Isle of the Dead Page #15
- APPROVED
- Year:
- 1945
- 71 min
- 427 Views
EXT. THE CYPRESS GROVE - NIGHT
Only trickles of moonlight come through the pendulous
branches and thick boles of these dark trees. The CAMERA
TRACKS TO a space between two of the largest trees, a space
which seems filled only with shadow and moonlight, but as IT
MOVES IN CLOSER, Oliver and Thea are disclosed, embracing.
They break apart. She starts to turn from him but he takes
her hand and turns her so that she faces him.
OLIVER:
Thea.
She allows him to draw her back.
CLOSE SHOT — over Oliver's shoulder at Thea's face. He cups
his hand around her chin so that she looks up at him. Her
eyes are wet with tears.
OLIVER:
You're crying. Why?
THEA:
(simply)
I don't know. Everything's so mixed
up --
OLIVER:
(smiling)
Everything's so simple. I like you.
Thea smiles at him affectionately, but then her face clouds
again and she looks away from him.
OLIVER:
What's bothering you, Thea? Is it
the General?
THEA:
Sometimes when he looks at me in
that strange way, I'm afraid of
him.
OLIVER:
Don't let it trouble you. He's an
old man and these last few days
have been a terrible strain on him.
He won't harm you.
She makes a pathetic attempt at a smile. He puts his arms
around her protectively and they kiss. Slowly they break from
their embrace and together they start up the path.
ANOTHER ASPECT OF THE GROVE - NIGHT
This is at a point where a narrow flight of marble stairs
come clown from above The CAMERA is on the stairs, FOCUSED ON
the path.Oliver and Thea walk in silence, their hands
clasped.They come slowly up the path.
ANOTHER ANGLE - MED. CLOSE SHOT - Thea and Oliver suddenly
look up.
EXT. STAIRS - NIGHT
General Pherides stands there, erect and silent, looking up
with an expression which is hard to fathom.
THREE SHOT. Nervous and embarrassed, Thea disengages her hand
from Oliver's.
OLIVER:
You gave us quite a start --
standing there.
The General is silent. Thea moves rapidly toward the stairs,
carefully avoiding physical contact with the General as she
goes past him. He does not turn to look at her, but as Oliver
moves to follow her, the General puts a restraining hand on
his arm. Then, without a word, he steps down onto the path
and starts along it toward the shore. Oliver looks at him in
puzzlement, shrugs and then follows him.
EXT. GROVE - NIGHT
The two men walk silently through the grove. At the edge of
the grove on the shoreward side of the island the General and
Oliver come out from beneath the trees and emerge onto the
beach below the figure of Cerberus. The General seats himself
on a block of stone, looking out toward the sea. Oliver
stands near him. The General points out across the water.
LONG SHOT - MATTE. The General in the f.g. points to the camp
fires burning on the hills of the opposite shore.,
GENERAL:
Tomorrow they move on to engage the
enemy —— to beat him back across
the Bosphorus.
CLOSE SHOT - the General has his sabre between his knees and
is resting his two hands upon it; a melancholy and mournful
figure. His eyes are fixed on the distant camp fires.
(Note:
See famous World-Wide photograph of King Ferdinand ofBulgaria, taken after the defeat of the Bulgarian armies in
1917.)
OLIVER:
It's hard going, General. You
wanted to lead them. Here you are
quarantined just because you wanted
to pray at your wife's side —— and
even her body is gone.
The General looks over.
GENERAL:
(musing)
Thea is so like her —— in every
feature ——
OLIVER:
(rather pleased)
If she looked like Thea, she must
have been beautiful.
The General takes a deep breath and sighs, remembering other
days.
GENERAL:
She was beautiful. There was blood
between her family and my kin. But
that did not stop me from taking
her when I saw her beauty, nor did
it stop her from loving me.
OLIVER:
How did she die?
GENERAL:
I don' t know. When I was gone the
people from her village came to my
home seeking vengeance. They bore
her away with them. Months later
she came back ——pale -- sick -- she
died --
There is a long silence. Oliver stirs restlessly.
OLIVER:
Is this what you wanted to speak to
me about?
GENERAL:
In a way -- this girl, Thea.
You must stay away from her.
OLIVER:
I had a notion you had become
self—appointed chaperone lately —
why?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Isle of the Dead" Scripts.com. STANDS4 LLC, 2024. Web. 21 Dec. 2024. <https://www.scripts.com/script/isle_of_the_dead_447>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In