Inventing the Abbotts Page #13

Synopsis: In the 1950s, brothers Jacey (Billy Crudup) and Doug Holt (Joaquin Phoenix), who come from the poorer side of their sleepy Midwestern town, vie for the affections of the wealthy, lovely Abbott sisters. Lady-killer Jacey alternates between Eleanor (Jennifer Connelly) and Alice (Joanna Going), wanting simply to break the hearts of rich young women. But sensitive Doug has a real romance with Pamela (Liv Tyler), which Jacey and the Abbott patriarch, Lloyd (Will Patton), both frown upon.
Genre: Drama, Romance
Production: Twentieth Century Fox Home Entertainment
 
IMDB:
6.4
Metacritic:
49
Rotten Tomatoes:
31%
R
Year:
1997
110 min
700 Views


JACEY:

I know.

(slight beat)

I had to bring her here today.

She couldn't see me tonight andthere was nowhere else we could

go.

HELEN:

I can appreciate that, Jacey,

but...

JACEY:

I love her, Mother. I'm going tomarry her.

HELEN:

Do her parents know about this?

JACEY:

Of course not.

HELEN:

Don't you think they should?

JACEY:

I don't give a damn about them.

HELEN:

Does Alice feel the same as youdo?

JACEY:

She loves me.

HELEN:

Has she agreed to marry you?

(CONTINUED)

75.

110 CONTINUED:
110

JACEY:

She will. She needs time. She's

frightened. It's not easy forher.

HELEN:

How does hiding it from her familymake it any easier?

JACEY:

We don't have any choice.

HELEN:

Alice is a grown woman, she's amother with a child of her own; if

she really loves you then sheshould...

JACEY:

(cutting her off)

All that matters is that I get heraway from them before they find

out.

HELEN:

I can't be a party to that, Jacey.

JACEY:

I don't need your help.

asking for it.

I'm not

HELEN:

(slight beat)

You'll have to find somewhere else

to take Alice -- I can't have youbringing her here again. I'm

sorry.

She steps away from the screen door.

111 INT. ABBOTT HOME - ENTRY HALL AND STAIRCASE - NIGHT 111

Alice comes in the front door and goes up the stairs.

JOAN (O.S.)

Alice? Where have you been?

Susie cut her finger on the pianopedal. They're as sharp as razorblades...

Joan steps into the entry hall.

(CONTINUED)

INVENTING THE ABBOTTS - Rev. 3/20/96 76.

111 CONTINUED:
111

JOAN:

Alice? Did you hear me? Susan

cut her finger on the piano pedal.

Alice disappears at the top of the stairs.

112 INT. HOLT HOME - ENTRYWAY - LATE THAT NIGHT 112

It is almost two o'clock in the morning. Helen has dozed

off in her chair with a book on her lap. She is startled

awake by a loud BANGING at the front door. Helen hurries

to the door and opens it. Pamela is on the porch. She

is out of breath and very distraught. Her CAR is parkedin the middle of the street with its lights on and MOTORRUNNING.

HELEN:

Pamela, are you all right?

PAMELA:

I need to talk to...

Jacey comes down the stairs, pulling on his bathrobe.

Doug appears on the stairs behind him.

What's wrong?

JACEY:

PAMELA:

Alice took some pills, some of mymother's pills...

JACEY:

Oh, Jesus, no...

PAMELA:

She's all right, we took her tothe hospital...

JACEY:

I'll get dressed...

No!

PAMELA:

JACEY:

I have to see her.

PAMELA:

No. That's why she sent me, shedoesn't want you to come, she wasafraid you would if you heard fromsomeone else. She's all right.

(MORE)

(CONTINUED)

INVENTING THE ABBOTTS - Rev. 3/20/96 77.

112 CONTINUED:
112

PAMELA (CONT'D)

They just want her to rest

tonight, they said they might let

her come home in a day or two.

She just needs to rest. I've got

to go, I'm supposed to be on my

way home from the hospital.

JACEY:

But I have to see her.

PAMELA:

Dammit, no! I'm warning you, just

wait! I'll let you know just as

soon as she can see you. Please,

don't make things worse. Don't.

113 EXT. HOLT HOME 113

Pamela dashes back to her car.

112 CONTINUED:
112

as Jacey walks down the remainder of the stairs andwatches Pamela speed away.

JACEY:

Jesus...

Helen closes the front door and turns to say somethingto Jacey, but he cuts her off:

JACEY:

Leave me alone, just leave me

alone.

Helen climbs the stairs, collects Doug at the top

landing, and leads him away.

Jacey punches his fist through a glass pane of the sheer-

curtained sidelight beside the front door.

114 EXT. HOLT HOME - STREET - YARD - DAY (FIVE DAYS LATER) 114

Doug is mowing the front lawn.

115 INT. HOLT HOME - JACEY'S BEDROOM - DAY 115

The DRONE of the LAWN MOWER accompanies Jacey's pacing.

His face is haggard and unshaven. He glances out thewindow and sees something that sends him bolting out ofhis bedroom.

INVENTING THE ABBOTTS - Rev. 3/20/96 78.

116 EXT. HOLT HOME - STREET - FRONT YARD - DAY (MOMENTS 116

LATER)

Pam's convertible barely comes to a halt at the curbbefore Jacey comes charging out of the house to Pam.

Doug is occupied with the lawn mower; he doesn't noticePam and Jacey at first. (Jacey and Pam have to speakover the din of the LAWN MOWER.)

How is she?

JACEY:

PAMELA:

She's all right.

JACEY:

Can I see her?

PAMELA:

At the boathouse -- at the lake.

Jacey turns and dashes up the driveway.

Doug watches Jacey jump into the Plymouth and speed downthe driveway and then up the street.

Doug SHUTS OFF the LAWN MOWER and walks over to Pam.

DOUG:

What's going on?

She looks at Doug with tears in her eyes.

PAMELA:

I had to... for Alice's sake.

DOUG:

(puzzled)

Had to what? What?

PAMELA:

Tell Jacey I'm sorry.

Pam drives away.

117 EXT. BOATHOUSE (LAKE) - DAY 117

The PLYMOUTH SKIDS to a stop behind the Abbott's Town &

Country station wagon. Jacey jumps out of his car andrushes into the boathouse.

118 INT. BOATHOUSE - DAY 118

Jacey discovers Lloyd Abbott waiting for him.

(CONTINUED)

INVENTING THE ABBOTTS - Rev. 2/16/96 79.

118 CONTINUED:
118

LLOYD:

I have plans for my daughters, Mr.

Holt, and they don't include you.

I know you. I know you better

than you know me. I know all

there is to know about screwing

your way into a wealthy family.

I'll never let you screw your way

into mine.

JACEY:

Where is she? Where's Alice?

Jacey turns and rushes out of the boathouse.

119 EXT. BOATHOUSE - PLYMOUTH - DAY 119

Jacey hops into the PLYMOUTH and PEELS OUT as he speeds

away. Lloyd Abbott steps out of the boathouse andapproaches the station wagon.

120 EXT. PLYMOUTH (STREETS OF HALEY) - DAY 120

Jacey speeds recklessly back into town.

121 EXT. ABBOTT HOME - DRIVEWAY - DAY (MINUTES LATER) 121

Jacey skids into the driveway and leaps out of the car.

122 INT. ABBOTT HOME - ENTRY HALL AND STAIRS - DAY 122

Jacey bursts through the front door and cries out.

JACEY:

Alice! Alice!

Joan Abbott rushes into the entry hall.

JOAN:

Dear God!

JACEY:

Where is she?! Alice! Alice!

JOAN:

Who do you think you are?

JACEY:

Dammit, where is she?!

(CONTINUED)

INVENTING THE ABBOTTS - Rev. 3/20/96 80.

122 CONTINUED:
122

Get out!

JOAN:

Alice!

JACEY:

JOAN:

Get out of here!

Alice!

JACEY:

Lloyd Abbott steps in the front door and drops his carkeys into the silver bowl on the hall table.

LLOYD:

Call the police, Joan.

Joan hurries away.

JACEY:

You son-of-a-b*tch!

she?!

Where is

LLOYD:

Behind you, Mr. Holt...

Jacey turns and sees Alice standing at the top of thestairs. She is pale and drawn and wearing a bathrobe.

JACEY:

Come with me. Please, Alice, justcome with me now, right now.

ALICE:

I told you... I can't...

She walks OUT OF VIEW. Lloyd steps up behind Jacey andsays softly but with piercing intensity:

LLOYD:

Now, get out of here, you runtstud. And keep your poor-boy dickout of my daughters.

Jacey turns and stares at Lloyd -- then brushes past himon his way out the door.

123 INT. HOLT HOME - JACEY'S BEDROOM - LATER THAT DAY 123

Jacey haphazardly packs his suitcases. His emotions have

been spent. Helen stands in the doorway.

(CONTINUED)

Rate this script:0.0 / 0 votes

Ken Hixon

Ken Hixon is a screenwriter whose films include Welcome to the Rileys, City by the Sea, Inventing the Abbotts, Incident at Deception Ridge, Morgan Stewart's Coming Home, and Grandview, U.S.A.. more…

All Ken Hixon scripts | Ken Hixon Scripts

0 fans

Submitted by aviv on November 06, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Inventing the Abbotts" Scripts.com. STANDS4 LLC, 2024. Web. 23 Jul 2024. <https://www.scripts.com/script/inventing_the_abbotts_481>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Inventing the Abbotts

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which part of a screenplay provides a detailed description of the setting, actions, and characters?
    A Action lines
    B Scene headings
    C Character arcs
    D Dialogue