder (sing. Kind), as they came to be known, were taken into foster homes and hostels in Britain, expecting eventually to be reunited with their parents. The majority of them never saw their families again.
Production: Warner Bros. Pictures
  Won 1 Oscar. Another 6 wins & 6 nominations.
 
IMDB:
7.8
Metacritic:
79
Rotten Tomatoes:
91%
PG
Year:
2000
122 min
366 Views


as I say, what most of us don't do...

...which is to burden the household...

...the kitchens, the bedroom

and the living room with this foreigner.

Mariam was somewhat aloof.

It was her manner. She was loving, but...

... she didn't hug and kiss me.

My mother was the exact opposite.

She used to not just kiss me once...

...she sort of kissed me like "rat-tat-tat,"

like a machine gun.

But Mariam was distant and nice...

...and I think that's what I needed...

...because I had trouble...

...really...

...feeling that I belonged there.

To have sort of pushed me into it

would have been difficult.

He didn't cry, not at all.

I couldn't understand it.

This is London calling.

Just once...

... they used to like to listen

to some programs on the wireless.

He used to come sit on my knee.

And there was something in the news...

...I just heard him once go...

A little sob and that was all.

I tried really to please the Cohens

because I loved them...

... and I felt very dependent.

One of my main worries was

that I would be sent away.

I know this happened to

another boy, somewhat older...

...who was taken in by

some friends of the Cohens.

He was arrogant and impossible...

...and eventually they simply had

to send him to some other home.

I'd heard of other places

where this had happened.

So I felt very much...

...on edge.

Word came that my mother

was no longer in London.

She went back to Vienna...

... to get my father to move,

who was impassive.

So I really did make up my mind

that I would be as tough as nails.

Nothing would hurt me.

I would have no emotions.

And it carried me through

for about six or seven years.

I got a scholarship to a grammar school.

People were saying to me,

partly in jealousy:

"You know, they are snobs in these

schools and they're anti-Semites.

"You gotta watch yourself.

They're gonna take it out on you. "

And I went to school.

I had a school tie, I guess...

...or a blazer.

I was just entering a new world.

The sun was shining.

I went to school, and a fellow came

up to me and said, "Who are you?"

And I just knocked him down.

There was no doubt a cost...

...trying to be good all the

time and keeping my anger in.

Only once did it slip.

One day John and I

were having breakfast...

... and there was some silly argument

over who got the marmalade first.

And Kurt threw a knife. That

was the only time he was naughty.

John had a little wound here, which

was near his eye. It wasn't nice.

Dr. Rose, who was our friend,

and lived a few doors down...

...he came in and he was furious.

"You shouldn't have

taken this child in."

It terrified the entire family and me, too.

Since then I've been somewhat afraid

of my possibility of letting go to anger.

The other signs that I had

a lot inside me was that...

... I always had some

intestinal problems...

...until I went into the army, and then

I had the most terrible food and felt fine.

I have an analogy for this:

When all of us have had

the experience of finding...

...a bird with a broken wing...

...and you pick up this bird

and you hold it in your hand...

...and you think it's going to sit there,

quietly, sweetly...

...with its warm feathers, and be darling.

It's not. It immediately tries...

...to use its muscles and it's a very

uncomfortable thing to hold in your hand...

...because there's this fluttering.

What he wants is to get away.

It may need you to

hold it and nurse it...

...but what he wants is to

get the heck out of there.

I think that's what we were like.

Certainly, that's what I was like.

I was not nice to have around.

I got a new job in London...

... and I was working there

until June 28, 1940.

It was lunchtime and I

was having a sandwich...

...when suddenly two

guys appeared. Two men.

"CID."

"What have I done?" "Nothing."

"You are Abrascha Gorbulski?

"You are now under arrest."

"Under arrest? For what?"

"You are an enemy alien,

please come with us."

After Germany invaded Western Europe...

... the British began rounding up

all refugees from Germany and Austria...

... who were over the age of 16.

Although the vast majority were

refugees from Nazi persecution...

... anyone with a foreign accent

was viewed as a potential saboteur.

Within a few months...

... the government interned

approximately 30,000 men and women.

Plans were made to deport

as many as possible.

The good thing about life is you

remember all the good things...

...that happened to you.

Bad things, you forget about them.

In fact, you have to make an

effort to really remember them.

They came and we had to go to a ship.

Soldiers were standing

there with bayonets...

... mounted on their rifles.

And they pushed us along and said:

"Leave your luggage, you'll get it

later on." They pushed us along the deck.

Before long, we went down stairs,

then more stairs. I was on the third deck.

Over 2,500 prisoners...

... twice the capacity of the ship...

... were crammed onto the HMT Dunera...

... supposedly bound for Canada.

Two days out of Liverpool...

... the Dunera was spotted

by a German U-boat.

Suddenly, something hits the ship.

The lights went out.

This is the end of it.

Everybody gravitated

towards the stairway...

...which led to the deck above.

After about two minutes

you couldn't get up there...

...because there were many people

going up the stairs...

...we were just choking.

Suddenly, the lights went on again.

Everybody stopped in their...

...steps and went back down.

The torpedo didn't explode...

... but I was under the impression

that the torpedo hit us sideways.

It just bounced off.

Our luck, because if it had hit us...

... all of us would have been finished.

We were traveling, going

west for several days...

...but suddenly our outlook said:

"Something's happening and we are

not going west. We're going south."

We had no idea where we were going,

except it must have been Australia.

We were starving daily.

They were treating us like pigs.

Being hungry every day,

people were lining up in the kitchen...

...to get an empty pot where the

jam was, just to scrape it out.

And having one slice of bread.

The existence from one day to

another was worse than the day before.

And we were on the ship

for almost completely two months!

What happened on the Dunera?

Years later, I'm thinking:

"This didn't happen to me.

It must have been somebody else...

"...because it was too

horrible to describe."

From an overseas liner in Sydney harbor...

... a strange contingent of new arrivals

is transshipped aboard a ferry.

Enemy aliens who are being interned

in Australia for the duration of the war.

Before we knew it, we were off the ship.

The first thing I remember

is that each one of us...

...got a box...

...of food. That was the best meal

I ever had in my life.

After starving for two months...

...I opened up the box.

There were two cheese sandwiches...

...thick like this, and a banana...

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Mark Jonathan Harris

Mark Jonathan Harris (born 1941) is an American documentary filmmaker probably best known for his films Into the Arms of Strangers: Stories of the Kindertransport (2000) and The Long Way Home (1997). He has directed three documentaries which have gone on to win Oscars, across three different decades. Educated at Harvard, Harris co-produced the short The Redwoods for the Sierra Club with Trevor Greenwood; the short won the 1967 Academy Award for Documentary Short Subject. The aforementioned Into The Arms and Long Way Home also landed Academy Awards. Harris started out as a crime reporter for the Chicago City News Bureau, and reports that on his first story he went into a police station and had his car stolen from in front of it. The police called him a few weeks later to ask if he had found his car. Harris tried investigative journalism next but quit after realizing he did not like to embarrass people. Harris believes that filmmakers can construct a cinema verite film beforehand by considering repeatable events—that is, by determining which events are likely to recur frequently, and being there to film those events when they do. He tested this theory on a film on the Peace Corps in Colombia, in a small village 50 miles outside Bogotá. The film was not especially positive about the Peace Corps experience; the Peace Corps decided not to use it for recruiting, but to use it for training people who have been in for about a year. Harris has also directed a film on migrant farmworkers and their dismal wages and living conditions;one of the "stars" of his documentary was Luis Valdez, who went on to direct the film La Bamba. Harris' film The Long Way Home deals with the experience of Jewish refugees after World War II. Spike Lee condemned the second half of the film as propaganda for the state of Israel; nonetheless the film won an Oscar in 1997 for Best Documentary. Harris next directed a film less complimentary towards the state, which had been commissioned specifically for the 50th anniversary of Israel. Harris intended the film, A Dream No More, to reflect Israel, "warts and all"; he spent 15 months and nearly $1.5 million U.S. making the film, which went over deadline as he tried to determine final structure for the film. He turned in a final print and had the film flagged the next day; it was never shown. Harris considers this film the second of his "Jewish trilogy". Into the Arms of Strangers: Stories of the Kindertransport, the third part of the trilogy, tells the stories of several people whose parents sent them on the kindertransport to escape the Germans, as well as one woman who was meant to go and did not because her father pulled her off the train. The film won the 2000 Academy Award for Documentary Feature. In 2003, Harris wrote Unchained Memories: Readings from the Slave Narratives. He was nominated for outstanding writing for non-fiction writing for this documentary. As a documentary filmmaker, Harris casts his films carefully, talking to people beforehand and deciding who has an interesting story and who tells it well on camera. He also refuses to start filming immediately, but prefers to talk with the subjects for about an hour beforehand. He is currently the producer of a documentary called "With One Hand Tied", which is based on the book "Black Warriors: The Buffalo Soldiers of World War II".Harris is also the author of various children's books, a side career he stumbled into the mid-1980s: he returned to journalism because he could not find funding for a documentary he wanted to make. After writing an article about a young child, he was contacted by an agent who asked him to write children's literature and has since written several children's books. Harris is currently a professor at the School of Cinematic Arts of the University of Southern California. more…

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Submitted on August 05, 2018

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