Into the Night Page #6
- R
- Year:
- 1985
- 115 min
- 754 Views
to pick them up in a few hours.
All she wants is the money
and no more trouble.
- Who are you?
- That's all she wants.
Just what was promised her
and her safety.
- What about you?
- I'm just a friend.
A friend?
Of Jack Caper's too?
You drive his car.
What do you want?
She said she'd split
the money with me.
All this risk for $ 12,500?
No. Please.
- No, of course not.
- Then why?
The last thing you'd believe
is anything close to the truth.
The truth is...
I'm not sure I know.
Somebody had to help her.
I happened to be in the wrong place
at the right time.
- How much did Melville offer?
- The French guy?
we rejected his offer.
Twenty-five thousand
dollars is nothing.
I do not understand.
Okay, you give me
the money in cash.
when I see Diana, we 'll call
and tellyou the location
ofthe other three stones.
It's simple.
Too simple.
why? what is it?
what's wrong with our plan?
There has to be a catch,
a trick.
I do not trust your plan.
I think it's a very good plan.
Come on. Time's running out.
Escrow is closing.
- Did Jack Caper tell you that?
- Yes, that's right.
- I'm Jack's son.
- His son?
Illegitimate.
But some day it'll all be mine.
You and I might be doing
business, going out to lunch.
All right, okay, fine.
I'll tell you the truth.
Diana's C.I.A. I'm on
Her Majesty's Secret Service.
We've got the place surrounded.
I'm really from Immigration.
We thought you might have some
illegal aliens working here.
- What are you playing at?
- I apologize. I've been lying.
I'm actually
the chairman ofthe committee
to reelect the president.
- I was hoping for
a substantial contribution.
- You are mad.
Nowyou don't know
what to believe, do you?
Look, either you've
already lost everything...
or you have to take
a chance on me.
Neither of us
have much to lose.
If he's still there, you better
let him go if you ever want
to see those stones alive.
A-Again.
Ever.
I promise if I'm followed,
I'll go straight to the police.
Besides, it might
take every one of you
to retrieve the stones.
They could be scattered
all over the city.
- When can we expect this call?
- When everyone's safe.
Mr. Oskovitz.
to the white courtesy telephone.
One minute, sir.
One minute.
Aero Norte
Flight 1 56 to Mexico City
now boarding at Gate 53.
Boo.
Great.
What are you doing?
What are you doing?
We'll miss the plane.
I have to make the call.
F*** 'em.
We'll do it from Mexico.
No, no, no, no.
It has to be done now.
I want it overwith.
You're crazy.
The flower market downtown.
Yakamura Roses.
It's waiting for you.
It's in your name.
Wait! Wait!
Your atencio'n, por favor.
Ladies and gentlemen,
mechanical difficulties
necessitate our asking...
all passengers
to kindly deplane...
and return temporarily
to the boarding area.
Thank you for your cooperation,
and our apologies for the delay.
I 'm afraid all passengers
have to get off the aircraft
at this time.
You think we could wait it out
in here? It's more comfortable
than out there.
I'm very sorry, sir.
Rules are rules.
...please go to a white
courtesy telephone.
Miss Susan Dorgan,
please meet your party
at baggage area--
Look.
Now what happens?
- What the f***--
- Federal Agent!
Everybody down!
This is ridiculous.
Big shot, huh?
You got a gun. Now what?
Shithead. You.
Huh?
Maniac.
Let me askyou something.
Maybe you can help me.
What's wrong with my life?
Why is my wife sleeping
with someone else?
Why can't I sleep?
What are you doing?
Will somebody tell me
what we're doing here?
Well, at least
we're not dead.
Maybe we are,
we just don't know it.
When you die, you don't
go to a Ramada Inn.
How do you know?
And, uh,
what's happening here?
Sorry, Mrs. Parvizi,
but you'll have to come with us.
Can we see you in here
for a minute, please?
- Are we under arrest or what?
- I'd say you'd fall into
the "or what" category.
- Are you a policeman?
- I'm a federal agent.
Feel better?
will you gentlemen
excuse us, please?
I don't know
what's going down here,
and I don't want to know.
All I know is that this money's
clean, and I'm supposed
to give it to you.
- For what?
- Someone--
- Someone very important
must like you.
-Jack.
There's $750,000 right there.
All this money is for us?
Who you gonna tell?
You got 24 hours undisturbed.
You're not to leave this room.
After that, you're on your own.
- Do we Thank you or what?
- Follow the "or what" category.
Here is Cal Worthington
and his dog, Spot.
if you need a better car
go see Cal
For the best deal by far
go see Cal
if you wantyour payments low
if you--
Diana?
Excuse me. Did you see
and a red jacket?
She said,
"No disturb."
The blonde woman?
The lady.
You saw her?
Si.
Yesterday.
When?
What?
Clean
your room now?
Can I have a ride
to the airport?
All right, baby
All right, now
I'm gonna wait
till the midnight hour
That's when my love
comes tumblin'down
Gonna wait
till the midnight hour
Till there is
no one else around
I'm gonna take you down
and hold you
Do all the things
I told you
In the midnight hour
Oh, yes, I am
All right, baby
Gonna wait
till the stars come out
See the twinkle
in your eye
Gonna wait
till the midnight hour
Till there is no one
but you and I
You're the only girl
I know
who really loves me so
in the midnight hour
In the midnight hour
baby
Just one more thing
Gonna wait
till the stars come out
See the twinkle
in your eye
Gonna wait
till the midnight hour
Till there is no one
but you and I
You're the only girl
I know
who really loves me so
in the midnight hour
In the midnight hour
baby
Just one more thing
I'm gonna wait
till the midnight hour
That's when my love
comes tumblin' down
I'm gonna wait
till the midnight hour
Till there is no one
else around
Just you and I
Oh, baby
in the midnight hour
Just you and I
You know what
Gonna hold you
Squeeze you, please you
and love you, baby
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Into the Night" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/into_the_night_10898>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In