Into the Woods Page #8
(Excited)
As pure as gold?
CINDERELLA:
I must get home.
CINDERELLA runs off.
WIFE:
Wait! I need your shoes!
The WIFE goes after CINDERELLA but then hears a distant COW
MOAN. She turns around to discover that MILKY-WHITE has taken
off.
WIFE (CONT’D)
Milky-White!
The WITCH appears from nowhere.
WITCH:
One midnight gone!
WIFE:
Already?!
WITCH:
Get that cow!
The WIFE takes off after the cow as the CAMERA RISES above
tree level. The BLUE SHADOW has moved a little further across
the face of the MOON.
EXT. JACK’S FARMHOUSE - THE NEXT DAY - DAYBREAK
A STRAGGLY ROOSTER crowing, the sun cutting across its path.
INT. JACK’S FARMHOUSE - DAYBREAK - CONTINUOUS
JACK’S MOTHER is woken by the rooster crow to find something
ticking her nose.
She opens her eyes, brushing the “something” away -- then
sees that it’s a huge LEAF pushing in through an open slat in
the wall.
EXT. JACK’S FARMHOUSE - DAYBREAK - EXTREME WIDE SHOT
The cottage, now dwarfed by a giant BEANSTALK. JACK’S MOTHER,
a tiny figure from this distance, comes running out of the
house, takes one look at the giant plant and screams.
EXT. WOODS - TALL TREES - DAY
Various angles of JACK, running feverishly through the woods
in search of the BAKER. He carries a huge sack of LARGE-SIZED
COINS over his back. He occasionally calls out: “Mr. Baker!”
The BAKER, peacefully asleep is curled up in a large root,
clutching the red cape like it was his blankie. Suddenly JACK
leaps from atop calling his name and waking him.
JACK:
(shouting)
Mr. Baker! Mr. Baker!
BAKER:
(half asleep)
What?
JACK:
Good fortune! Good fortune, sir! Look
what I have! Five gold pieces.
BAKER:
(skeptical)
How would you come by five gold
pieces?!
JACK:
THERE ARE GIANTS IN THE SKY!/ THERE
ARE BIG TALL TERRIBLE GIANTS IN THE
SKY!
JACK throws him the bag and begins to scale up the root of
the tree.
JACK (CONT’D)
WHEN YOU’RE WAY UP HIGH AND YOU LOOK
BELOW/ AT THE WORLD YOU’VE LEFT AND
THE THINGS YOU KNOW,/ LITTLE MORE THAN
A GLANCE IS ENOUGH TO SHOW/ YOU JUST
(MORE)
JACK (CONT’D)
WHEN YOU’RE WAY UP HIGH AND YOU’RE ON
YOUR OWN/ IN A WORLD LIKE NONE THAT
YOU’VE EVER KNOWN,/ WHERE THE SKY IS
EXT. BEANSTALK - DAY - FLASHBACK
JACK is now climbing the BEANSTALK.
JACK (V.O.)
YOU’RE FREE TO DO/ WHATEVER PLEASES
YOU,/ EXPLORING THINGS YOU’D NEVER
DARE/ ’CAUSE YOU DON’T CARE,/ WHEN
SUDDENLY THERE’S
EXT. WOODS - DAY - PRESENT
JACK is half-way up the tree with the BAKER below.
JACK:
A BIG TALL TERRIBLE GIANT AT THE DOOR.
BAKER:
A giant?
JACK:
A BIG TALL TERRIBLE LADY GIANT
SWEEPING THE FLOOR./ AND SHE GIVES YOU
FOOD/ AND SHE GIVES YOU REST,/ AND SHE
DRAWS YOU CLOSE/ TO HER GIANT BREAST,/
JACK (in the tree).
JACK (CONT’D)
AND YOU KNOW THINGS NOW THAT YOU NEVER
KNEW BEFORE,/ NOT TILL THE SKY.
The BAKER listens intently.
JACK (CONT’D)
ONLY JUST WHEN YOU’VE MADE A FRIEND
AND ALL,/ AND YOU KNOW SHE’S BIG BUT
YOU DON’T FEEL SMALL,/ SOMEONE BIGGER
THAN HER COMES ALONG THE HALL/ TO
SWALLOW YOU FOR LUNCH.
AND YOUR HEART IS LEAD AND YOUR
STOMACH STONE/ AND YOU’RE REALLY
SCARED BEING ALL ALONE,/ AND IT’S THEN
THAT YOU MISS ALL THE THINGS YOU’VE
KNOWN/ AND THE WORLD YOU’VE LEFT AND
EXT. BEANSTALK - DAY - FLASHBACK
JACK scurries down the BEANSTALK, with the large SACK OF
COINS over his shoulder, occasionally looking up to see if he
is being followed.
JACK (V.O.)
THE FUN IS DONE./ YOU STEAL WHAT YOU
CAN AND RUN!
(MORE)
JACK (V.O.) (CONT'D)
AND YOU SCRAMBLE DOWN/ AND YOU LOOK
BELOW,/ AND THE WORLD YOU KNOW/ BEGINS
TO GROW:
JACK looks down to the BAKER.
JACK:
THE ROOF, THE HOUSE, AND YOUR MOTHER
AT THE DOOR./ THE ROOF, THE HOUSE, AND
THE WORLD YOU NEVER THOUGHT TO
EXPLORE./ AND YOU THINK OF ALL OF THE
THINGS YOU’VE SEEN./ AND YOU WISH THAT
JACK now scurries down the tree.
JACK (CONT’D)
AND YOU’RE BACK AGAIN,/ ONLY DIFFERENT
THERE ARE GIANTS IN THE SKY!/ THERE
ARE BIG TALL TERRIBLE AWESOME SCARY/
JACK jumps from the tree and lands in front of the BAKER. He
up-ends the sack and dumps the five gold coins on the ground.
JACK (CONT’D)
So, here’s your money, sir! Five gold
pieces. Where is my Milky-White?
BAKER:
(hesitantly)
Milky-White is back home with my wife.
JACK:
Let’s go find them!
JACK grabs the BAKER and excitedly tries to pull him along.
BAKER:
Wait a minute! I’m not sure I want to
sell.
JACK:
But you said I could buy her back. Do
you want more money?
BAKER:
No, no, no! It’s not that-JACK
(ignoring him)
You keep that. I’ll fetch some more.
BAKER:
Wait. I didn’t say--
But JACK doesn’t wait to listen. Taking the EMPTY SACK, he
runs off excitedly.
BAKER (CONT’D)
Hey, come back!
EXT. WOODS - TALL TREES - DAY - CONTINUOUS
The BAKER follows after JACK and collides into his WIFE,
dropping his satchel and revealing the red cape. He hides the
money sack.
BAKER:
What are you doing here?
WIFE:
Well...
She doesn’t want to tell him she’s lost MILKY-WHITE.
WIFE (CONT’D)
I see you’ve got the red cape!
BAKER:
Yes. I’ve got the cape. Only two items
left.
WIFE:
(sheepish)
Three.
BAKER:
Two. We’ve the cape and the cow.
WIFE:
(faked enthusiasm)
You’ve the cape...
BAKER:
What have you done with the cow?!
WIFE:
She ran away. I never reached home.
I’ve been looking for her all night.
BAKER:
(angry)
How could you?
WIFE:
She might just as easily have run from
you!
BAKER:
But she didn’t!
WIFE:
BUT SHE MIGHT HAVE!
BAKER:
BUT SHE DIDN’T!!!
WITCH (O.S.)
WHO CARES!
The WITCH appears in the tree directly above them.
WITCH (CONT’D)
THE COW IS GONE! GET IT BACK! GET IT
BACK!!!
BAKER:
We were just going to do that. Here.
He climbs towards her with the cape.
BAKER (CONT’D)
You can have this-
WITCH:
DON’T COME NEAR ME WITH THAT, FOOL!! I
can’t touch it! By midnight tomorrow
bring me the items or that child you
wish for will never see the light of
day!
With a grand sweep of her cape, the WITCH throws off dirt and
muck over the BAKER and the BAKER’S WIFE as she disappears
into a cloud of dust.
The BAKER wipes dirt from his mouth.
BAKER:
I don’t like that woman.
WIFE:
I’m sorry I lost the cow.
BAKER:
I shouldn’t have yelled.
(firmly but kindly)
Go back to the village. I will make
things right. And then we can just go
about our life. No more witches or dimwitted
boys or hungry little girls.
The BAKER’S WIFE starts to speak.
BAKER (CONT’D)
GO!, please -- go.
She goes.
EXT. WOODS - PINE FOREST - DAY
WIDE SHOT. We hear the hoofbeats of horses coming from both
directions. Crossing the frame and each other are
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Into the Woods" Scripts.com. STANDS4 LLC, 2025. Web. 13 Jan. 2025. <https://www.scripts.com/script/into_the_woods_107>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In